Between the rolling cadences of this peripatetic choo-choo and the vigorous swaths of color left in its tracks, this picture book practically redefines locomotion." --Publishers Weekly, starred review

After her father is accused of murdering her mother, Tate McCoy is convinced he is innocent and tries to prove her life isn't ruined by spending time with her best friend and pursuing her summer crush, until she discovers the truth.

Adam Gordon is a brilliant, if highly unreliable, young American poet on a prestigious fellowship in Madrid, struggling to establish his sense of self and his relationship to art. What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam's "research" becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in historic events or merely watch them pass him by? In prose that veers between the comic and tragic, the self-contemptuous and the inspired, Leaving the Atocha Station is a portrait of the artist as a young man in an age of Google searches, pharmaceuticals, and spectacle. Born in Topeka, Kansas, in 1979, Ben Lerner is the author of three books of poetry The Lichtenberg Figures, Angle of Yaw, and Mean Free Path. He has been a finalist for the National Book Award and the Northern California Book Award, a Fulbright Scholar in Spain, and the recipient of a 2010-2011 Howard Foundation Fellowship. In 2011 he became the first American to win the Preis der Stadt Münster für Internationale Poesie. Leaving the Atocha Station is his first novel.

“The grouchiest character since the Grinch." —School Library Journal, starred review A hilarious, heartwarming picture book from a New York Times bestselling author and award-winning illustrator about a tiny king who grows into a big-hearted monarch after he banishes almost his entire court from the palace. Tiny Cedric, King ME the First does not like being small. AT ALL. So he decides to banish anyone taller than him from his palace. Which is everyone, basically. The only ones left are the babies. And now they’re in charge of the Royal Duties! How will Cedric cope—especially now that he must kiss boo-boos and read bedtime stories? Will he become a kinder, gentler, BIGGER king? Filled with colorful illustrations and ensuing hi-jinks, this charming picture book is perfect for children of all ages AND sizes!

A night train, a freight train, a high-speed train. Racing across the country, from coast to coast. All aboard!Climb aboard a red-striped Commuter Train in the East. Switch to a blue Passenger Train rolling through midwestern farmland. Then hop on a Freight Train, soar over mountains on an Overnight Train, and finish on a High-Speed Train as it races to the West Coast.Trains are moving. Fast and loud, colorful and powerful. Experience their sights, sounds, smells--and the engineers and conductors who make them go--as they roll across the country.

At the train station, it’s up to lovable monkey George to save the day! Curious George heads to the train station to take a trip with the man with the yellow hat. But when he tries to help out the station master, he gets himself into trouble. George finds himself a hiding place—only to discover that his help is really needed when a little boy’s toy train is about to fall onto the tracks… “The only predictable thing about that dynamic monkey, Curious George, is his unpredictability.”—The New York Times

When fourteen-year-old Abby Kate boards the train in Austin to spend three weeks with her grandmother in Galveston, she's full of excitement--about the train ride and the prospect of days on the beach, exploring Galveston with her cousin Jane, family picnics, and her grandmother's good food. But things go wrong even before she gets to her grandmother's house. Abby Kate gets off the train briefly in Houston--and the train leaves without her. Stranded in the railroad station, she is befriended by a man traveling with his two sons and eventually reaches Galveston safely. Then word comes that Abby Kate's young brother, Will, has diphtheria, and she will have to stay in Galveston indefinitely. Abby Kate is still in Galveston on September 8 when a massive hurricane strikes the city. At first the prospect of a storm is exciting. But as Abby Kate takes an ill-advised trip to watch the waves crash on the beach, the storm turns into a terrifying monster. Unable to make it back to Grandmother Linden's house, Abby Kate, her older cousin Ellen, and Ellen's friend Ian take refuge in the home of one of Ian's teachers. When the house falls apart, Abby Kate is on her own, clinging to a plank in swirling waters with the wind howling around her head. With vivid descriptions, Julie Lake plunges the reader into the storm right along with Abby Kate. The Galveston hurricane of September 8, 1900, remains the worst national disaster to hit the United States. And Abby Kate? She's spunky, mischievous, kind and caring, courageous when she has to be, and absolutely irresistible!

Light the candles and shut the door, The Wrong Train is a deliciously creepy and scarily good collection of scary stories, complete with terrifying illustrations from Dave Shelton. Perfect for fans of Patrick Ness, R.L. Stine, and Emily Carroll.Imagine you've just managed to catch your train and you realize it's the wrong one. You'd be annoyed of course, but not scared . . . Yet.Imagine you get off the wrong train at the next station hoping to catch one back the way you came. But the station is empty. Again, you'd be annoyed, but not scared . . . Yet.Imagine someone comes to the station, a stranger who starts to tell you stories to help pass the time. But these aren't any old stories--they're nightmares that come with a price to pay. And you want them to stop. Scared yet? You will be.

McSweeney's 65: Plundered spans the Americas, from a bone-strewn Peruvian desert to inland South Texas, and considers the violence that shaped it. In fifteen bracing stories, the collection delves into extraction, exploitation, and, crucially, defiance. How does a community, an individual, resist the plundering of land and peoples? Guest-edited by acclaimed author Valeria Luiselli, with Heather Cleary, Issue 65 brings together stories of stolen artifacts and endless job searches, of nationality-themed amusement parks and cultish banana plantations. Including contributors from Brazil, Cuba, Bolivia, Mexico, Argentina, Ecuador, the United States, and more, Plundered is a panoramic portrait of a hemisphere on fire. Praise for McSweeney's Quarterly A key barometer of the literary climate.-The New York Times McSweeney's is so much more than a magazine; it's a vital part of our culture. -Geoff Dyer, McSweeney's contributor and author of Jeff in Venice, Death in Varanasi and Otherwise Known as the Human Condition