Spectacular, scientific, and educational cultural practices were used to establish and define public identities in the British colonies of nineteenth-century Canada. In Visibly Canadian, Karen Stanworth argues that visual representations were the era's primary mode of expressing identity, and shows how the citizenry of Quebec and Ontario was - or was not - represented in the visual culture of the time. Through nine case studies, each representing key moments of identity formation and contestation, Stanworth investigates how a broad range of cultural phenomena, from fine arts to institutional histories to public spectacles, were used to order, resist, and articulate identities within specific social and economic contexts. The negotiation and planning underpinning civic culture are evident in rare moments of compromise such as the surprising proposal from the Saint-Jean-Baptiste Society to merge their annual parade with the celebration of Queen Victoria's Diamond Jubilee in 1897. Equally astounding is the scale of nineteenth-century public spectacles; reenactments of Victorian scenes of war often attracted crowds of upwards of 10,000 people. Illustrated with over fifty images, many unseen for over a century, Visibly Canadian establishes the extraordinary significance of artwork and public spectacles in cutting across language, religion, and class to tell stories of nationhood, belonging, and difference.

This book provides a synthesis of social, demographic and economic change in Quebec City during the British regime, a period which saw the former French capital transformed into an English city with all the problems associated with rapidly growing urban centres.

In a compelling and comprehensive treatment of the nineteenth-century voluntary association movement, Darren Ferry situates these organizations within the much larger framework of the construction of collective liberal identities. He shows that by attempting to transcend the political, religious, class, and ethnic divisions of their constituencies, voluntary societies acted as cultural mediators in the reproduction, transmission, and contestation of liberal values throughout central Canadian society.

A fourth-generation member of a Quebec City family of artists and architects, Charles Baillargé was encouraged by his family in both artistic and intellectual pursuits. He was proficient not only as an architect but also as a surveyor, engineer, mathematician, and inventor, publishing over 250 books and pamphlets on his many interests.