Return to Montana as a tough-talking cowboy meets his match in Jennifer Ryan's newest Wild Rose Ranch novel. Ex-Army Ranger Drake McGrath has come home to Montana, locked in a battle with himself, lashing out at those who love him most--driving away his ex-fiancée and alienating his family. But Adria Holloway sees beyond Drake's tough talk to the raw pain beneath. Raised with her twin sister Juliana by a neglectful mother at the Wild Rose Ranch, Adria also struggles to put the trauma from her past behind her. To help them both, she makes Drake a shocking deal--a no-strings relationship that'll help them both face down their demons. Maybe it's a way for her and Drake to heal each other, one sizzling night at a time... The heat between them is instant and incredible. But the biggest challenges are yet to come. With Juliana battling her addiction and Drake working on his issues, Adria realizes she can't save everyone. But Drake and Adria discover love can survive tragedy and loss--and they can have the life they never thought possible if they just hold on.

On their farm nestled in upstate New York, veterinarian Austin McKenzie and his wife Madeline keep themselves busy looking after ailing farm animals and pets in poor health. But while they may be able to mend creatures great and small, they have yet to find a cure for murder. During his career, Austin has met several snakes—and none of them was meaner than turkey farmer Lewis O’Leary. So it’s no surprise when O’Leary’s dead body is found in a dumpster. Circumstantial evidence points to a turkey feed salesman, whom police have arrested. But the doc has a feeling the guy was framed. To prove it, though, Austin will have to narrow down the list of Old Man O’Leary’s enemies—but how, with so many? His family is ready to gobble up any inheritance from the turkey farm; an animal rights activist wanted his head on a platter; and this case will be anything but gravy. “A savvy sleuth with a kind heart.”—Richmond Times-Dispatch

The director of 2004’s smash hit documentary Outfoxed: Rupert Murdoch’s War on Journalism teams with journalist Alexandra Kitty in an even more detailed and updated examination of how media empires, led by Rupert Murdoch’s Fox News, have been running a “race to the bottom” in television news. They examine media consolidation by focusing on the Fox News Channel: How did Fox gain prominence? How did the Fox News Channel gain audiences and influence public debate? How does Fox report reality? Is the network merely interpreting events or is it pushing propaganda? Who are the main players and how do they treat their friends and enemies? Why should readers care about how Fox takes liberties with its facts? Each chapter blends interviews from Greenwald’s documentary, transcripts from Fox programs, and other research pertaining to Fox News not only to illustrate the Fox “mentality,” but also to show the factual, ethical and structural problems with the news channel. Interviews and transcripts are analyzed to give readers a strong sense of what Fox is actually telling its audiences.

The American West used to be a story of gunfights, glory, wagon trails, and linear progress. Historians such as Frederick Jackson Turner and Hollywood movies such as Stagecoach (1939) and Shane (1953) cast the trans-Mississippi region as a frontier of epic proportions where 'savagery' met 'civilization' and boys became men.During the late 1980s, this old way of seeing the West came under heavy fire. Scholars such as Patricia Nelson Limerick and Richard White forged a fresh story of the region, a new vision of the West, based around the conquest of peoples and landscapes.This book explores the bipolar world of Turner's Old West and Limerick's New West and reveals the values and ambiguities associated with both historical traditions. Sections on Lewis and Clark, the frontier and the cowboy sit alongside work on Indian genocide and women's trail diaries. Images of the region as seen through the arcade Western, Hollywood film and Disney theme parks confirm the West as a symbolic and contested landscape.Tapping into popular fascination with the Cowboy, Hollywood movies, the Indian Wars, and Custer's Last Stand, the authors show the reader how to deconstruct the imagery and reality surrounding Western history.Key Features*Uses popular subjects (the Cowboy, Hollywood westerns, the Indian Wars, and Custer's Last Stand) to enliven the text*Includes 13 b+w illustrations*Interdisciplinary approach covers film, literature, art and historical artefacts

