After World War II, the most urgent reconstruction problem in these islands was in the field of public housing, and the opportunity presented itself to create innovative buildings and to finally abolish slums. Everyone, including the slum-dwellers, united behind the plan to build new dwellings as quickly as possible. In this book Miles Glendinning and Stefan Muthesius tell the story of a great adventure of building and explain the architectural and political ideas that lay behind it.

Ch. 1. Social reform, state control, and the origins of mass housing -- ch. 2. Mass housing in Chicago -- ch. 3. The concrete cordon around Paris -- ch. 4. Slabs versus tenements in East and West Berlin -- ch. 5. Bras?lia, the slab block capital -- ch. 6. Mumbai : mass housing for the upper crust -- ch. 7. Prefab Moscow -- ch. 8. High-rise Shanghai -- ch. 9. Global architecture, locally conditioned.

Set in Bridgeton, Glasgow in 1968. The Toffs in the Towerblock continues the story of the posh Nairn family who originally hail from the affluent West End of Glasgow. After losing all their money, they now live in a room and kitchen tenement flat in Heron St Bridgeton. The story begins a few months before the Nairn's move to their new high rise flat in Ruby Street. There are laughs galore as they attend their first tenement house party. Also, follow young Rupert as he takes part in a grudge game of 'Rounders', visits Sir William Arrol steelworks in Nuneaton St and has a hilarious visit to a Glasgow barbers shop. The sights and sounds of life in the tenements of 1968 Glasgow are affectionately remembered as the posh Nairn's continue the struggle to adapt to their new lives. There are laughs, tears and tantrums once again as all the regulars return in this funny and heart-warming tale of tenement life.

A unique evocation of Britain at the height of Margaret Thatcher's rule, A Journey Through Ruins views the transformation of the country through the unexpected prism of every day life in East London.Written at a time when the looming but still unfinished tower of Canary Wharf was still wrapped in protective blue plastic, its cast of characters includes council tenants trapped in disintegrating tower blocks, depressed gentrifiers worrying about negative equity, metal detectorists, sharp-eyed estate agents and management consultants, and even Prince Charles.Cutting through the teeming surface of London, it investigates a number of wider themes: the rise and dramatic fall of council housing, the coming of privatization, the changing memory of the Second World War, once used to justify post-war urban development and reform but now seen as a sacrifice betrayed. Written half a century after the blitz, the book reviews the rise and fall of the London of the post-war settlement. It remains one of the very best accounts of what it was like to livethrough the Thatcher years.

Studying the work of important continental theorists, Joe Moran explores the concrete sites and routines of everyday life and how they are represented through political discourse, news media, material culture, photography, reality TV and more.

Following Austerity Britain and Family Britain, the third volume in David Kynaston's landmark social history of post-war Britain 'Triumphant ... A historian of peerless sensitivity and curiosity about the lives of individuals' Financial Times 'This superb history captures the birth pangs of modern Britain ... It is a part of Kynaston's huge achievement that such moments of insight and pleasure should accompany what has become a monumental history of our recent past' The Times ____________________ David Kynaston's history of post-war Britain has so far taken us from the radically reforming Labour governments of the late 1940s in Austerity Britain and through the growing prosperity of Family Britain's more placid 1950s. Now Modernity Britain 1957–62 sees the coming of a new Zeitgeist as Kynaston gets up close to a turbulent era in which the speed of social change accelerated. The late 1950s to early 1960s was an action-packed, often dramatic time in which the contours of modern Britain began to take shape. These were the 'never had it so good' years, when the Carry On film series got going, and films like Room at the Top and the first soaps like Coronation Street and Z Cars brought the working class to the centre of the national frame; when CND galvanised the progressive middle class; when 'youth' emerged as a cultural force; when the Notting Hill riots made race and immigration an inescapable reality; and when 'meritocracy' became the buzz word of the day. In this period, the traditional norms of morality were perceived as under serious threat (Lady Chatterley's Lover freely on sale after the famous case), and traditional working-class culture was changing (wakes weeks in decline, the end of the maximum wage for footballers). The greatest change, though, concerned urban redevelopment: city centres were being yanked into the age of the motor car, slum clearance was intensified, and the skyline became studded with brutalist high-rise blocks. Some of this transformation was necessary, but too much would destroy communities and leave a harsh, fateful legacy. This profoundly important story of the transformation of Britain as it arrived at the brink of a new world is brilliantly told through diaries, letters newspapers and a rich haul of other sources and published in one magnificent paperback volume for the first time.

This book seeks to understand the coexistence of bodily regimes and the politics that emerge from the clash between them: Presents a novel conceptual model for understanding the relationship between bodies and affects Reworks Rancière's notions of the distribution of the sensible and the aesthetic unconscious Establishes a dynamic and multiple understanding of the repressive, distributive and communicative unconscious by rethinking Freudian psychoanalysis Utilizes a variety of empirical materials, from Hollywood movies to Freud's case studies Sets its argument about politics within the context of significant social events to ensure its conceptual and empirical material is relevant to the contemporary political moment

Presents a collection of poems that describe what it is like to live in the city --

Written by a world-renowned theoretical physicist, Introduction to Statistical Physics, Second Edition clarifies the properties of matter collectively in terms of the physical laws governing atomic motion. This second edition expands upon the original to include many additional exercises and more pedagogically oriented discussions that fully explain the concepts and applications. The book first covers the classical ensembles of statistical mechanics and stochastic processes, including Brownian motion, probability theory, and the Fokker–Planck and Langevin equations. To illustrate the use of statistical methods beyond the theory of matter, the author discusses entropy in information theory, Brownian motion in the stock market, and the Monte Carlo method in computer simulations. The next several chapters emphasize the difference between quantum mechanics and classical mechanics—the quantum phase. Applications covered include Fermi statistics and semiconductors and Bose statistics and Bose–Einstein condensation. The book concludes with advanced topics, focusing on the Ginsburg–Landau theory of the order parameter and the special kind of quantum order found in superfluidity and superconductivity. Assuming some background knowledge of classical and quantum physics, this textbook thoroughly familiarizes advanced undergraduate students with the different aspects of statistical physics. This updated edition continues to provide the tools needed to understand and work with random processes.

This book on Stephen Willats pulls together key strands of his practice and threads them through histories of British cybernetics, experimental art, and urban design. For Willats, a cluster of concepts about control and feedback within living and machine systems (cybernetics) offered a new means to make art relevant. For decades, Willats has built relationships through art with people in tower blocks, underground clubs, middle-class enclaves, and warehouses on the Isle of Dogs, to investigate their current conditions and future possibilities. Sharon Irish's study demonstrates the power of Willats's multi-media art to catalyze communication among participants and to upend ideas about “audience” and “art.” Here, Irish argues that it is artists like Willats who are now the instigators of social transformation.