As a master of the word, Rubem Alves relates events and experiences in life where God, religiosity, love, beauty and the meaning of life are always present. They are his Transparencies of eternity a collection of poetic and spiritual chronicles in which the author draws transparent and multicolor stained glass windows, using as raw material the existence and the multiple faces of God: sometimes God is an artist, who gathers the shards of my stained glass, smashed by random stoning, and places them again in the cathedral s window so that the sun s rays may shine through them again; sometimes God is a great, huge Emptiness that encompasses the whole beauty of the universe. Even more: God is a parent who doesn t know how to add. God is not in the business of accounting God doesn t add up either virtue or sins. This is how love is. It has no why s. It is reasonless. Love for love s sake. No accounting of good or of evil. With such a God the universe becomes more humble. And fears vanish. In this book are collected texts that masterfully comprise both a profound knowledge and the major existential questions of humankind. The texts flow with a simplicity of rare beauty, and the result could not be better: spirituality is presented through a new lens, attracting, instigating and enchanting readers who want to broaden their horizons.

Written in a theopoetic key, this book challenges Christian reliance on the motif of promise, especially where promise is regarded as a prerequisite for the experience of hope. It pursues instead an unpromising hope available to the agnostic or belief-fluid members and leaders of faith communities. The book rejects any theological judgement about doubt and hopelessness being sinful. It also rejects any hope which is grounded in a sense of Christian supremacy. Chapter 1 focuses on Ernst Bloch’s antifascist concept of utopian surplus, putting Bloch in conversation with queer theorist José Esteban Muñoz and womanist theologian M. Shawn Copeland. Chapter 2 explores the saudadic and theopoetic hope of Rubem Alves. Chapter 3 turns to the womanist theologies of Delores Williams, Emilie Townes, and A. Elaine Brown Crawford. Finally, chapter 4 engages the post-colonial eschatology of Vítor Westhelle, framing hope as nearby in space, rather than nearby in time. Each chapter offers an unpromising hope that may be tapped into by those who wish to affirm belief-fluidity in their own communities, and by those who wish to speak of hope honestly, whether or not, at any given moment, they believe in God or in the promises of a god.

Drawing from two decades as a hospice chaplain, nurses’ aide, and emergency medical technician, the Rev. Matthew J. Holmes invites us to peer into the often occulted dimensions of life’s endings. From bedsores to isolation, impacted bowels to the nursing home economy, from neglect to deep, desperate love, modern death’s characteristics are navigated here with insight, honesty, depth, and clarity. Following the sense of horror and humor evoked in each narrative are theopoetic and theological reflections from the Rev. Thomas R. Gaulke, PhD. Tom brings a playfulness to the conversation, engaging issues of hope, meaningless, disenchantment, sacramentology, grace, and religiosity in relation to modern death and postmodern longing. Every day, worlds end. Armageddon is not a battle far removed into the future. It is taking place right now—in the hospital, at the nursing home, across the street, and inside our very bodies. The world ends in ways big and small. It ends in pain and in love. It ends with tears and with relief. The ends of worlds are often grotesque, final battles the bloodiest. This book is an opening into those endings and an invitation into the search for whatever meaning and whatever of God might lie therein.

Injustice and the Care of Souls, Second Edition, explores injustices in church and society and their impact on pastoral caregiving. The book offers pastoral and spiritual caregivers broader contexts, knowledge, and skills to respond effectively to marginalized people and to reflect on how their own social locations affect their work.

In the second book of Cole's Potion Masters series, the secrets of the potion-making world are at stake when Gordy has to unravel a mystery at B.R.E.W. headquarters and defeat the threat of a powerful new group of potion masters.

A New York Times and Los Angeles Times Bestseller “Doughty chronicles [death] practices with tenderheartedness, a technician’s fascination, and an unsentimental respect for grief.” —Jill Lepore, The New Yorker Fascinated by our pervasive fear of dead bodies, mortician Caitlin Doughty embarks on a global expedition to discover how other cultures care for the dead. From Zoroastrian sky burials to wish-granting Bolivian skulls, she investigates the world’s funerary customs and expands our sense of what it means to treat the dead with dignity. Her account questions the rituals of the American funeral industry—especially chemical embalming—and suggests that the most effective traditions are those that allow mourners to personally attend to the body of the deceased. Exquisitely illustrated by artist Landis Blair, From Here to Eternity is an adventure into the morbid unknown, a fascinating tour through the unique ways people everywhere confront mortality.

Here, in a fitting recognition of a life of scholarship, is an esteemed collection of writing by liturgical and homiletical scholars honoring and engaging with Gail Ramshaw's work and extending it to new questions, contexts, and concerns. The volume is organized around themes of her work: lectionary patterns, prayer forms, and theological horizons.

"Aspiring Potion Master Gordy Stitser must prevent the Eternity Elixir from falling into the hands of the rebel Elixirists who are working to release the most powerful potion master of all time and take over the world"--Provided by publisher.

Transparency and Dissimulation analyses the configurations of ancient neoplatonism in early modern English texts. In looking closely at poems and prose writings by authors as diverse as Thomas Wyatt, Philip Sidney, Edmund Spenser, John Donne, Edward Herbert, Andrew Marvell, Thomas Traherne, Thomas Browne and, last not least, Aphra Behn, this study attempts to map the outlines of a neoplatonic aesthetics in literary practice as well as to chart its transformative potential in the shifting contexts of cultural turbulency and denominational conflict in 16th- and 17th-century England. As part of a “new”, contextually aware, aesthetics, it seeks to determine some of the functions neoplatonic structures – such as forms of recursivity or certain modes of apophatic speech – are capable of fulfilling in combination and interaction with other, heterogeneous or even ideologically incompatible elements. What emerges is a surprisingly versatile poetics of excess and enigma, with strong Plotinian and Erigenist accents. This appears to need the traditional ingredients of petrarchism or courtliness only as material for the formation of new and dynamic wholes, revealing its radical metaphysical potential above all in the way it helps to resist the easy answers – in religion, science, or the fashions of libertine love.