TUTUOBA is the fascinating story of a young woman and her reincarnation, having to survive similar desperate struggles against rich powerful enemies. Violently uprooted from Africa, she is persecuted in Jamaica, before being shipped to Boston, MA where she is tried for witchcraft, but despite all TUTUOBA knows she has to survive by all means necessary!

These Treatises of the Odu of Ifá in volumes, are very complete, since In addition to treating the Afro-Cuban Odu de Ifá, they also contain Traditional African Ifá treatises. Both gather thousands of Pataki or Histories, thousands of Eboses and works, which will make it easier for you to deepen your study and solve any situation that arises in the religious field of consulting the Ifa oracle. The Synthesis of the Treaties of the Odu of Ifá already published by me previously, is nothing more than as its name indicates, a synthesis of these treaties, whose objective was always to support to the Babalawo as a handy pocket reminder, based on the fact that it has been studied and deepened before in the study of these volumes which will lead you to have the most complete knowledge about Ifá. For these reasons, it is highly recommended to have this valuable information in your library. We have grouped only two Odu per book, to make it as cheap as possible and facilitate its acquisition.

"I am a human being; I am a woman; I am a black woman; I am an African. Once I was free; then I was captured and became a slave; but inside me, here and here, I am still a free woman." During a period of four hundred years, European slave traders ferried some 12 million enslaved Africans across the Atlantic. In the Americas, teaching a slave to read and write was a criminal offense. When the last slaves gained their freedom in Brazil, barely a thousand of them were literate. Hardly any stories of the enslaved and transported Africans have survived. This novel is an attempt to recreate just one of those stories, one story of a possible 12 million or more.Lawrence Hill created another in The Book of Negroes (Someone Knows my Name in the U.S.) and, more recently, Yaa Gyasi has done the same in Homegoing. Ama occupies center stage throughout this novel. As the story opens, she is sixteen. Distant drums announce the death of her grandfather. Her family departs to attend the funeral, leaving her alone to tend her ailing baby brother. It is 1775. Asante has conquered its northern neighbor and exacted an annual tribute of 500 slaves. The ruler of Dagbon dispatches a raiding party into the lands of the neighboring Bekpokpam. They capture Ama. That night, her lover, Itsho, leads an attack on the raiders’ camp. The rescue bid fails. Sent to collect water from a stream, Ama comes across Itsho’s mangled corpse. For the rest of her life she will call upon his spirit in time of need. In Kumase, the Asante capital, Ama is given as a gift to the Queen-mother. When the adolescent monarch, Osei Kwame, conceives a passion for her, the regents dispatch her to the coast for sale to the Dutch at Elmina Castle. There the governor, Pieter de Bruyn, selects her as his concubine, dressing her in the elegant clothes of his late Dutch wife and instructing the obese chaplain to teach her to read and write English. De Bruyn plans to marry Ama and take her with him to Europe. He makes a last trip to the Dutch coastal outstations and returns infected with yellow fever. On his death, his successor rapes Ama and sends her back to the female dungeon. Traumatized, her mind goes blank. She comes to her senses in the canoe which takes her and other women out to the slave ship, The Love of Liberty. Before the ship leaves the coast of Africa, Ama instigates a slave rebellion. It fails and a brutal whipping leaves her blind in one eye. The ship is becalmed in mid-Atlantic. Then a fierce storm cripples it and drives it into the port of Salvador, capital of Brazil. Ama finds herself working in the fields and the mill on a sugar estate. She is absorbed into slave society and begins to adapt, learning Portuguese. Years pass. Ama is now totally blind. Clutching the cloth which is her only material link with Africa, she reminisces, dozes, falls asleep. A short epilogue brings the story up to date. The consequences of the slave trade and slavery are still with us. Brazilians of African descent remain entrenched in the lower reaches of society, enmeshed in poverty. “This is story telling on a grand scale,” writes Tony Simões da Silva. “In Ama, Herbstein creates a work of literature that celebrates the resilience of human beings while denouncing the inscrutable nature of their cruelty. By focusing on the brutalization of Ama's body, and on the psychological scars of her experiences, Herbstein dramatizes the collective trauma of slavery through the story of a single African woman. Ama echoes the views of writers, historians and philosophers of the African diaspora who have argued that the phenomenon of slavery is inextricable from the deepest foundations of contemporary western civilization.” Ama, a Story of the Atlantic Slave Trade, won the 2002 Commonwealth Writers Prize for the Best First Book.

A chronological study of the Black African race, proving the West African origin of humanity and civilization. Using Orisha history cycles, DNA and linguistic evidence, it traces the 10,000 BC beginning of Black African civilization and its spread to Ancient Egypt, Sumner, IVC and South China. It provides a comparative analysis of African and Eurasian beliefs systems. Tying the Orisha cycles to the Biblical Horsemen, it shows the 2000BC spread of Caucasians from Central Asia and their destruction of Black Eurasian empires, as they gradually takeover all the way to Nigeria, the Negro Heartland. From an Original African perspective, it chronicles the slave trade, Haitian Ogun Revolution, the end of slavery and beginning of colonization. It concludes with the analysis of the 1900s global Black Power movement and its derailment with character and physical assassinations - especially the global Western inspired corruption propaganda of 1965, 1984 and 2015 in Nigeria, Brazil, Ghana, South Africa etc.

A literary venture into the economic shadow that slavery cast, Feeding the Ghosts, based on a true story, lays bare the raw business of the slave trade. The Zong, a slave ship packed with captive African “stock,” is headed to the New World. When illness threatens to disable all on board and cut potential profits, the ship’s captain orders his crew to throw the sick into the ocean. After being hurled overboard, Mintah, a young female slave taken from a Danish mission, is able to climb back onto the ship. From her hiding place, she rouses the remaining slaves to rebel and stirs unease among the crew with a voice and conscience they seem unable to silence. Mintah’s courage and others’ reactions to it unfold in a suspenseful story of the struggle to live even when threatened by oblivion.

In an alternate world in which Africans enslaved Europeans, Doris, an Englishwoman, is captured and taken to the New World, where the hardships she endures as a slave are offset by dreams of escape and home.

In The Go On Girl! Book Club Guide for reading groups, the authors offer a road map for people who want to start their own book club or jump-start an existing one. In addition to helpful tips on choosing members, planning meetings, and selecting titles, the authors have compiled excerpts of books by African American writers that should appear on any clubs roster, including Valerie Wilson Wesleys Easter to Kill, Diane McKinney-Whetstones Tempest Rising, and Octavia Butlers Parable of the Talents. The Go On Girl! Book Club Guide is an inspiring, truly unique handbook that will have people everywhere reading and talking about great works of literature.

A study of images of rape in medieval and early modern art.

Enslaved peoples were brought to the Americas from many places in Africa, but a large majority came from relatively few ethnic groups. Drawing on a wide range of materials in four languages as well as on her lifetime study of slave groups in the New World, Gwendolyn Midlo Hall explores the persistence of African ethnic identities among the enslaved over four hundred years of the Atlantic slave trade. Hall traces the linguistic, economic, and cultural ties shared by large numbers of enslaved Africans, showing that despite the fragmentation of the diaspora many ethnic groups retained enough cohesion to communicate and to transmit elements of their shared culture. Hall concludes that recognition of the survival and persistence of African ethnic identities can fundamentally reshape how people think about the emergence of identities among enslaved Africans and their descendants in the Americas, about the ways shared identity gave rise to resistance movements, and about the elements of common African ethnic traditions that influenced regional creole cultures throughout the Americas.