Physical or mental, good or bad, pleasurable or otherwise, the writer’s endeavour should be to pen in such a way that the reader vicariously experiences the writer’s own experience. The success of a writer presumably depends directly upon the degree at which they are able to achieve this crucial objective. Neither has Bhupender an artistic background nor is he a photography aficionado. But destiny arguably is unpredictable. It sometimes has unplanned ventures to peruse. So probably during one of his regular evening drives from office to home the beauty of the sunset inadvertently captured his imagination, engendering feelings that he says were more romantic than his real romantic encounters. Fascinated with the waves of the sea caressing over the the sand, part of it sinking in and the rest going back to the sea only to return with same vigour, plausibly prodded him to discover a new meaning for courage. He looked up at the sky to realize the incredible vastness of nature that he was part of it now. Saddled himself with a camera, tripod, paper and a pen, and off he goes globe-trotting. To click the little fairylands in the world and collect the scattered jewels of incredible places only to share them with you. A captivating read indeed for both, avid and armchair travellers.

"Travel is no longer a past-time but a colossal industry, arguably one of the biggest in the world and second only to oil in importance for many poor countries. One out of 12 people in the world are employed by the tourism industry which contributes $6.5 trillion to the world's economy. To investigate the size and effect of this new industry, Elizabeth Becker traveled the globe. She speaks to the Minister of Tourism of Zambia who thinks licensing foreigners to kill wild animals is a good way to make money and then to a Zambian travel guide who takes her to see the rare endangered sable antelope. She travels to Venice where community groups are fighting to stop the tourism industry from pushing them out of their homes, to France where officials have made tourism their number one industry to save their cultural heritage; and on cruises speaking to waiters who earn $60 a month--then on to Miami to interview their CEO. Becker's sharp depiction reveals travel as a product; nations as stewards. Seeing the tourism industry from the inside out, the world offers a dizzying range of travel options but very few quiet getaways"--

Hemispheres and Stratospheres offers eight essays that address the art, literature, science, and politics of distance during the long eighteenth century. This volume celebrates the intercontinental expansiveness of Enlightenment distance culture--a culture that continues to encourage modern pursuits such as space travel, tourism, telecommunication, multiculturalism, and international research collaboration.

One man’s “curiously thrilling joyride” of travelogue, history, and climatology, across a planet on the brink of cataclysmic transformation (Donovan Hohn). As the planet warms, winter is shrinking. In the last fifty years, the Northern Hemisphere lost a million square miles of spring snowpack and in the US alone, snow cover has been reduced by 15-30%. On average, winter has shrunk by a month in most northern latitudes. In this deeply researched, beautifully written, and adventure-filled book, journalist Porter Fox travels along the edge of the Northern Hemisphere's snow line to track the scope of this drastic change, and how it will literally change everything—from rapid sea level rise, to fresh water scarcity for two billion people, to massive greenhouse gas emissions from thawing permafrost, and a half dozen climate tipping points that could very well spell the end of our world. This original research is animated by four harrowing and illuminating journeys—each grounded by interviews with idiosyncratic, charismatic experts in their respective fields and Fox's own narrative of growing up on a remote island in Northern Maine. Timely, atmospheric, and expertly investigated, The Last Winter will showcase a shocking and unexpected casualty of climate change—that may well set off its own unstoppable warming cycle.

This book reflects, comments on and adds to a fast growing field of travel writing studies. The twenty-five papers in this volume rely on a variety of theoretical and methodological approaches and explore a diverse body of travel writing texts created over the last three hundred years in English, Polish, Hungarian and French. The book is divided into three parts. The first one includes papers which apply the findings of post-structuralism, generic and cultural criticism as well as narratology to explore theories, canons and genres in travel writing drawing material not only from non-fictional and fictional prose narratives but also from poetry and tragedy. The second and third parts contain papers on a wide selection of travel writing texts, both fictional and non-fictional, written in Anglophone, as well as other literary traditions. They are arranged chronologically: the second part is devoted to texts written in the eighteenth and nineteenth centuries, while the third part focuses on those written in the twentieth and twenty first centuries.

Physical or mental, good or bad, pleasurable or otherwise, the writer's endeavour should be to pen in such a way that the reader vicariously experiences the writer's own experience. The success of a writer presumably depends directly upon the degree at which they are able to achieve this crucial objective. Neither has Bhupender an artistic background nor is he a photography aficionado. But destiny arguably is unpredictable. It sometimes has unplanned ventures to peruse. So probably during one of his regular evening drives from office to home the beauty of the sunset inadvertently captured his imagination, engendering feelings that he says were more romantic than his real romantic encounters. Fascinated with the waves of the sea caressing over the the sand, part of it sinking in and the rest going back to the sea only to return with same vigour, plausibly prodded him to discover a new meaning for courage. He looked up at the sky to realize the incredible vastness of nature that he was part of it now. Saddled himself with a camera, tripod, paper and a pen, and off he goes globe-trotting. To click the little fairylands in the world and collect the scattered jewels of incredible places only to share them with you. A captivating read indeed for both, avid and armchair travellers.

Tim Cahill reports on the road trip to end all road trips: a journey that took him from Tierra del Fuego to Prudhoe Bay, Alaska, in a record-breaking twenty three and a half days.