"Architect Tom Kundig is known worldwide for the originality of his work. This paperback edition of Tom Kundig: Houses, first published in 2006, collects five of his most prominent early residential projects, which remain touchstones for him today. In a new preface written for this edition, Kundig reflects on the influence that these designs continue to have on his current thinking. Each house, presented from conceptual sketches through meticulously realized details, is the product of a sustained and active collaborative process among designer, builder, and client. The work of the Seattle-based architect has been called both raw and refined--disparate characteristics that produce extraordinarily inventive designs inspired by both the industrial structures ubiquitous to his upbringing in the Pacific Northwest and the vibrant craft cultures that are fostered there." --

Striking, innovative, and dramatically sited, the twenty-nine projects in Tom Kundig: Working Title reveal the hand of a master of contextually astute, richly detailed architecture. As Kundig's work has increased in scale and variety, in diverse locations from his native Seattle to Hawaii and Rio de Janeiro, it continues to exhibit his signature sensitivity to material and locale and to feature his fascinating kinetic "gizmos." Projects range from inviting homes that integrate nature to large-scale commercial and public buildings: wineries, high-performance mixed-use skyscrapers, a Visitor Center for Tillamook Creamery, the Burke Museum of Natural History and Culture, and the Wagner Education Center of the Center for Wooden Boats, among others. Tom Kundig: Working Title includes lush photography, sketches, and a dialogue between Tom Kundig and Michael Chaiken, curator of the Kundig-designed Bob Dylan Archive at the Helmerich Center for American Research.

Part of the generation of architects who were trained to draw both by hand and with digital tools, Nalina Moses recently returned to hand drawing. Finding it to be direct, pleasurable, and intuitive, she wondered whether other architects felt the same way. Single-Handedly is the result of this inquiry. An inspiring collection of 220 hand drawings by more than forty emerging architects and well-known practitioners from around the world, this book explores the reasons they draw by hand and gives testimony to the continued vitality of hand drawing in architecture. The powerful yet intimate drawings carry larger propositions about materials, space, and construction, and each one stands on its own as a work of art.

Over the past thirty-five years, Olson Sundberg Kundig Allen Architects, based in Seattle, has created a body of architecture that is recognized for its ability to merge notions of materiality, craft, and lightness, all of which are richly demonstrated in their work on art collectors' residences and art museums. The firm began its creative existence with architect Jim Olson, whose work in the late 1960s explored the complex relationship between dwellings and the landscape they inhabit. In the early 1970s the growing firm broadened its emphasis to include urbanism and the landscape of the city. Though firmly rooted in the regional features of the Pacific Northwest -- its unique climate and dramatic landscape -- the firm's work extends beyond any regionalist classification. Instead, the projects are characterized by a relaxed modernism that is attuned to its regional context. Each of the projects featured in this volume exhibits a striking use of both natural and highly refined materials, masterful modulation of light, a careful balance between monumentality and intimacy, and frequent collaborations with artists and craftsmen, especially glass artists such as Ed Carpenter. In addition to generous illustrations, including full-color and black-and-white photography and detailed drawings and plans, Olson Sundberg Kundig Allen Architects: Architecture, Art, and Craft features a statement from the firm's partners, explicating their influence and process, and an essay by noted architectural critic Paul Goldberger.

Drawing from Practice explores and illuminates the ways that 26 diverse and reputable architects use freehand drawing to shape our built environment. Author J. Michael Welton traces the tactile sketch, from initial parti to finished product, through words, images, and photographs that reveal the creative process in action. The book features drawings and architecture from every generation practicing today, including Aidlin Darling Design, Alberto Alfonso, Deborah Berke, Marlon Blackwell, Peter Bohlin, Warren Byrd, Ellen Cassilly, Jim Cutler, Chad Everhart, Formwork, Phil Freelon, Michael Graves, Frank Harmon, Eric Howeler and Meejin Yoon, Leon Krier, Tom Kundig, Daniel Libeskind, Brian McKay Lyons, Richard Meier, Bill Pedersen, Suchi Reddy, Witold Rybczynski, in situ studio, Laurinda Spear, Stanley Tigerman, and Tod Williams Billie Tsien Architects. Included is a foreword by Robert McCarter, architect, author and professor of architecture.

This ground-breaking volume invites the reader into the elegant Seattle home of influential collectors Barney A. and Pam Ebsworth, who own one of the most important private collections of modern American art. The house was designed specifically for the collection, which includes seminal paintings and sculptures by Hopper, de Kooning, Pollock, O'Keefe, Johns, Hockney and Calder, among many others. Art + Architecture is one of the first examinations ever of how a top-flight collector works with an architecture firm-in this case, Olson Sundberg Kundig Allen-which understands the alchemy that allows a great work of art to exist independently in a room, and still allow the residents to live life around it. This gorgeous book includes photos of the art in the home and also beautiful color reproductions of each piece. With commentary by Franklin Kelly, curator of British and American art at the National Gallery. A must for both architecture and art aficionados.

Gordon Walker has designed an extraordinary number of architectural projects, several of them at a very large scale, encompasing the entire American coastal west. His work includes commercial and mid-rise residential buildings in California, Oregon, and the Puget Sound region. He has designed over thirty residences in California, Oregon, Washington, Idaho, and the San Juan Islands. --From back cover.

"With Harold, I witnessed the loving shaping of material as integral to the idea. The closer the material was to the hand, the more meaningful became the shaping."- From the Foreword by Tom Kundig Defining the art of Harold Balazs isn't easy. Encompassing prints, sculpture, architecture, jewelry, and installations, his work crosses boundaries and changes shape with a force that has arrested viewers since the 1950s. His art is a full-blown manifestation of his vision in diverse media and scale. Balazs summed up his art and his approach best when he said, "I make stuff because it's easier than not making stuff." No other Northwest artist has cut quite as wide a swath through the regional culture over the past fifty years as Balazs, who has been called the people's artist of the Northwest. His free spirit, boundless energy, and meticulous eye for detail have shaped the region's art. Balazs's work can be found in public and private collections from Spokane to Seattle, and he has been called the most important liturgical artist in the nation. His fine skills as a teacher can be seen in the work of many of his students, now artists and architects themselves. The voices of a dozen of these former students as well as admirers and friends are found in this book, the first publication to honor Balazs's extraordinary gifts. His career is captured here in remarkable candor that speaks to the artist's humanity, humor, and love of life.

Native Places is a collection of 64 watercolor sketches paired with mini-essays about architecture, landscape, everyday objects, and nature. The sketches relate the delight found in ordinary places. The short essays, rather than repeat what is visible in the sketch, illustrate ideas and thoughts sparked by that image and offer a fresh interpretation of ordinary things. The goal of Native Places is, in part, to transform the way we see. Through its pages, barns become guidebooks to crops and weather; a country church is redolent of the struggle for civil rights and human dignity; and a highway rest stop offers a glimpse of egalitarian society. Native Places also expresses the belief that writing and hand drawing are not obsolete skills. Both disciplines offer us the opportunity to develop a natural grace in the way we view the world and take part in it.

A collection of short stories and inspirational poetry based on the authors life. You will find it sometimes hilarious and sometimes controversial but always entertaining You will find that growing up in the fifties was quite different than today. It was a time when children could leave the house without becoming a target for the evil doings of today. It was a time of hiking through the hills, fishing the local streams and creating imaginative adventures without becoming a victim Look for "Just us yanks," "Patriot's Heart," "Good Medicine, Bad Medicine," Broken Spur," "Green Eyes," "Red Sky in the Morning," and "Zig Zag," by the same author.