This compilation of work by Architect Gordon Gilbert explores the idea of transparency in architecture, ranging from an open physical transparency, to clarity of structure, to the dematerialization of the physical object, and further to evolving and expanding states of architectural awareness. This exploration is facilitated through a revealing juxtaposition of experimental drawing, subliminal texts, and constructed work.With essays by Michael Sorkin, Zvi Hecker, Lebbeus Woods, and Christian W. Thomsen.

Examining the transformation of transparency as a metaphor in West German political thought to an analogy for democratic architecture, this bookquestions the prevailing assumption in German architectural circles that transparency in governmental buildings can be equated with openness, accessibility and greater democracy. The Transparent State traces the development of transparency in German political and architectural culture, tying this lineage to the relationship between culture and national identity, a connection that began before unification of the German state in the eighteenth century and continues today. The Weimar Republic and Third Reich periods are examined although the focus is on the postwar period, looking at the use of transparency in the three projects for a national parliament - the 1949 Bundestag project by Hans Schwippert, the 1992 Bundestag building by Gunter Behnisch and the 1999 Reichstag renovation by Norman Foster. Transparency is an important issue in contemporary architectural practice; this book will appeal to both the practising architect and the architectural historian.

This book explores the specific role that glazing technologies play within the world of smart architecture as important components of contemporary and future sustainable architectural and technological research. Smart Architecture begins with a definition of the concept of “smart” in architecture and examines how innovative technologies and materials have shaped buildings over the years. The author then provides a supporting database of contemporary smart architecture—mapping adopted strategies, recognizing common patterns, and evaluating current and future trends in the context of smart building envelopes, energy efficiency, and the development of high-potential innovative building components. The book proceeds with a focus on the specific role that glazing technologies play in this framework and provides a systematic methodology to quantify options for the effective integration of transparent building components within advanced and innovative building envelope systems.

Do open societies need transparent architecture? Does transparent architecture help make an open society? This book examines German culture's on-going relationship with Transparency, a relationship which culminates in the new Reichstag building.

Architect Kurt Ofer has formulated an utterly unique way of drawing, which gives a superior understanding of form. By following the method of "transparent drawing," you ignore an object's opacity and see beyond its surface, allowing you to draw it in a very distinct and holistic way.

A fascinating guide to building with transparent plastics. Prominent international avant-garde architects such as Shigeru Ban and Herzog & de Meuron frequently use transparent plastic for their structures. Transparent plastic seems ephemeral and thus captures the spirit of the times.

The paradoxical logic of transparency and mediation Transparency is the metaphor of our time. Whether in government or corporate governance, finance, technology, health or the media – it is ubiquitous today, and there is hardly a current debate that does not call for more transparency. But what does this word actually stand for and what are the consequences for the life of individuals? Can knowledge from the arts, and its play of visibility and invisibility, tell us something about the paradoxical logics of transparency and mediation? This Obscure Thing Called Transparency gathers contributions by international experts who critically assess the promises and perils of transparency today.

"Transparency," by Colin Rowe and Robert Slutzky, originally published in English in 1964 (in Perspecta 8), followed by a German translation in 1968, is one of the main modern reference texts for any student of architecture. Rowe and Slutzky co-founded the architects group "Texas Rangers" at the University of Texas in Austin, together with John Hejduk, Werner Seligmann and Bernhard Hoesli. In conjunction with their teaching activities, the group members sought to develop a new method for architectural design and proceeded to test their models in the teaching environment. This edition of Transparency is provided with a commentary by Bernhard Hoesli and an introduction by the art and architecture historian Werner Oechslin.