From the coauthor of the best-selling Handbook of Painted Decoration comes this advanced exploration of trompe l'oeil art and technique.

From a countryside panorama in a windowless room to a faux mosaic wall, an intricately painted Oriental carpet to a soaring cathedral dome in a single-story room, Trompe l’oeil painting offers an art form ideal for contemporary interiors, adding color and aesthetic atmosphere and responding to specific architectural needs and situations. Trompe L’Oeil Today offers a fascinating overview of the range of styles and techniques of illusionistic painting for private residences and public spaces, restaurants and other commercial interiors, and even indoor swimming pools. It covers unusual techniques, such as anamorphism, and bold geometric patterns, as well as more traditional Trompe L’oeil subjects, including Pompeian-style wall paintings, classical arches and colonnades, landscapes, statues and reliefs, and elaborate ceiling treatments. The book defines the categories of illusionistic painting: material imitation, or faux finishes, ranging from marble and wood finishes to snake and crocodile skin; grisaille, including imaginary moldings, reliefs, and statuary; small-format trompe l’oeils, such as those painted in niches and on doors; and large panoramic murals. Experienced professionals, the authors address practical questions and offer helpful tips and tricks for choosing the right materials, technique, and style. They examine the use of perspective and the psychology of visual perception, presenting a visually beguiling array of painting possibilities. Trompe L’Oeil Today is an essential reference for artists and designers working in trompe l’oeil and in search of suggestions or inspiration, interior architects and decorators looking for an outline of what can be done to create new and different ambiances, and clients who plan to commission a work. Over 150 four-color photographs illustrate the architectural and aesthetic impact of professional illusionistic work. Trompe L’Oeil Today is an invaluable survey of an impressive, popular art form.

The series is designed to advance the publication of research pertaining to themes and motifs in literature. The studies cover cross-cultural patterns as well as the entire range of national literatures. They trace the development and use of themes and motifs over extended periods, elucidate the significance of specific themes or motifs for the formation of period styles, and analyze the unique structural function of themes and motifs.

The essential guide to choosing patterns for the home, Love Patternand Colour is packed full of colourful, inspiring ideas for using pattern with confidence.

Are We There Yet? Virtual Travel and Victorian Realismconnects the Victorian fascination with "virtual travel" with the rise of realism in nineteenth-century fiction and twenty-first-century experiments in virtual reality. Even as the expansion of river and railway networks in the nineteenth century made travel easier than ever before, staying at home and fantasizing about travel turned into a favorite pastime. New ways of representing place—360-degree panoramas, foldout river maps, exhaustive railway guides—offered themselves as substitutes for actual travel. Thinking of these representations as a form of "virtual travel" reveals a surprising continuity between the Victorian fascination with imaginative dislocation and twenty-first -century efforts to use digital technology to expand the physical boundaries of the self.

Long considered the epitome of all that is chic, glamorous, and desirable, Paris is every shopper's dream. But even the most indefatigable shopper is sure to be overwhelmed by the embarras de richesses. In The Riches of Paris, Maribeth Clemente shares her insider's knowledge of the choicest boutiques, restaurants, wine cellars, and auctions to help you find endless treasures. Whether you're looking for designer fashions, Limoges china, the finest perfumes, the best Bordeaux, or just browsing, The Riches of Paris is an indispensable guide for making your visit to Paris enjoyable and unforgettable.

From the architectural spectacle of the medieval cathedral and the romantic sublime of the nineteenth-century panorama to the techno-fetishism of today's London Science Museum, humans have gained a deeper understanding of the natural world through highly illusionistic representations that engender new modes of seeing, listening, and thinking. What unites and defines many of these wondrous spaces is an immersive view-an invitation to step inside the virtual world of the image and become a part of its universe, if only for a short time. Since their inception, museums of science and natural history have mixed education and entertainment, often to incredible, eye-opening effect. Immersive spaces of visual display and modes of exhibition send "shivers" down our spines, engaging the distinct cognitive and embodied mapping skills we bring to spectacular architecture and illusionistic media. They also force us to reconsider traditional models of film spectatorship in the context of a mobile and interactive spectator. Through a series of detailed historical case studies, Alison Griffiths masterfully explores the uncanny and unforgettable visceral power of the medieval cathedral, the panorama, the planetarium, the IMAX theater, and the science museum. Examining these structures as exemplary spaces of immersion and interactivity, Griffiths reveals the sometimes surprising antecedents of modern media forms, suggesting the spectator's deep-seated desire to become immersed in a virtual world. Shivers Down Your Spine demonstrates how immersive and interactive museum display techniques such as large video displays, reconstructed environments, and touch-screen computer interactives have redefined the museum space, fueling the opposition between public and private, science and spectacle, civic and corporate interests, voice and text, and life and death. In her remarkable study of sensual spaces, Griffiths explains why, for centuries, we keep coming back for more.

Drawing on extensive new research, this book traces the history of wallpaper from its beginnings around 1500 to the latest products of technology. From hand-painted Chinese panels to those used in contemporary homes, this readable volume contains 350 beautiful illustrations, most in full-color. Includes a useful care guide. Index.

Digital games as transmedia works of art - Games as social environments - The aesthetics of play - Digital games in pedagogy - Cineludic aesthetics - Ethics in games - these were some of the important and fascinating topics addressed during the international research conference "Clash of Realities" in 2015 and 2016 by more than a hundred international speakers, academics as well as artists. This volume represents the best contributions - by, inter alia, Janet H. Murray, David OReilly, Eric Zimmerman, Thomas Elsaesser, Lorenz Engell, Susana Tosca, Miguel Sicart, Frans Mäyrä, and Mark J.P. Wolf.