A single mom’s fresh start in Gold Valley, Oregon, comes with a cowboy from her past Recently widowed and with two headstrong kids, Lauren Bishop wants three things—a break from her never-ending to-do list, a cup of coffee and a moment to appreciate the gorgeous cowboy who just walked past her. Unfortunately, he catches her in the act…and he isn’t a stranger. Calder Reid is more than intrigued when the sexy woman checking him out in the local coffee shop turns out to be the object of his boyhood fantasies. When he was a gawky kid, Lauren was a beautiful swan. But now he’s more than man enough to satisfy her every need. The chemistry between them is undeniable, but can this hard riding cowboy convince commitment-shy Lauren to take a second chance on forever? Read the entire Gold Valley series: 1. Smooth-Talking Cowboy 2. Untamed Cowboy 3. Good Time Cowboy 4. A Tall, Dark Cowboy Christmas 5. Unbroken Cowboy 6. Cowboy to the Core 7. Lone Wolf Cowboy 8. Cowboy Christmas Redemption 9. The Bad Boy of Redemption Ranch 10. The Hero of Hope Springs 11. The Last Christmas Cowboy

"Raw, intimate, and true . . . A Better Man cracked me wide open, and it's a template for the conversation we need to be having with our boys." --Peggy Orenstein, bestselling author of Boys & Sex A poignant look at boyhood, in the form of a heartfelt letter from comedian Michael Ian Black to his teenage son before he leaves for college, and a radical plea for rethinking masculinity and teaching young men to give and receive love. In a world in which the word masculinity now often goes hand in hand with toxic, comedian, actor, and father Michael Ian Black offers up a way forward for boys, men, and anyone who loves them. Part memoir, part advice book, and written as a heartfelt letter to his college-bound son, A Better Man reveals Black's own complicated relationship with his father, explores the damage and rising violence caused by the expectations placed on boys to "man up," and searches for the best way to help young men be part of the solution, not the problem. "If we cannot allow ourselves vulnerability," he writes, "how are we supposed to experience wonder, fear, tenderness?" Honest, funny, and hopeful, Black skillfully navigates the complex gender issues of our time and delivers a poignant answer to an urgent question: How can we be, and raise, better men?

The far-flung imperial frontier is no place for greenhorns. Two Toes, the renegade Tigerillian war chief, is off the reservation and slaughtering human settlers west of the Bloody Muddy. Only a half-grown boy with a heart full of vengeance and bottled lightning in both hands stands between the outlaw war chief and the rest of the western frontier. But there are secrets about young Lightning Ryan Taylor that span the known universe. Secrets that have long been kept from young Ryan and that are about to catch up with him, whether he is ready for them or not. Dogged by a native prophecy from the day of his birth and the hardness of his frontier home world, Ryan must stop the renegade, still the wildfire of racial war, and reunite with the mother, whom he thought long dead. Beware the line where science crosses back into magic

Cody Jameson knows that hiring gourmet chef Vivienne Clayton for the Circle C Ranch has to be a mistake. He once secretly loved her, but she's back in tiny Clayton, Colorado, for just a year. Vivienne wonders how she'll survive in the town she couldn't leave fast enough. Yet she soon finds herself cooking beans and biscuits for cowboys and helping Cody with his sassy teenage sister. To the entire ranch's surprise, it seems like this big-city chef might actually stand a chance of becoming a cowboy's lady forever.

This work provides factual accounts of women of the Old West in contrast to their depictions on film and in fiction. The lives of Martha Calamity Jane Canary and Belle The Bandit Queen Starr are first detailed; one discovers that Starr was indeed friends with notorious bank robbers of the time, including Jesse James and Cole Younger, but was herself primarily a cattle and horse thief. Wives and lovers of some of the West's most famous outlaws are covered in the second section along with real-life female entertainers, prostitutes and gamblers. Native Americans, entrepreneurs, doctors, reformers, artists, writers, schoolteachers, and other such respectable women are covered in the third section.

Inspired by a meeting with Tennessee Williams, American playwright William Inge found success early, winning a Pulitzer for drama and an Academy Award for best screenplay. His small-town upbringing profoundly influenced his writing, and one of his major recurring themes was the traditional roles of gender. This close study of Inge's work focuses particularly on his technique of "gendermandering," patterns of gender-role reversals which Inge exploits not only for dramatic effect but also to subvert social expectations. Fully considered are stereotypes and established gender roles, especially as they were reinforced socially during the 1940s and 1950s. The author concentrates largely on material that is strictly Inge's, not adaptations or collaborations, and on work that has been published and is readily available to the general public. All major plays; a collection of his short plays; the screenplay of Splendor in the Grass (1961); and his novel Good Luck, Miss Wyckoff are covered. Some of Inge's more inaccessible material, including a few short published plays as well as some of the unpublished manuscripts held in the Inge Collection at Independence Community College in Independence, Kansas, is also addressed.