On 28 November 2004, banker and father-of-two Alistair Wilson was shot three times on his doorstep in a killing more commonly associated with inner city gang wars than a sleepy seaside town in the Scottish Highlands. All these years later, the question remains: why? Who would wish to kill this respectable husband and family man in such a brutal fashion? Was it simply a tragic case of mistaken identity, or did someone have reason to end Alistair's life? And what was the significance of the envelope handed to him before he was fatally wounded? Over the years, lines of enquiry have been investigated and dismissed, gossip has spread, theories offered and rumours debated at length. And yet, so long after Alistair's death, no arrest has ever been made and precious few motives have been made public. In this gripping true crime investigation, Peter Bleksley, top ex-undercover cop and The Chief on Channel 4's Hunted, strives to uncover the truth and hunt down Alistair's killer. He travels to Scotland, speaks to experts, and draws on his decades of investigative experience in order to provide new insight into Scotland's most mysterious murder case.

Unsolved Murders of the UK: Cold cases from 1951 to Present Day delves into the mysterious and haunting cases of individuals who were brutally taken from this world, yet their killers were never brought to justice. From mysterious disappearances to seemingly motiveless killings, as well as other cases that continue to perplex law enforcement, this book takes a closer look at the victims, the crimes and the police investigations, as well as the theories surrounding each case. With a focus on the cold cases that have remained unsolved for decades, this book offers a comprehensive examination of the most intriguing and disturbing murders in the UK’s recent history. Join us as we explore the twisted minds of the killers and the relentless pursuit of justice for the victims and their families. This book will captivate true crime enthusiasts and armchair detectives alike.

In the early hours of 19 June 2004, 16-year-old Liam Kelly was lured to a location in Liverpool and shot dead. The following year, another Liverpudlian, 22-year-old mother of three, Lucy Hargreaves, was shot dead in her own home. Her partner and their 2-year-old daughter escaped after the house was set alight by leaping from a first-floor bedroom window. For more than fifteen years, six-foot six-inch, broadly built, ginger-haired Kevin Parle has been wanted by the police for both murders. How could he have evaded national and international crime investigators for so long? Who is harbouring him? Author and former Scotland Yard detective and undercover cop, Peter Bleksley, is determined to find the answers. He has immersed himself again in the world of serious and organised crime, this time armed only with a pen, a notebook and a mobile phone. He has vowed not to rest until Parle is found. This gripping story goes behind the scenes of the hit BBC Sounds podcast, Manhunt: Finding Kevin Parle.

New York Times bestselling author Rhys Bowen, now writing in partnership with her daughter, Clare Broyles, transports and enthralls readers through the incomparable Molly Murphy Sullivan. Wild Irish Rose is the next novel in this beloved mystery series, a cause for celebration for readers and critics alike. New York, 1907: Now that she’s no longer a private detective—at least not officially—Molly Murphy Sullivan is looking forward to a time of settled tranquility with friends and family. Back in New York, where her own story began, Molly decides to accompany some friends to Ellis Island to help distribute clothing to those in need. This journey quickly stirs up memories for Molly. When you’re far from home and see people from your country, every face looks like a family member. That evening Molly’s policeman husband, Daniel, is late returning home. He comes with a tale to tell: there was a murder on Ellis Island that day, and the main suspect is the spitting image of Molly. The circumstances are eerily similar to when Molly herself arrived on Ellis Island, and she can’t help but feel a sense of fate. Molly was meant to be there that day so that she can clear this woman’s name.

John Wayne Cheever keeps his obsession with serial killers in check by a set of rigid rules that he lives by, hoping to the prevent himself from committing murder, but when a body turns up at a laundromat, must confront a danger outside himself.

Peter Bleksley was the best of the best. An undercover detective with CID and SO10, he was the man called in to deal with the most sensitive situations and the most dangerous criminals. This is the story of his life and career.

"The White Owl," by Edmund Snell, quivers with the literary hocus pocus that affords mental relief in a materialistic age. Two adventurers, searching for an Aztec temple containing a deity, which flourished before the Spanish conquistadores overran Mexico, find it, and on opening the covering of a shaft one of them is carried down into its fathomless depths by a huge white owl. There appears to the survivor a girl, Naia, who tells him that his friend will reappear after twenty moons. The White Owl having been released, the hatred of the Aztecs for their Spanish oppressors is renewed, and a series of murders of Spaniards in various places in Europe follows, the White Owl with hideous green eyes continually appearing when the mysterious influences are at work. The vanished explorer and the girl Naia are always the instruments.

Certain lines define a movie. Marlene Dietrich in Morocco: “Anyone who has faith in me is a sucker.” Too, there are lines that fit actor and character. Mae West in I’m No Angel: “I’m very quick in a slow way.” Jane Fonda in California Suite: “Fit? You think I look fit? What an awful shit you are. I look gorgeous.” From the classics to the grade–B slasher movies, over 11,000 quotes are arranged by over 900 subjects, like accidents, double entendres, eyes (and other body parts!), ice cream, luggage, parasites, and ugliness. Each quote gives the movie title, production company, year of release, speaker of the line, and, when appropriate, a comment putting the quote in context.