An analysis of the forces which shaped politics and culture in Germany, France and Great Britain in the eighteenth century.

This book focuses on the cultural, political and religious representations of the Orient in Western music. Dr Nasser Al-Taee traces several threads in a vast repertoire of musical representations, concentrating primarily on the images of violence and sensuality. Al-Taee argues that these prevailing traits are not only the residual manifestation of the Ottoman threat to Western Europe, but also the continuation of a long and complex history of fear and fascination towards the Orient and its Islamic religion. In addition to analyses of musical works, Al-Taee draws on travel accounts, paintings, biographies, and political events to engage with important issues such as gender, race, and religious differences that may have contributed to the variously complex images of the Orient in Western music. The study extends the range of Orientalism to cover eighteenth-century Austria, nineteenth-century Russia, and twentieth-century America. The book challenges those scholars who do not see Orientalism as problematic and tend to ignore the role of musical representations in shaping the image of the Other within a wider interdisciplinary study of knowledge and power.

This book offers the first comprehensive treatment of the historian and public moralist E. A. Freeman since the publication of W. R. W. Stephens’ Life and Letters of Edward A. Freeman (1895). While Freeman is often viewed by modern scholars as a panegyrist to English progress and a proponent of Aryan racial theory, this study suggests that his world-view was more complicated than it appears. Revisiting Freeman’s most important historical works, this book positions Thomas Arnold as a significant influence on Freeman’s view of world-historical development. Conceptualising the past as cyclical rather than unilinear, and defining race in terms of culture, rather than biology, Freeman’s narratives were pervaded by anxieties about recapitulation. Ultimately, this study shows that Freeman’s scheme of universal history was based on the idea of conflict between Euro-Christendom and the Judeo-Islamic Orient, and this shaped his engagement with contemporary issues.

The bicentenary of the foundation of the Edinburgh Review has provided the foremost scholars in the field with the opportunity to re-examine the pervasive significance of the most important literary review of the Romantic period. These essays assess the controversial role played by the Edinburgh Review in the development of Romantic literature and explore its sense of 'Scottishness' in the context of early nineteenth-century British culture.