Blank Music Manuscript Notebook- Staff Stave Sheet Paper For Viola PlayerSongwriting Journal Notebook; Song Writers Lined Log Book, Diary & Music Theory Workbook To Improve Skills & Technique For ViolaThis blank music manuscript paper notebook is perfect for music students taking music lessons and learning to compose for an instrument. great gift for musicians, music teachers, music composers, and songwriters.

`In all areas of human endeavour, time and again an individual appears who, due to a multitude of personal attributes, elevates his or her field to a hitherto unknown height. Such an individual was William Primrose. His name and the viola are synonymous.' Janos Starker This unique book is the result of a series of conversations with Primrose in the last years before his death in 1982. David Dalton describes how he came to the great artist armed with every question he could think of pertaining to performing on and teaching the viola. The lively dialogue contains a wealth of illuminating advice for the student on the technicalities of playing the viola. It is, however, far more than a technical guide. The two violists discuss the unique position of their instrument - `an instrument without tradition' is Primrose's bald description. They cover the topic of repertoire with fascinating insights into the performance of the great concertos by Bartók and Walton, with which Primrose was so closely associated. Still more invaluable advice emerges from the discussion of Primrose's own experience, on the art of performance, on demeanour on stage, on competitions, on recordings, and on preparing for a career. The book is a tribute to one of the greatest artists of this century.

Siblings Riley and Aidan Gordon are survivors. Together, they survived an abusive childhood, and when a fiery accident incinerates all they have—except for each other—they survive that, too. The tragedy leaves them with burdens and pain beyond their years, but it also sets them free to forge their own paths. Aidan’s road to happiness seems smooth and carefree. But Riley continues to struggle, her only saving grace being a passion for music that helps soothe her damaged soul. As their paths diverge and college looms, Riley will have to depend less on Aidan and more on herself. Fear of failure drives her, but will finding love derail her single-minded determination to succeed, or will it open the door to the family she’s always wanted?

Four German Jews , all refugees from Nazi Germany, and all first-rate musicians, arrive in Palestine in the 1930s. There they join a symphony orchestra, which although made up of Europeans serves as a propaganda vehicle for the Zionist state-in-the-making. Unable to express themselves within this melting-pot orchestra, they join together to form The Rosendorf Quartet. In this compelling and provocative novel, awarded Israel's prestigious Bialik Prize for Literature, Nathan Shaham examines the plight of these refugees, who must adjust to the old-new land--a place fraught with political struggle and impending violence. Kurt Rosendorf, the quartet's founder and first violin, would like to believe that his true homeland is music. Forced to leave his Christian wife and daughter in Berlin, he cannot adjust to life in Palestine and tries to live "outside history and geography." Konrad Friedman, second violin, is a young Zionist who constantly battles the urge to renounce the European, cultured life of the musician and dedicate himself to the Jewish cause. Bernard Litovsky, the cellist, is tired of wandering and longs for firm ground and a sense of home. The fourth in the quartet is the stunning Eva Staubenfeld, whose beauty and sexual liberation baffle and mesmerize her colleagues. Relieved to be far from the abuses of her past, she is furious that the accident of being born Jewish has disrupted her life. Uniting the four is Egon Loewenthal, a brilliant and underrated German author who has survived Dachau but cannot forsake the language of his persecutors. He decides that his next novel, written in German, will be about the quartet. The Rosendorf Quartet is not only a deft portrait of the complexities and contradictions that have gone to make up the state of Israel; it is also a stunning tribute to the curative powers of music, in whose realm dissonance, politics, and personal anguish dissolve into art, transcending human conflict and national boundaries

A young music prodigy goes missing from a hotel room that was the site of an infamous murder-suicide fifteen years earlier, renewing trauma for a bridesmaid who witnessed the first crime and rallying an eccentric cast of characters during a snowstorm that traps everyone on the grounds.

www.delphiclassics.com