Everyone thinks they know the real story behind the villains in fairy tales—but the villains themselves beg to differ. In Troll's-Eye View, you'll hear from the Giant's wife ("Jack and the Beanstalk"), Rumpelstiltskin, the oldest of the Twelve Dancing Princesses, and many more. A stellar lineup of authors, including Garth Nix, Jane Yolen, and Nancy Farmer, makes sure that these old stories do new tricks!

After Jack becomes apprenticed to a Druid bard, he and his little sister Lucy are captured by Viking Berserkers and taken to the home of King Ivar the Boneless and his half-troll queen, leading Jack to undertake a vital quest to Jotunheim, home of the trolls.

Gaming while female is enough to incur the wrath of the dude-bros, and they’ve come for me. Instead of fighting back, I’ve created an alternate account. Male name, male pronouns. And I’ve met this girl. I’ve always liked girls, and Laura’s adorable and smart and never gives up, and she likes me back. Or rather, she likes the man I’m pretending to be. But I can’t tell her I’m a woman without the mob coming after her too. And besides: I might not be a woman, not really. The truth is, I don’t know what I am anymore. I’ve spent my whole life being told how I’m supposed to act and what I’m supposed to be, but none of it feels right. And my lie is starting to feel truer than anything I’ve ever been. There’s a convention coming up, but the closer it gets, the more I have to choose: lie or fight. But if I don’t stand my ground as a girl, am I letting the haters win? Then again, those aren’t the only two ways to live. **See this title's page on RiptidePublishing.com for content warnings.**

This internationally acclaimed winner of the Finlandia Award is “a brilliant and dark parable about the fluid boundaries between human and animal” (The Boston Globe). Angel, a young photographer, comes home from a night of carousing to find a group of drunken teenagers in the courtyard of his apartment building, taunting a wounded, helpless young troll. He takes it in, not suspecting the dramatic consequences of this decision. What does one do with a troll in the city? As the troll’s presence influences Angel’s life in ways he could never have predicted, it becomes clear that the creature is the familiar of man’s most forbidden feelings. A novel of sparkling originality, Troll is a wry, beguiling story of nature and man’s relationship to wild things, and of the dark power of the wildness in ourselves. “[An] imaginative and engaging novel of urban fantasy . . . The stuff of ancient legend shadows with rather unnerving precision the course of unloosed postmodern desire.” —Chris Lehmann, The Washington Post Book World

The dramatic story of an improbable gang of self-proclaimed “degenerates” who made WallStreetBets into a cultural movement that moved from the fringes of the internet to the center of Wall Street, upending the global financial markets and changing how an entire generation thinks about money, investing, and themselves. Jaime Rogozinski and Jordan Zazzara were not what anyone would mistake for traditional financial power players. But they turned WallStreetBets, a subreddit focused on risky financial trading, into one of the most disruptive forces to bubble up from the fringes of the internet. This crude and unassuming message board harnessed the power of memes and trolling to create a new kind of online community. The group intertwined with the distrust and turmoil of our times and spoke to a generation of young men who were struggling to find their place in the world. Deeply reported and fast moving, The Trolls of Wall Street is the suspenseful story of the people who made and lost millions, battling with each other—and with Wall Street—for power and status. It is a sobering account of how millions of young Americans became obsessed with money and the markets, casting a long and lasting influence over finance, politics, and popular culture.

Indian social media is awash with right-wing trolls who incite online communal tension and abuse anyone who questions them. But who are they? How are they organized? In this explosive investigation, conducted over two years, Swati Chaturvedi finally lifts the veil over this murky subject

This book is a history of trolls from their first appearances in folk tales - some people reported actual encounters with trolls, and others found such encounters plausible even if they were not sure - and follows a natural transition from folklore to trolls in other domains of popular culture. Indeed, trolls would not be interesting had they not made this jump, first to illustrations in the Nordic book market, then on to Scandinavian literature and drama, and far beyond. Since then they have never gone away, and in their various guises they continue to appeal to the imagination around the world. From the Vikings to the Moomins, the Brothers Grimm and the Three Billy Goats Gruff, this book explores the panoply of trolls and their history and their continuing presence today

Not once upon a time, but right now, in a forest called Old Oak Wood, faeries frolic, invisible to those humans who choose not to believe in them. In A MIDSUMMER NIGHT'S FAERY TALE, doll maker Wendy Froud and award winning fantasy author Terri Windling collaborate to tell the story of one of these elusive fellows, a young tree-root faery named Sneezle. Each page of this delightful book is graced with an elaborately staged photo of Froud's doll creations in their natural habitats, paired with Windling's story of Sneezle's unlikely heroism. Sneezle and his diaphanous friends are adorable enough to charm children and adults alike. Sneezle's adventures begin when he sets out to fetch the Midsummer crown for King Oberon. Meanwhile, the Faery Queen Titania is found asleep, victim of a powerful magic spell. The hopes of the faery kingdom ride on Sneezle who encounters fascinating forest characters, discovers the identity of the wicked sorceress who has enchanted the queen, and learns about courage and loyalty. He also figures out that being 'same old Sneezle' is a fine thing to be.

A comic book great for kids or adults, filled with humour, adventure and thrills

The first comprehensive study of the women in Ibsen’s life and work, this landmark book provides a close reading of actual and fictional women as it re-examines the biographical and critical record. In clear, much praised writing, Templeton traces patterns of gender throughout Ibsen’s plays, from the portrayals of women in the little known early dramas to the famous protagonists of A Doll House, Ghosts, Hedda Gabler, and the women of the “last quartet.” Templeton offers a reappraisal of the debated question of Ibsen’s relation to feminism, arguing against a false and demeaning critical tradition, and provides important new information on the young women of Ibsen’s later years and their presence in his plays. The book has been praised as incisive, masterful, provocative, and — a rarity among scholarly books — accessible to the general reader. “Joan Templeton’s Ibsen’s Women is a book to contend with. Templeton is a major Ibsen scholar who has written a tonic evaluation of what a major dramatist actually wrought. A delight to read.” — Arnold Weinstein, Scandinavian Studies “Ibsen’s Women marks a paradigm shift in Ibsen scholarship, moving ‘the woman question’ from the marginal category of ‘an aspect of’ to the core of the dramatic oeuvre. This is dazzling close reading, sophisticated, rigorous, artful. Templeton’s command of her material is masterly.” — Mary Kay Norseng, Ibsen News and Comment “Why is A Doll House not dated? This is one of the questions Joan Templeton answers in this very important book. Her style is witty and graceful and blessedly free of jargon. Her text is aimed at a wide variety of readers.” — Barry Jacobs, The Boston Review of Books “A goldmine of information... The scope and wide-ranging coverage of this book make it indispensable for anybody wishing to teach or write about Ibsen.” — Toril Moi,Ibsen Studies “Rich and rewarding. The close textual analysis supports Templeton’s thesis that Ibsen’s plays and his women characters are quintessentially feminist. A strong argument for the connection between Ibsen’s women and Ibsen’s modernism. Recommended for all collections.” — Choice