The second of three volumes by Alan Wald that track the political and personal lives of several generations of U.S. left-wing writers, Trinity of Passion carries forward the chronicle launched in Exiles from a Future Time: The Forging of the Mid-Twentieth-Century Literary Left. In this volume Wald delves into literary, emotional, and ideological trajectories of radical cultural workers in the era when the International Brigades fought in the Spanish Civil War (1936-39) and the United States battled in World War II (1941-45). Probing in rich and haunting detail the controversial impact of the Popular Front on literary culture, he explores the ethical and aesthetic challenges that pro-Communist writers faced. Wald presents a cross section of literary talent, from the famous to the forgotten, the major to the minor. The writers examined include Len Zinberg (a.k.a. Ed Lacy), John Oliver Killens, Irwin Shaw, Albert Maltz, Ann Petry, Chester Himes, Henry Roth, Lauren Gilfillan, Ruth McKenney, Morris U. Schappes, and Jo Sinclair. He also uncovers dramatic new information about Arthur Miller's complex commitment to the Left. Confronting heartfelt questions about Jewish masculinity, racism at the core of liberal democracy, the corrosion of utopian dreams, and the thorny interaction between antifascism and Communism, Wald re-creates the intellectual and cultural landscape of a remarkable era.

Today, the ideas of Carl von Clausewitz (1780-1831) are employed almost ubiquitously in strategic studies, military history and defence literatures, but often in a manner which distorts their true meaning. In this book, Waldman explores Clausewitz’s central theoretical device for understanding war - the ‘remarkable trinity’ of politics, chance and passion. By situating the great Prussian in historical context, he presents a conception truer to Clausewitz’s intention. Seeking to achieve this through an in-depth reinterpretation of On War and Clausewitz’s other writings, conducted through the prism of the trinity, this book draws on existing studies but argues that there is room for clarification. It presents fresh perspectives into aspects of Clausewitz's thought and emphasises elements of his theory that have often been neglected. Furthermore, it provides a solid basis from which debate on the nature of modern war can move forward.

The long text of the Showings (translated by Father John-Julian) is accompanied by commentary written by Frederick S. Roden, a lay affiliate member of the Order of Julian of Norwich. This companion is reflective yet learned and is designed to draw the reader more fully into an understanding and experience of what Julian tells us she saw and heard. In the text and commentary we begin to comprehend the truth summarized at the end of the Showings: Love was His meaning.

The Catholic faith is not a set of rules or a body of doctrines, but is a way of life, writes David Scott. It's a lived faith that contains convincing, intellectually coherent, and spiritually fulfilling answers to the biggest questions: Who is God? Who is Jesus? Why are we here? Where are we going? The Catholic Passion invites readers into a conversation about the things that matter most. It is not an argument for the Catholic faith but a journey to the heart of it—a richly rewarding reflection on prayer, the Bible, sacraments, the church, and God-made-human in Jesus Christ. Scott does not tell the story of the faith through church documents or cate­chism quotations. Instead, he looks at the faith experience of real Catholics—people like the American writer Andre Dubus, the French composer Olivier Messiaen, the Chinese human rights activist Henry Wu, the French martyr Charles de Foucauld, and the American reformer Dorothy Day. These and other Catholics embody a faith that warms the heart as it enlightens the mind. One theme emerges from Scott's reflections on the lives of Catholics and the Scriptures: God's passion of love for humankind burns on in the Catholic Church. The Catholic passion is the conviction that there is nothing God will not do to win our love. "The Catholic Passion is a monumental work. David Scott weaves material from scripture, history, the arts, the liturgy, theology, spirituality, and personal reflection, showing us that nothing human is alien to Christ—and nothing divine is withheld from God's people." —Scott Hahn, author of The Lamb's Supper "The Catholic Passion is a masterwork—beautiful, compelling, and wonderfully readable; an outstanding portrait of what Catholics believe and why. I highly recommend it." —Charles J. Chaput, OFM Cap, archbishop of Denver "David Scott helps us see a vibrant Catholicism that offers brilliant meaning in a world darkened by materialism and violence. He presents a vision that allows the treasures of the past to envision an orthodox Catholicism for the future." —Fr. Mitch Pacwa, SJ, EWTN

Delighting in the Trinity looks at the wonderful and fundamental truth that our God is three in one.

American Night, the final volume of an unprecedented trilogy, brings Alan Wald's multigenerational history of Communist writers to a poignant climax. Using new research to explore the intimate lives of novelists, poets, and critics during the Cold War, Wald reveals a radical community longing for the rebirth of the social vision of the 1930s and struggling with a loss of moral certainty as the Communist worldview was being called into question. The resulting literature, Wald shows, is a haunting record of fracture and struggle linked by common structures of feeling, ones more suggestive of the "negative dialectics" of Theodor Adorno than the traditional social realism of the Left. Establishing new points of contact among Kenneth Fearing, Ann Petry, Alexander Saxton, Richard Wright, Jo Sinclair, Thomas McGrath, and Carlos Bulosan, Wald argues that these writers were in dialogue with psychoanalysis, existentialism, and postwar modernism, often generating moods of piercing emotional acuity and cosmic dissent. He also recounts the contributions of lesser known cultural workers, with a unique accent on gays and lesbians, secular Jews, and people of color. The vexing ambiguities of an era Wald labels "late antifascism" serve to frame an impressive collective biography.

The Father, the Son, and the Holy Spirit in the Bible (and in Christian experience) are all vital to the reality of salvation. But since the word "Trinity" does not appear in the Bible, many people wonder whether the doctrine is anything more than an intellectual puzzle created by theologians. This book leads readers step-by-step to a robust understanding of God as a Trinity.

By critically engaging Eberhard Jüngel's doctrine of the Trinity, this volume makes a broader, constructive contribution to contemporary trinitarian thought.The argument centers on the question - posed by the inconsistencies uncovered in Jüngel's doctrine of God - of how one can assert both divine freedom and the inter-subjectivity of God's trinitarian self-determination. Can one maintain God's freedom in the interest of divine spontaneity and creativity, while remaining committed to inter-subjective vulnerability which the Cross entails as an event of divine love? Malysz suggests that a resolution to this problem lies in a logic of divine freedom, which, next to the trinitarian logic of love, constitutes a different and simultaneous mode of trinitarian relationality. To develop this logic, Malysz draws on Jüngel's understanding of human freedom as rooted in the "elemental interruption" of the self-securing subject. Malysz thus not only brings Jüngel's view of divine freedom into correspondence with the anthropological effects that Jüngel ascribes to it, but, above all, offers an imaginative, new way of closely integrating the doctrine of God and theological anthropology.