While scholars have often cited the influence of medieval texts and society on J.R.R. Tolkien's seminal fantasy creations, the role of the classical world - the literature and thought of ancient Greece and Rome - has received far less attention. This volume of essays explores various ways in which Tolkien's literary creations were shaped by classical epic, myth, poetry, history, philosophy, drama, and language. In making such connections, the contributors to this volume are interested not simply in source-hunting but in how a reception of the classical world can shape the meaning we derive from Tolkien's masterworks. The contributions to this volume by Philip Burton, Lukasz Neubauer, Giuseppe Pezzini, Benjamin Eldon Stevens, Graham Shipley, and several other scholars should pave the way for further discussions between classical studies and fantasy studies.

An illustrated journey into the life and imagination of one of the world's best-loved authors, Tolkien's Worlds provides a unique exploration of the relationship between the real and the fantastical and is an essential companion for anyone who wants to follow in Tolkien's footsteps.

This book opens up new perspectives on the English fantasy writer J.R.R. Tolkien, arguing that he was an influential thinker of utopianism in 20th-century fiction and that his scrutiny of utopias can be assessed through his dialogue with antiquity. Tolkien's engagement with the ancient world often reflects an interest in retrotopianism: his fictional places – cities, forests, homes – draw on a rich (post-)classical narrative imagination of similar spaces. Importantly for Tolkien, such narratives entail 'eutopian' thought experiments: the decline and fall of distinctly 'classical' communities provide an utopian blueprint for future political restorations; the home as oikos becomes a space where an ideal ethical reciprocity between host and guest can be sought; the 'ancient forest' is an ambiguous, unsettling site where characters can experience necessary forms of awakening. From these perspectives, tokens of Platonic moderation, Augustan restoration, Homeric xenophilia, and the Ovidian material sublime are evident in Tolkien's writing. Likewise, his retrotopianism also always entails a rewriting of ancient narratives in post-classical and modern terms. This study then explores how Tolkien's use of the classical past can help us to align classical and utopian studies, and thus to reflect on the ranges and limits of utopianism in classical literature and thought.

Ever wondered what Lembas Bread, Cram, or Beorn's Honey Cakes might taste like? From Crickhollow Apple Loaf, Pippin's Minas Tirith Lunch, and Brandywine Fish Pie to Dwarven Spiced Pickled Beetroot, Westfarthing Fairings, and Beorn's Twice-Baked Cakes, Recipes from the World of Tolkien includes over 75 mouth-watering recipes that will take you on a journey through Middle-earth, delivering a treat for your taste buds and your imagination. Immerse yourself in Tolkien's epic fantasy world with recipes inspired by its places and characters. Whether it's breakfast or second breakfast, elevenses or afternoon tea, lunch or dinner - cook up a feast fit for orcs and elves alike. This collection of delicious recipes also features stunning illustrations and artwork throughout, as well as short feature essays that explore the compelling role of food in Tolkien's works. This is the perfect, must-have addition to any Tolkien fan's bookshelf. This work is unofficial and is not authorized by the Tolkien Estate or HarperCollins Publishers.

The must-read new bold and immersive West African-inspired fantasy series, as featured on Cosmo, Bustle and Book Riot. In this world, girls are outcasts by blood and warriors by choice, perfect for fans of Children of Blood and Bone and Black Panther. "Namina Forna Could Be The Toni Morrison Of YA Fantasy." Refinery 29 Sixteen-year-old Deka lives in Otera, a deeply patriarchal ancient kingdom, where a woman's worth is tied to her purity, and she must bleed to prove it. But when Deka bleeds gold - the colour of impurity, of a demon - she faces a consequence worse than death. She is saved by a mysterious woman who tells Deka of her true nature: she is an Alaki, a near-immortal with exceptional gifts. The stranger offers her a choice: fight for the Emperor, with others just like her, or be destroyed... "An enthralling debut. The Gilded Ones redefines sisterhood and is sure to leave readers both inspired and ultimately hopeful." Stephanie Garber, #1 New York Times bestselling author of Caraval "Haunting, brutal, and oh-so-relevant. This book will suck you into a world where girls bleed gold, magic fills the air, and the real monsters hide behind words instead of claws." Roseanne A. Brown, New York Times bestselling author of A Song of Wraiths and Ruin "The Gilded Ones is a fierce, unflinching fantasy that marks Forna as a debut to watch." Kiersten White, New York Times bestselling author of And I Darken

Tolkien's works have inspired artists for generations and have given rise to myriad interpretations of the rich and magical worlds he created. The Illustrated World of Tolkien gathers together artworks and essays from expert illustrators, painters and etchers, and fascinating and scholarly writing from renowned Tolkien expert David Day, and is an exquisite reference guide for any fan of Tolkien's work, Tolkien's world and the imaginative brilliance his vision inspired.

Music plays a crucial role in Tolkien's mythology, and his tales contain many songs as well as mentions of musicians and instruments. This volume follows the path of analyzing the use and significance of music in Tolkien's literary texts and considers the broader context, such as adaptations and other authors and composers.

The World of Tolkien draws out the anthologies within The Lord of the Rings that render this epic a timeless mythology for the modern age. This book reveals the vast array of mythological, historical, literary, linguistic, and creative sources that the writer drew upon to create his absorbing, ever popular world. This is a comprehensive guide, perfect for Middle-earth novices and super fans, to uncovering the "real world" inspiration behind the gods and Demi gods, races of men, elves and dwarves, wizards and hobbits, creatures and monsters, cities, geography, battles, and major events in the history of Middle-earth. Tolkein was inspired by a huge body of national mythologies in creating his world. Numerous fairy tales and legends are echoed in the narrative, while many locations are based on real cities and places. For example, did you know that: "Bag End" was the name used locally for Tolkien's Aunt Jane's Worcestershire far. Orcs share many of their characteristics with the repulsive mythical Chinese creatures known as "kouei" The wizard Gandalf was partly inspired by the Norse god Odin. Stunningly illustrated with 100 color and black and white illustrations, this is essential reading for Tolkien enthusiasts of all generations.

Clyde S. Kilby is rare among the best expositors of C.S. Lewis, J.R.R. Tolkien and their circle of friends in that he became personally acquainted not only with Lewis and Tolkien, but also Lewis’s brother Major Warren Lewis, Owen Barfield, Lord David Cecil, and others of the Inklings. He particularly captured the soul of C.S. Lewis in his lectures, articles and books, which guided his vision in creating and curating the prestigious Wade Collection at Wheaton College, Illinois. This delightful book makes available Dr. Kilby’s wide-ranging and inspiring take on Lewis, Tolkien and the affinities they shared with their circle, the Inklings, in their enchantment with profound thought vibrant with imaginative wonder which took them beyond “the walls of the world”. (Colin Duriez Inklings scholar, author of The Oxford Inklings)

It is well known that J.R.R. Tolkien published The Hobbit in 1937 and The Lord of the Rings in 1954-5. What may be less known is that he continued to write about Middle-earth in the decades that followed, right up until the years before his death in 1973. For him, Middle-earth was part of an entire world to be explored, and the writings in The Nature of Middle-earth reveal the journeys that he took as he sought to better understand his unique creation. He discusses sweeping themes as profound as Elvish immortality and reincarnation, and the Powers of the Valar, to the more earth-bound subjects of the lands and beasts of Númenor and the geography of the Rivers and Beacon-hills of Gondor.