The Atlantic named this author as possibly Steve Bannon's contact in the White House (Rosie Gray, The Atlantic Feb 10 2017: " 'Think you should speak directly to my WH cutout / cell leader,' Yarvin said in an email. 'I've never met him and don't know his identity, we just DM on Twitter. He's said to be 'very close' to Bannon...Goal is to intimidate Congress with pure masculine show of youth, energy. Trump is said to know, will coordinate with powerful EOs..."); and a recent Vox article (Tara Isabella Burton, Vox June 1 2018) claimed that he is the "text" to Jordan Peterson's "subtext," and a "distilled" form of Peterson. Distilled means purer: yes, so why not read and understand the purer version? T. I. Burton also adds in this article that this author BAP is a kind of priest-king to thousands on Twitter and outside and is possibly leading a spiritual reawakening.Some say that this book, found in a safebox in the port area of Kowloon, was dictated, because Bronze Age Pervert refuses to learn what he calls "the low and plebeian art of writing." It isn't known how this book was transcribed. The contents are pure dynamite. He explains that you live in ant farm. That you are observed by the lords of lies, ritually probed. Ancient man had something you have lost: confidence in his instincts and strength, knowledge in his blood. BAP shows how the Bronze Age mindset can set you free from this Iron Prison and help you embark on the path of power. He talks about life, biology, hormones. He gives many examples from history, both ancient and modern. He shows the secrets of the detrimental robots, how they hide and fabricate. He helps you escape gynocracy and ascend to fresh mountain air.The pricing, he insisted on against all advice. It refers to the lucky 969 Movement of Burma, led by the noble monk Wirathu.Praise be to the Pervert. Praise be to his teaching of peace.Be careful.

I knew that opening the letter from the sorcerer Azar would have deadly consequences. So we had prepared. We’d planned. We knew we might have to defend ourselves, our freedom. And that I might finally get a chance to exact the revenge I kept telling myself I wasn’t interested in exacting. What we didn’t know was that we’d find ourselves hosting a dysfunctional family reunion — the kind where everyone tries to kill someone at least once over dinner. Sorcerers and witches. With me in the middle. Mediating. I could wipe a small city from the face of the earth. I could vanquish a horde of demons with only two shortswords. I could infiltrate a magically fortified compound without detection, stand against black witches, and defy even those capable of manipulating minds. What I couldn’t do was mediate a family squabble that stretched back decades, replete with kidnapping, magical coercion, and rape. Or I couldn’t mediate with words, at least. Thankfully, though, draining everyone of their magic was always an option. *** Author’s Note: Idols and Enemies is the fourth book in the Amplifier Series, which is set in the same universe as the Dowser, Oracle, Reconstructionist, Archivist, and Misfits of the Adept Universe series. It also includes the short story, The Music Box (Amplifier 4.5). Reading Order · The Amplifier Protocol (Amplifier 0) · Close to Home (Amplifier 0.5) (bundled with A0) · Demons and DNA (Amplifier 1) · Bonds and Broken Dreams (Amplifier 2) · Mystics and Mental Blocks (Amplifier 3) · Idols and Enemies (Amplifier 4) · The Music Box (Amplifier 4.5) (bundled with A4) · Instincts and Impostors (Amplifier 5) · Recon Mission: Bee (Amplifier 5.5)

Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.