"Trees, and Other Poems" by Joyce Kilmer. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

A collection of short, simple poems which present images relating to trees in various circumstances and throughout the seasons.

A hopeful, music-infused poetry collection from Congolese poet Alain Mabanckou. These compelling poems by novelist and essayist Alain Mabanckou conjure nostalgia for an African childhood where the fauna, flora, sounds, and smells evoke snapshots of a life forever gone. Mabanckou's poetry is frank and forthright, urging his compatriots to no longer be held hostage by the civil wars and political upheavals that have ravaged their country and to embrace a new era of self-determination where the village roosters can sing again. These music-infused texts, beautifully translated by Nancy Naomi Carlson and supported by a grant from the National Endowment for the Arts, appear together in English for the first time. In these pages, Mabanckou pays tribute to his beloved mother, as well as to the regenerative power of nature, and especially of trees, whose roots are a metaphor for the poet's roots, anchored in the red earth of his birthplace. Mabanckou's yearning for the land of his ancestors is even more poignant because he has been declared persona non grata in his homeland, now called Congo-Brazzaville, due to his biting criticism of the country's regime. Despite these barriers, his poetry exudes hope that nature's resilience will lead humankind on the path to redemption and reconciliation.

A unique anthology of poems--from around the world and through the ages--that celebrate trees. For thousands of years humans have variously worshipped trees, made use of them, admired them, and destroyed them--and poets have long chronicled the relationship. Poets from Homer and Virgil to Wordsworth, Whitman, and Thoreau, from Su Tung P'o and Basho to Czeslaw Milosz and W. S. Merwin have celebrated sacred groves, wild woodlands, and bountiful orchards, and the results include some of our most beloved poems. Robert Frost's "Birches," Marianne Moore's "The Camperdown Elm," Gerard Manley Hopkins's "Binsey Poplars," and Zbigniew Herbert's "Sequoia" stand tall beside Eugenio Montale's "The Lemon Trees," Yves Bonnefoy's "The Apples," Bertolt Brecht's "The Plum Tree," D. H. Lawrence's "The Almond Tree," and A. E. Housman's "Loveliest of Trees." Whether showing their subjects being planted or felled, cherished or lamented, towering in forests or flowering in backyards, the poems collected here pay lyrical tribute to these majestic beings with whom we share the earth.

Come feel the cool and shadowed breeze, come smell your way among the trees, come touch rough bark and leathered leaves: Welcome to the night. Welcome to the night, where mice stir and furry moths flutter. Where snails spiral into shells as orb spiders circle in silk. Where the roots of oak trees recover and repair from their time in the light. Where the porcupette eats delicacies—raspberry leaves!—and coos and sings. Come out to the cool, night wood, and buzz and hoot and howl—but do beware of the great horned owl—for it’s wild and it’s windy way out in the woods!

Presents a collection of poems about the physical characteristics and habits of a variety of birds and animals.

2021 Button Poetry Short Form Poetry Contest Winner What I Learned from the Trees delves into the intricate relationship between humans and nature, and how these often overlooked, everyday interactions affect us as individuals, families, and communities. With a backbone rooted in primordial imagery and allegory, and a focus on how the growing disconnect with our own wants, needs, and fears creates deeper divides in our relationships, this collection is notably relevant to today's society and the struggles we face with the ever-expanding detachment between humans and the natural world. Aren't all living creatures seeking a notable existence? A deep sense of belonging? Of relevance? Of purpose? Of love? How often do we yearn for these wants, yet fight the vulnerability it takes to reach them? Why do we so clearly seek each other, yet refuse to reach out our hands?

As The Giving Tree turns fifty, this timeless classic is available for the first time ever in ebook format. This digital edition allows young readers and lifelong fans to continue the legacy and love of a classic that will now reach an even wider audience. "Once there was a tree...and she loved a little boy." So begins a story of unforgettable perception, beautifully written and illustrated by the gifted and versatile Shel Silverstein. This moving parable for all ages offers a touching interpretation of the gift of giving and a serene acceptance of another's capacity to love in return. Every day the boy would come to the tree to eat her apples, swing from her branches, or slide down her trunk...and the tree was happy. But as the boy grew older he began to want more from the tree, and the tree gave and gave and gave. This is a tender story, touched with sadness, aglow with consolation. Shel Silverstein's incomparable career as a bestselling children's book author and illustrator began with Lafcadio, the Lion Who Shot Back. He is also the creator of picture books including A Giraffe and a Half, Who Wants a Cheap Rhinoceros?, The Missing Piece, The Missing Piece Meets the Big O, and the perennial favorite The Giving Tree, and of classic poetry collections such as Where the Sidewalk Ends, A Light in the Attic, Falling Up, Every Thing On It, Don't Bump the Glump!, and Runny Babbit. And don't miss the other Shel Silverstein ebooks, Where the Sidewalk Ends and A Light in the Attic!

The poems in Winter Trees were written in the last nine months of Sylvia Plath's life, and form part of the group from which the Ariel poems were chosen. They reveal the poet at the height of her creative powers, exhibiting the startling imagery and dramatic play for which she became known. Published posthumously in 1971, this valuable collection finds its place alongside The Colossus and Ariel in the oeuvre of a singular talent.'Nearly all the poems here have the familiar Plath daring, the same feel of bits of frightened, vibrant, indignant consciousness translated instantly into words and images that blend close, experienced horror and icy, sardonic control.' New Statesman'A book that anyone seriously interested in poetry now must have . . . Sylvia Plath's immense gift is evident throughout.' Guardian

Shortlisted for the Michael Murphy Memorial Prize 2023 Winner of the Poetry Category OCM Bocas Prize for Caribbean Literature 2022 An Irish Times Best Poetry Books of 2021 A White Review Book of the Year 2021 Jason Allen-Paisant grew up in a village in central Jamaica. 'Trees were all around,' he writes, 'we often went to the yam ground, my grandmother's cultivation plot. When I think of my childhood, I see myself entering a deep woodland with cedars and logwood all around. [...] The muscular guango trees were like beings among whom we lived.' Now he lives in Leeds, near a forest where he goes walking. 'Here, trees represent an alternative space, a refuge from an ultra-consumerist culture...' And even as they help him recover his connections with nature, these poems are inevitably political. As Malika Booker writes, 'Allen-Paisant's poetic ruminations deceptively radicalise Wordsworth's pastoral scenic daffodils. The collection racializes contemporary ecological poetics and its power lies in Allen-Paisant's subtle destabilization of the ordinary dog walker's right to space, territory, property and leisure by positioning the colonised Black male body's complicated and unsafe reality in these spaces.'