“[This] marvelous biography peels back layer upon layer of previous myth to render a startling new portrait of the countess. . . . Absorbing.” —Publishers Weekly Tuscan Countess is a fast-paced and colorful exploration of the life of Matilda of Canossa (c. 1046–1115), a woman who loved a pope and was loved by him, successfully defied the Holy Roman Emperor, and changed the map of Europe. Matilda of Canossa, the “Great Countess,” was a remarkable woman. Her personal power was so extraordinary that even centuries after her death she became the first woman to be interred in St. Peter's Basilica. She is best remembered for her role in the conflict between the papacy and the Holy Roman emperor, the climax of which took place at her castle of Canossa. This unique biography is also a journal of the author's travels through contemporary Tuscany as she explores the palaces where Matilda held court, the blood-stained plains on which her soldiers battled, the churches and cathedrals she endowed, and the fortified aeries where she sought refuge. Readers will be swept along on this engrossing journey retracing the steps of a courageous and brilliant woman.

Excerpt from Matilda, Countess of Tuscany These dignitaries, independent of each other and of Germany, were, in point of fact, so many petty sovereigns whose power became both absolute and hereditary. They not only imposed taxes upon their subjects, but exacted labour from them without remuneration, and not infrequently demanded their time and strength in carrying out works of defence or utility. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Offers an analysis of the presence and significance of female characters in Dante's 'Comedy'. Commencing with the tabulations of women listed in "Inferno IV" and "Purgatorio XXII", to which may be added the grouping in "Paradiso XXXII", this work traces the symmetry and symbolic import of these clusters.