Tolkien's enchanted worldview as literary form and as psychological struggle Focusing on the themes of enchantment and loss in the fiction of J. R. R. Tolkien, this unique study incorporates elements of developmental psychology to explore both Tolkien's life and art, deepening our understanding of the interrelationship between his biography and writing. As John Rosegrant relates, Tolkien's early years saw a good deal of trauma: the loss of both parents, serious illness, poverty, and battlefield action during World War I, including the loss of close friends. Yet he presents an enchanted worldview in the stories of Middle-earth, and that tension between enchantment and disenchantment--as it results from significant trauma and loss--lies at the very heart of Tolkien's creative endeavors. In short, Tolkien's creative effort can be understood, especially from the perspective of his own psychological development, as a way to maintain a sense of enchantment in the face of great personal loss. Throughout our lives, at several stages we must surrender earlier forms of enchantment and develop more mature forms so that life does not become barren, drab, or dismal. As Rosegrant argues, Tolkien found ways to use his personal losses and struggles to address universal psychological issues in his art, giving his work great emotional sophistication and complexity. Tolkien, Enchantment, and Loss both deepens our understanding of Tolkien and helps us to recognize how Tolkien widens and enriches our understanding of life.

Never before published in a single volume, Tolkien's four novellas ("Farmer Giles of Ham, Leaf by Niggle, Smith of Wootton Major," and "Roverandom") and one book of poems ("The Adventures of Tom Bombadil") are gathered together in a fully illustrated set.

A scholar explores the ideas within The Lord of the Rings and the world created by J. R. R. Tolkien: “A most valuable and timely book” (Ursula K. Le Guin, Los Angeles Times–bestselling author of Changing Planes). What are millions of readers all over the world getting out of reading the Lord of the Rings trilogy? Defending Middle-earth argues, in part, that the appeal for fans goes far deeper than just quests and magic rings and hobbits. In fact, through this epic, Tolkien found a way to provide something close to spirit in a secular age. This thoughtful book focuses on three main aspects of Tolkien’s fiction: the social and political structure of Middle-earth and how the varying cultures within it find common cause in the face of a shared threat; the nature and ecology of Middle-earth and how what we think of as the natural world joins the battle against mindless, mechanized destruction; and the spirituality and ethics of Middle-earth—for which the author provides a particularly insightful and resonant examination. Includes a new afterword

"This cross-disciplinary analysis shows that Tolkien presented to modern readers and other writers a rich array of reinvented mythic archetypes and icons: the desperate quest (good vs. evil); a magical object that embodies or initiates the quest (the ring); the wise wizard who oversees or aids the quest (Gandalf); the reluctant hero, an ordinary person with untapped abilities (Frodo); the hero's loyal friend and supporter (Sam); the warrior king whose true identity is hidden (Strider/Aragorm); and the goddess figure (Galadriel)."--BOOK JACKET.

Sehnsucht: The C. S. Lewis Journal, established by the Arizona C. S. Lewis Society in 2007, is the only peer-reviewed journal devoted to the study of C. S. Lewis and his writings published anywhere in the world. It exists to promote literary, theological, historical, biographical, philosophical, bibliographical and cultural interest (broadly defined) in Lewis and his writings. The journal includes articles, review essays, book reviews, film reviews and play reviews, bibliographical material, poetry, interviews, editorials, and announcements of Lewis-related conferences, events and publications. Its readership is aimed at academic scholars from a wide variety of disciplines, as well as learned non-scholars and Lewis enthusiasts. At this time, Sehnsucht is published once a year.

This comprehensive and discriminating account of Tolkien's work has been revised and expanded, to take account both of recent developments in scholarship, and of the recent films directed by Peter Jackson. Tracing the development of Tolkien's creative technique over several decades, it explores the bewildering profusion of shorter works, as well as devoting an extended analysis to The Lord of the Rings . Chapters consider Tolkien's contribution to the history of ideas, and review the reception of the Lord of the Rings film adaptations and other popular adaptations of his work.

