An in-depth monograph on one of Japan's greatest living designers.

The Museum of Modern Art and 5 Continents Editions recently launched this series of books dedicated to industrial and graphic design. Each volume offers an overview of a single country's design achievements and illustrates its particular design history and aesthetic by showcasing renowned architects and designers through exemplary works drawn from The Museum of Modern Art's unmatched collection. This season, they take on Japan. Japanese designers' special ability to combine aesthetic tradition with contemporary visual culture and material innovation has created a distinctive and exceptionally successful design industry in Japan, which has produced such divergent icons of Modern design as Sori Yanagi's Butterfly Stool, the Sony Walkman, the Honey-Pop Armchair by Tokujin Yoshioka and the Toyota Prius. This volume traces the development of Japanese design from the country's craft revival in the early twentieth century to the extraordinary objects of high technology that have been a specialty of Japanese designers since the middle of the century. Antonelli's lively introduction provides an overview of Japan's design culture, while an essay and timeline by Penny Sparke illuminate the masterpieces of Modern Japanese design that are superbly reproduced in this volume's plate section.

日本を代表するクリエイター・吉岡徳仁がはじめて語りおろす、Tokujinデザインの知られざる秘密。かたちのないデザインのかたち。『「Story of...」カルティエクリエイション~めぐり逢う美の記憶』展ほか、代表作の未公開カラー図版も多数収録。

Explore the enduring beauty of Japanese design through some 250 objects, ranging from bento boxes, calligraphy brushes, and Shoji sliding doors to Noguchi’s Akari lamp, the iconic Kikkoman soy sauce bootle, and a modern‐day kimono designed by Issey Miyake. Printed on craft paper and bound in the traditional Japanese style, WA features stunning, full‐page illustrations and an introduction by MUJI art director Kenya Hara.

DesignPOP is a survey of trends in contemporary furniture and products that reveals how design is not only changing with the times—it is inventing the future. The game-changing projects that compose DesignPOP push the boundaries of our expectations and show us new ideas, new possibilities, and ultimately new products that enrich our lives. The bar has been permanently raised as we enter the next century, and the proliferation of innovative designs continues. New materials and processes are being invented, convention and traditions are constantly being challenged, and sustainability and social responsibility are influencing new directions. Even the definition of designer is changing as the lines between disciplines begin to blur, with new technology from companies like Apple and Dyson radically altering both form and function. Historic boundaries disappear, designers innovate their way through roadblocks, and the twenty-first century is experiencing a design renaissance unparalleled in history. This book showcases a broad variety of these examples: from designs that pioneer a new material or a new production process, or reinvent the use for an existing one, to those that alter our expectations about the way something should look and create a whole new typology, or a thoughtful design added to products that traditionally were only considered for their functionality. It presents work from stars in the field, including Frank Gehry, Zaha Hadid, Marc Newson, Marcel Wanders, Yves Behar, Ronan and Erwan Bouroullec, the Campana brothers, Hella Jongerius, Tord Boontje, Philippe Starck, Karim Rashid, Ron Arad, Ross Lovegrove, Dror Benshetrit, Tokujin Yoshioka, Jasper Morrison, James Dyson, and Jonathan Ive.

The masterful combination of rational and cutting-edge design aesthetics.

Focusing on all aspects of paper manipulation, this title covers a wide range of techniques including drawing, painting, sculpture, collage, paper folding, cut-out, pop-up, and installation.

The first book to present a comprehensive overview of postwar Japanese design For the Japanese, the concept of design is not limited to functionality or materiality--it is deeply connected with ancient culture and rituals. In this sense, a chair is much more than what you sit on, a cup more than what you drink from: these objects are to be reflected upon, to be touched and cherished. As mass manufacture became widespread in the post-war period, fascinating cross-cultural exchanges began to take place between Japan and the West. And in recent years, a new generation of designers has taken Japanese creativity into entirely new territory, reconceptualizing the very meaning of design. Showcasing over 80 designers, hundreds of objects, and contributions from both Japanese and Western designers inspired by Japan, this volume will remain the definitive work on the subject for many years to come.

From their forms to their movements, Cartier watches are unique. They are an enduring combination of the unexpected and the classical. This book chronicles Cartiers constant quest for excellence in the manufacture of complicated watches. From a Tortue single push-piece chronograph, created in 1929, to a contemporary Santos 100 skeleton watch, Cartier interprets complications in its own inimitable way, always with a sense of design. Laziz Hamanis photographs capture these objects of exceptional technicity while author and expert Jack Forster shares the spirit that motivates each craftsman, engineer and artist to create the most stunning complicated watches.