-Lavishly illustrated with over 320 color illustrations -Photographs of weaving methods, traditional dying methods and ceremonies -One of the world's great textile collections -Written by acclaimed writer Catherine Bourzat whose previous works includes books on India and Sri Lanka Philippe Fatin is a traveler, photographer and collector who has established a world-class collection of tribal textiles from southern China. These exquisitely colorful, hand-woven textiles are highly prized by collectors and here for the first time is the most extensive collection of garments collected from tribes across southern China including the Bazhai, Zhouxi, Xijiang and Gedong amongst others. The distinctive styles, colors and motifs from each are looked at in turn and the remarkable photographs allow the reader to appreciate the intricacy of each piece and the tradition prized by each tribe. Profusely illustrated with over 320 color illustrations the book not only studies the designs themselves but shows the ceremonies the textiles are made for, the traditional weaving methods employed as well other ornamentations such as headpieces and fastenings as well dying techniques and working methods.

Dwelling in the highland areas of Northeast India, Bangladesh, Southwest China, Taiwan, Burma (Myanmar), Thailand, Cambodia, Vietnam, Laos, and Peninsular Malaysia are hundreds of “peoples”. Together their population adds up to 100 million, more than most of the countries they live in. Yet in each of these countries, they are regarded as minorities. This second edition of Historical Dictionary of the Peoples of the Southeast Asian Massif contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on about 300 groups, the ten countries they live in, their historical figures, and their salient political, economic, social, cultural and religious aspects. This book is an excellent access point for students, researchers, and anyone wanting to know more.

This book commemorates the remarkable gift of over 400 works from the collection of Barbara and David Kipper to the Art Institute of Chicago. These outstanding pieces of jewelry and ritual objects offer a material record of vanishing ways of life. Used as portable forms of wealth, as personal adornment, and in religious practice, they represent a broad spectrum of cultures. The majority comes from the Himalayan region, including Tibet, Nepal, Bhutan, and Mongolia, and other pieces hail from Afghanistan, China, India, Indonesia, Kazakhstan, Pakistan, Turkmenistan, and Uzbekistan. The catalogue showcases stunning works--including delicate amulet boxes, other Tibetan Buddhist artifacts, and ornate Turkmen jewelry--through dramatic photography undertaken specifically for this publication. With five essays placing the objects in the contexts of their native regions, Vanishing Beauty offers a beautiful presentation of creativity and craftsmanship from across Asia.

The centrality of the Himalayas as a connecting point or perhaps a sacred core for the Asian continent and its civilisations has captivated every explorer and scholar. The Himalaya is the meeting point of two geotectonic plates, three biogeographical realms, two ancient civilisations, two different language streams and six religions. This book is about the determinant factors which are at work in the Himalayas in the context of what it constitutes in terms of its spatiality, legends and myths, religious beliefs, rituals and traditions. The book suggests that there is no single way for understanding the Himalayas. There are layers of structures, imposition and superimposition of human history, religious traits and beliefs that continue to shape the Asian dynamics. An understanding of the ultimate union of the Himalayas, its confluences and its bridging role is essential for Asian balance. This book is a collaborative effort of an internationally acclaimed linguist, a diplomat-cum-geopolitician and a young Asianist. It provides countless themes that will be intellectually stimulating to scholars and students with varied interests. Please note: This title is co-published with KW Publishers, New Delhi. Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.

The Art of Ethnography is a fully illustrated translation of a "Miao album" -- a Chinese genre originating in the eighteenth century that used prose, poetry, and detailed illustrations to represent minority ethnic groups living in frontier regions under imperial Chinese control. These bound collections of hand-painted illustrations and handwritten text reveal how imperial China viewed culturally "other" frontier populations. They also contain valuable information for anthropologists, geographers, and historians, and are coveted by art collectors for their beautiful imagery. "Miao" in this context refers not just to groups that called themselves Miao (Hmong) or were classified as such by the majority Han culture, but generally to the many minority peoples in China's southwest. This lovely volume reproduces each of the eighty-two illustrations from the original album and the corresponding Chinese calligraphic text, along with an annotated English translation. Each entry depicts a different ethnic group residing in Guizhou. The album is anonymous and dates from sometime after 1797. Laura Hostetler's Introduction discusses the genesis and evolution of the Miao album genre and the sociopolitical context in which the albums were first made, the ethnographic content of the texts, the composition of the illustrations, and the albums' authorship and production. She situates the albums within the context of early modern imperial expansion internationally by introducing comparative examples of Japanese and Ottoman ethnography. Color illustrations from other Miao albums and comparable works from other cultures give the reader a sense of the chromatic richness of Miao album illustrations and of their place in world ethnography.

Textiles and Identity in Brunei Darussalam examines the role of traditional textiles played in modern Brunei Darussalam. Hand-woven textiles are an important part of Brunei traditional culture. This book examines the types of textiles and the roles that they have played in different situations, such as serving as signifiers of social status, wealth, and political prominence. The study focuses on how locally woven textiles have been used to express and construct identity, especially Brunei Malay identity and Brunei national identity.