Poetry. Winner of the 2006 National Book Critics Circle Award for Poetry. "TOM THOMSON IN PURGATORY falls gracefully into the American tradition of the extended persona poem...Troy Jollimore knows how to trot forth a character as distinct as one who might be encountered in sharply rendered fiction...Of course, we know and delight in the knowledge that Tom Thomson is a verbal phantom, the result of the poet's word-spinning, but at the same time we lean forward to believe in him--our hero for the moment, a man of the hour...Reading this book, you are bound to take both Tom Thomson and his creator to your heart and to savor the miscellany of other poems that make up this superb collection"--Billy Collins.

Love often seems uncontrollable and irrational, but we just as frequently appear to have reasons for loving the people we do. In Love's Vision, Troy Jollimore offers a new way of understanding love that accommodates both of these facts, arguing that love is guided by reason even as it resists and sometimes eludes rationality. At the same time, he reconsiders love's moral status, acknowledging its moral dangers while arguing that it is, at heart, a moral phenomenon--an emotion that demands empathy and calls us away from excessive self-concern. Love is revealed as neither wholly moral nor deeply immoral, neither purely rational nor profoundly irrational. Rather, as Diotima says in Plato's Symposium, love is "something in between." Jollimore makes his case by proposing a "vision" view of love, according to which loving is a way of seeing that involves bestowing charitable attention on a loved one. This view recognizes the truth in the cliché "love is blind," but holds that love's blindness does not undermine the idea that love is guided by reason. Reasons play an important role in love even if they rest on facts that are not themselves rationally justifiable. Filled with illuminating examples from literature, Love's Vision is an original examination of a subject of vital philosophical and human concern.

Lush and allusive, tuned to a background in translating Nepal Bhasa poetry, RUNNING OUT OF WORDS FOR AFTERWARDS gives voice to cycles of desire, loss, and renewal. Like the many rivers that flow through this book, David Hargreaves' poems, in various turns, can be urgent, expansive, unpredictable, or calm, conveying the reader through landscapes both mystical and mundane, through illusions of selfhood, and the struggles of language to accept its own limitations. Poetry. Asian & Asian American Studies.

Commemorating the one hundredth anniversary of Tom Thomson's death, cultural historian Gregory Klages offers the deepest look to date at the historical record, testimony, and archives about the artist’s tragic and mysterious demise. Putting the whole range of theories under examination, he separates truth from legend in this great Canadian mystery.

This book brings together new essays that explore the connection between love and reasons. The observation that considerations of love carry significant weight in the deliberative process opens up new perspectives in the classic discussion about practical reasons, and gives rise to many interesting questions about the nature of love’s reasons, about their source and legitimacy, about their relation to moral and epistemic reasons, and about the extent to which love is sensitive to reasons. The contributors to this volume orient questions related to love within the broader context of the contemporary discussion on practical reasons, and move forward the conversation about the normative dimensions of love. Love, Reason and Morality will be of interest to philosophers working on issues of normativity, meta-ethics and moral psychology, and especially those interested in the source of practical reasons and the role of attachments in practical deliberation.

The Routledge Handbook of Love in Philosophy collects 39 original chapters from prominent philosophers on the nature, meaning, value, and predicaments of love, presented in a unique framework that highlights the rich variety of methods and traditions used to engage with these subjects. This volume is structured around important realms of human life and activity, each of which receives its own section: I. Family and Friendship II. Romance and Sex III. Politics and Society IV. Animals, Nature, and the Environment V. Art, Faith, and Meaning VI. Rationality and Morality VII. Traditions: Historical and Contemporary. This last section includes chapters treating love as a subject in both Western and non-Western philosophical traditions. The contributions, all appearing in print here for the first time, are written to be accessible and compelling to non-philosophers and philosophers alike; and the volume as a whole encourages professional philosophers, teachers, students, and lay readers to rethink standard constructions of philosophical canons.

What is memory? How does it work? Reliable, unreliable, manipulated, historical, contradictory--from pure speculation to hard cognitive science, this issue brings you fiction, poetry, interviews, essays, and memoirs that explore memory.

In Literary Writing in the 21st Century an incredible array of today’s leading fiction writers, poets, critics, editors, publishers, and booksellers engage in no-holds-barred dialogue about the challenging issues facing writing and publishing today. Whether it’s the impact of innovative technologies, proliferation of new modes of teaching and learning, changing economic dynamics for publishers, shifting criteria to judge quality writing in a global context, or redefinitions of authorship amidst larger cultural changes, this book provides a cornucopia of strongly articulated opinions. It also serves as a manual for students enrolled in formal programs of creative writing, as well as those pursuing writing independently. Deploying his signature wit and unconventional insights, these wide-ranging cultural conversations are mediated by one of our most thought-provoking literary critics and are sure to prompt spirited dialogue both inside and outside the classroom.

Eternal Sunshine of the Spotless Mind is one of the most widely discussed and thought-provoking films of recent years. Exploring a future where it is possible to have memories erased, it raises many intriguing and important philosophical questions spanning ethics, personal identity, the emotions and philosophy of mind. Including annotated sections of further reading at the end of each chapter and a foreword by the director the film, Michel Gondry this volume is essential reading for students interested in philosophy and film studies.