John Breckingridge (1760-1806) served in the Virginia and Kentucky Legistaltures United States Congress and United States attorney general under Thomas Jefferson.

Western Art and the Wider World explores the evolving relationship between the Western canon of art, as it has developed since the Renaissance, and the art and culture of the Islamic world, the Far East, Australasia, Africa and the Americas. Explores the origins, influences, and evolving relationship between the Western canon of art as it has developed since the Renaissance and the art and culture of the Islamic world, the Far East, Australasia, Africa and the Americas Makes the case for ‘world art’ long before the fashion of globalization Charts connections between areas of study in art that long were considered in isolation, such as the Renaissance encounter with the Ottoman Empire, the influence of Japanese art on the 19th-century French avant-garde and of African art on early modernism, as well as debates about the relation of ‘contemporary art’ to the past. Written by a well-known art historian and co-editor of the landmark Art in Theory volumes

In a bitterly divided world, a giant bear becomes an object of worship in “the extraordinary fantasy novel by the author of Watership Down” (The Guardian, UK). In a burning forest, Kelderek the hunter encounters a gigantic bear unlike any he’s seen before. Surely this is the reincarnation of Lord Shardik, the messenger of god whose return has been anticipated by the primitive Ortelgan people. In service to Shardik, Kelderek becomes a prophet, then a soldier, and finally an emperor-priest. Swept up by fate and his impassioned faith, Klederek will come to discover ever-deeper layers of meaning implicit in the bear’s divinity. Written after his bestselling debut novel Watership Down, Richard Adams’s Shardik is an epic fantasy of tragic character. A fascinating depiction of the power of belief, it explores themes of faith, slavery, and war.