How the First World War influenced the author of the Lord of the Rings Trilogy: “Very much the best book about J.R.R. Tolkien that has yet been written.” —A. N. Wilson As Europe plunged into World War I, J. R. R. Tolkien was a student at Oxford and part of a cohort of literary-minded friends who had wide-ranging conversations in their Tea Club and Barrovian Society. After finishing his degree, Tolkien experienced the horrors of the Great War as a signal officer in the Battle of the Somme, where two of those school friends died. All the while, he was hard at work on an original mythology that would become the basis of his literary masterpiece, the Lord of the Rings trilogy. In this biographical study, drawn in part from Tolkien’s personal wartime papers, John Garth traces the development of the author’s work during this critical period. He shows how the deaths of two comrades compelled Tolkien to pursue the dream they had shared, and argues that the young man used his imagination not to escape from reality—but to transform the cataclysm of his generation. While Tolkien’s contemporaries surrendered to disillusionment, he kept enchantment alive, reshaping an entire literary tradition into a form that resonates to this day. “Garth’s fine study should have a major audience among serious students of Tolkien.” —Publishers Weekly “A highly intelligent book . . . Garth displays impressive skills both as researcher and writer.” —Max Hastings, author of The Secret War “Somewhere, I think, Tolkien is nodding in appreciation.” —San Jose Mercury News “A labour of love in which journalist Garth combines a newsman’s nose for a good story with a scholar’s scrupulous attention to detail . . . Brilliantly argued.” —Daily Mail (UK) “Gripping from start to finish and offers important new insights.” —Library Journal “Insight into how a writer turned academia into art, how deeply friendship supports and wounds us, and how the death and disillusionment that characterized World War I inspired Tolkien’s lush saga.” —Detroit Free Press

In the year after his graduation from Exeter College, Oxford, the great mythopoeic work for which he would become famous was already germinating in Tolkien's mind. In August 2006 the College offered a week of seminars and papers by leading international specialists on Tolkien's Exeter years, the influence of the Great War, the healing power of his narrative, and its relevance to religious and linguistic studies, comparative mythology, and history. Priscilla Tolkien, C.S. Lewis's secretary and friend Walter Hooper, Tolkien's friend the Jesuit priest Robert Murray SJ, and grandson Simon Tolkien attended as special guests, representing the family and those who knew Tolkien personally. The conference was intended to encourage the growth of Tolkien Studies through international and interdisciplinary collaboration. The papers from this conference have been selected, edited, and supplemented by other essays on complementary themes especially for this volume, in order to reveal the dynamic growth of Tolkien Studies around the world. This book explores the spiritual, poetic, personal, and academic sources of inspiration for what is widely regarded as the greatest book of the twentieth century.

Utopia and Dystopia in Tolkien’s Legendarium explores how Tolkien’s works speak to many modern people’s utopian desires despite the overwhelming dominance of dystopian literature in the twentieth and twenty-first centuries. It also examines how Tolkien’s malevolent societies in his legendarium have the unique ability to capture the fears and doubts that many people sense about the trajectory of modern society. Tolkien’s works do this by creating utopian and dystopian longing while also rejecting the stilted conventions of most literary utopias and dystopias. Utopia and Dystopia in Tolkien’s Legendarium traces these utopian and dystopian motifs through a variety of Tolkien’s works including The Hobbit, The Lord of the Rings, The Silmarillion, Book of Lost Tales, Leaf by Niggle,and some of his early poetry. The book analyzes Tolkien’s ideal and evil societies from a variety of angles: political and literary theory, the sources of Tolkien’s narratives, the influence of environmentalism and Catholic social doctrine, Tolkien’s theories about and use of myth, and finally the relationship between Tolkien’s politics and his theories of leadership. The book’s epilogue looks at Tolkien’s works compared to popular culture adaptations of his legendarium.

J.R.R. Tolkien is arguably the most influential and popular of all fantasy writers. Although his position and status have long been controversial, his popularity has not faded. His best-loved works, The Hobbit and The Lord of the Rings, have sold millions of copies around the world and continue to enthral readers young and old. This lively collection of original essays examines The Hobbit and The Lord of the Rings in the light of children's literature theory and approaches, as well as from adult and fantasy literature perspectives. Exploring issues such as gender, language, worldbuilding, and ecocriticism, the volume also places Tolkien's works in the context of a range of visual media, including Peter Jackson's film adaptations.