A biography for teens of a strong, independent woman of the 15th century. Anne of Brittany was only 12 when, in 1488, she became its Duchess, but already she was among the best-educated women of her era and she was determined to preserve the duchy’s independence. At 15 she averted takeover by France when she married its king, Charles VIII, and after he died she married his successor, Louis XII, becoming the only person ever twice crowned Queen of France. Foreword by Sylvia Louise Engdahl, the author’s daughter. Illustrated with 16th-century portraits. “The life of Anne of Brittany is traced in detail against a vivid background of court life during the Renaissance. . . . Useful to schools for its portrayal of the times, this has enough romance to appeal to girls.”—ALA Booklist

DIV This book tells the history of the French Renaissance through the lives of its most prominent queens and mistresses, beginning with Agnès Sorel, the first officially recognized royal mistress in 1444; including Anne of Brittany, Catherine de Medici, Anne Pisseleu, Diane de Poitiers, and Marguerite de Valois, among others; and concluding with Gabrielle d’Estrées, Henry IV’s powerful mistress during the 1590s. Wellman shows that women in both roles—queen and mistress—enjoyed great influence over French politics and culture, not to mention over the powerful men with whom they were involved. The book also addresses the enduring mythology surrounding these women, relating captivating tales that uncover much about Renaissance modes of argument, symbols, and values, as well as our own modern preoccupations. /div

Jeanne de Penthièvre (c.1326–1384), duchess of Brittany, was an active and determined ruler who maintained her claim to the duchy throughout a war of succession and even after her eventual defeat. This in-depth study examines Jeanne's administrative and legal records to explore her co-rule with her husband, the social implications of ducal authority, and her strategies of legitimization in the face of conflict. While studies of medieval political authority often privilege royal, male, and exclusive models of power, Erika Graham-Goering reveals how there were multiple coexisting standards of princely action, and it was the navigation of these expectations that was more important to the successful exercise of power than adhering to any single approach. Cutting across categories of hierarchy, gender, and collaborative rule, this perspective sheds light on women's rulership as a crucial component in the power structures of the early Hundred Years' War, and demonstrates that lordship retained salience as a political category even in a period of growing monarchical authority.

What do the physical characteristics of the books acquired by elite women in the late medieval and early modern periods tell us about their owners, and what in particular can their illustrations—especially their illustrations of women—reveal? Centered on Anne, duchess of Brittany and twice queen of France, with reference to her contemporaries and successors, The Queen's Library examines the cultural issues surrounding female modes of empowerment and book production. The book aims to uncover the harmonies and conflicts that surfaced in male-authored, male-illustrated works for and about women. In her interdisciplinary investigation of the cultural and political legacy of Anne of Brittany and her female contemporaries, Cynthia J. Brown argues that the verbal and visual imagery used to represent these women of influence was necessarily complex because of its inherently conflicting portrayal of power and subordination. She contends that it can be understood fully only by drawing on the intersection of pertinent literary, historical, codicological, and art historical sources. In The Queen's Library, Brown examines depictions of women of power in five spheres that tellingly expose this tension: rituals of urban and royal reception; the politics of female personification allegories; the "famous-women" topos; women in mourning; and women mourned.

In The Monstrous Regiment of Women , Sharon Jansen explores the case for and against female rule by examining the arguments made by theorists from Sir John Fortescue (1461) through Bishop Bossuet (1680) interweaving their arguments with references to the most well-known early modern queens. The 'story' of early modern European political history looks very different if, instead of focusing on kings and their sons, we see successive generations of powerful women and the shifting political alliances of the period from a very different, and revealing, perspective.