An examination of Trithemius's "magical theology," which argued for the compatibility of magic and Christian doctrines, and its influence during the Renaissance and Reformation.

This is the first modern study of Agrippa's occult philosophy, revealing it to be a coherent part of his intellectual work. It analyzes the text of "De occulta philosophia," explicating the sophisticated structure and argument of the work.

Trithemius is best known for his hidden writing- the infamous Steganographia, but his other works, including this short grimoire on the use of crystals in summoning celestial spirits, are no less potent. Through the use of a simple wand, pedestal, lamen, and a polished and clear crystal, Trithemius states that it is possible to manifest and converse with celestial forces and to constrain them through the use of simple invocation and prayer.

The ideas of philosophers (Ficino, Pico, Della Porta, Bruno) on magic interfered with popular alternative and witchcraft rites. This book focuses on "wandering scholastics" (Trithemius, Agrippa, Paracelsus, Bruno) and will be a stimulating read for all those interested in Renaissance mentality.

This volume offers a revisionist interpretation of Paracelsus and Paracelsianism. It points to the need for a new historiographical approach to the man and his ideas, while demonstrating the value of seeing them in their totallity, as well as in their proper historical text.

Magic and Mysticism: An Introduction to Western Esoteric Traditions is a concise overview, from antiquity to the present, of all the major Western religious esoteric movements. Topics covered include alchemy, Gnosticism, Hermeticism, Rosicrucianism, Theosophy and many more. Magic and Mysticism is ideal for students of Mysticism and New Religious Movements, as well as for general readers of Metaphysics and Esoterica.

"Explores two principal genres of illicit learned magic in late Medieval manuscripts: image magic, which could be interpreted and justified in scholastic terms, and ritual magic, which could not"--Provided by publisher.

This book explores philosophical theories which in the Renaissance provided an interpretation of nature, of its laws and exceptions and, lastly, of man’s capacity to dominate the cosmos by way of natural magic or by magical ceremonies. It does not concentrate on the Hermetic and Neoplatonic philosophers (Ficino, Pico, Della Porta), or on the relationship between magic and the scientific revolution, but rather upon the interference of the ideas and practices of learned magicians with popular rites and also with witchcraft, a most important question for social and religious history. New definitions of magic put forward by certain unorthodox and “wandering scholastics” (Trithemius, Agrippa, Paracelsus, Bruno) will interest readers of Renaissance and Reformation texts and history.

This book presents twenty chapters by experts in their fields, providing a thorough and interdisciplinary overview of the theory and practice of magic in the West. Its chronological scope extends from the Ancient Near East to twenty-first-century North America; its objects of analysis range from Persian curse tablets to US neo-paganism. For comparative purposes, the volume includes chapters on developments in the Jewish and Muslim worlds, evaluated not simply for what they contributed at various points to European notions of magic, but also as models of alternative development in ancient Mediterranean legacy. Similarly, the volume highlights the transformative and challenging encounters of Europeans with non-Europeans, regarding the practice of magic in both early modern colonization and more recent decolonization.

Federico Dal Bo examines the design of early Hebrew books from the late fifteenth and sixteenth centuries, focusing not only on the words in these early books but also on how they were arranged on the page. He follows in the tradition of scholars such as Christopher de Hamel, Marvin J. Heller, and David Stern, who have explored the importance of these Hebrew books in influencing Jewish learning and attracting the interest of Christians. The author discusses important prints, such as the first Talmud and rabbinical bibles, which marked a shift from being for Jewish readers only to being for both Jews and Christians. The collaboration between Jewish editors and Christian printers changed the way these books looked and the audience for whom they were intended. At first, these early prints copied the style of handwritten Hebrew manuscripts. The simple layout could be difficult to read, especially for long books like the Bible or Talmud. But over time, influenced by the humanism of the Italian Renaissance, the layout became more complex. The book also looks at how the layout changed from full-page commentaries to a more complicated design in which the main text and commentaries shared the same page. This shift challenged the idea of who was the primary author and emphasized the role of editors. The layout, with the main text in the center and the commentaries on the sides, created a kind of unwritten rule for how to read religious texts. Dal Bo's study also includes new information about a 1553 trial in which the Talmud was burned. Overall, it explores how the layout of these early Hebrew books shaped cultural power and influenced how people read.