What's more fun than playing the tinwhistle? How about playing tinwhistle with a friend? Here are 38 two-part tunes arranged and composed especially for tinwhistle players. Presents Celtic jigs, hornpipes, airs, American and British folk songs, marches, and country dances along with favorite hymns and campfire songs. for those who really want to try something different on whistle, there are also Medieval rounds, Renaissance courtly dances and a complete eighteenth-century, six-movement suite for two flageolets.

The Instant Tin Whistle series is designed to nurture the initial surge of enthusiasm you may experience when first playing the instrument, and has been carefully designed to substantially increase your chances of success. Pick the book - Folk, Popular, Irish or Scottish - in which you know the most tunes. Each book features 26 well-known melodies with every single note shown by a special, easy-to-learn whistle tablature as well as conventional notation. The lessons are realistically and steadily graded so as not to overwhelm the student. Difficult traditional dances tunes, music particularly suited to the tin whistle, are introduced only on the last few pages to give a taste of things to come. Perfect for individuals, groups, or schools wanting to incorporate traditional music into their curriculum. These tunes are suitable for any melody instrument, but the D tinwhistle is preferred. Lyrics, guitar chords, illustrations, rudiments of music (using the British naming system) and chord charts are also included. A CD is also available to assist in learning. Mally's and UK product #AM121.

The airs in this collection are appropriate for playing on the tin whistle or penny whistle, fife, flute, or violin. They are typical of those enjoyed during the last quarter of the eighteenth century.

All the tools the beginner, novice, and intermediate tin whistle player needs in order to progress to a high level of competence in Irish music. Includes an Orientation to Traditional Irish Music, which puts the music in context, with information on scales and modes, dance tune types, the historical roots of whistle playing, and advice for learning by ear. the book is full of thorough instruction, exercises, and musical examples: from holding, fingering, breathing, and blowing, on up to advanced ornamentation, phrasing, and variations. Features a simple and penetrating new approach to understanding and notating ornamentation that goes beyond any previous method. Also includes history and theory of traditional Irish tin whistle music. for those who don't read music, almost all the exercises and examples appear on the companion CD.

The Instant Tin Whistle series is designed to nurture the initial surge of enthusiasm you may experience when first playing the instrument, and has been carefully designed to substantially increase your chances of success. Pick the book - Folk, Popular, Irish or Scottish - in which you know the most tunes. Each book features 26 well-known melodies with every single note shown by a special, easy-to-learn whistle tablature as well as conventional notation. The lessons are realistically and steadily graded so as not to overwhelm the student. Difficult traditional dances tunes, music particularly suited to the tin whistle, are introduced only on the last few pages to give a taste of things to come. Perfect for individuals, groups, or schools wanting to incorporate traditional music into their curriculum. These tunes are suitable for any melody instrument, but the D tinwhistle is preferred. Lyrics, guitar chords, illustrations, rudiments of music (using the British naming system) and chord charts are also included. A CD is also included to assist in learning.

For the beginner to the highly advanced player of Irish flute, tin whistle, or Boehm-system flute. Features a simple and penetrating new approach to understanding and notating ornamentation that goes beyond any previous method, exploring ornamentation techniques never described in print before. Also includes adaptations for Boehm-system flute players, guidance on breathing and phrasing, 49 ornamentation exercises, history and theory of traditional Irish flute and whistle music, and 27 meticulous transcriptions of recordings by these important Irish flute and tin whistle players: John McKenna,Tom Morrison, William Cummins, Séamus Ennis, Willie Clancy, Paddy Taylor, Paddy Carty, Grey Larsen, Josie McDermott, Matt Molloy, Cathal McConnell, Mary Bergin, Donncha Ó Briain (Denis O'Brien), Desi Wilkinson, Breda Smyth, Seán Ryan, Conal Ó Gráda, Micho Russel, Joanie Madden, Kevin Crawford, Catherine McEvoy, and Seamus Egan. for those who don't read music, almost all the exercises, examples and tunes appear on the two companion CDs. Grey has, through his research, patience, and diligence, completed a work on Irish flute and tin whistle that I feel is essential reading for anybody interested in getting it right. - Matt Molloy, Irish Flute player with the Chieftains.

(Music Sales America). This step-by-step instruction book explains everything required to master the basics of tin whistle playing. This easy, straightforward approach to playing the penny whistle has countless diagrams and symbols and comes complete with a wide selection of simple tunes and traditional songs from around the globe. Contents: A Bunch of Thyme * A Donegal Mazurka * An Buachaill Caol Dubh * Andersons * Blind Mary * Come Back Paddy Reilly * Going to the Well for Water * Im Bim Babaro * Kathleen Hehir * Munster Buttermilk * Pilib an Cheoil * Saratoga Hornpipe * Still I Love Him * Sweeney's Dream * The Bag of Spuds * The Bantry Girls' Lament * The Blacksmith's Reel * The Boy in the Boat * The Boy in the Gap * The Cliffs of Dooneen * The Derry Air * The Old Shandy Bohereen * The Poor Irish Boy * The Star of the County Down * The Three Sea Captains * The Versevienna * The Wet December.

BOOK ONLY (Audio CD available to buy on author's website). Learn to play Irish traditional music on the whistle with this tutor book from Tradschool 104 tunes (28 children's & folk songs + 76 traditional Irish tunes) This book gives a complete introduction to playing Irish music in the traditional style on the tin whistle; it covers all from the very first notes on the instrument to the most advanced ornamentation. The course is broadly divided into two parts, with the shorter first part covering the basics of the whistle while the longer second part (pages 49-296) covers the playing of Irish traditional music on the instrument. It is intended for anybody who wants to play traditional music in the Irish style, from complete beginners to confirmed or advanced players who wish to work on their style or ornamentation. Tablature as well as sheet music is used throughout the book, so it is accessible to the complete beginner; while more advanced players will appreciate the attention to detail in style and ornamentation in the later parts of the book. Contents Introduction Part One Unit 1: Beginning the Whistle Unit 2: Right Hand Notes Unit 3: The Second Octave Unit 4 - Scales Unit 5 - Rhythm, Articulation & Breathing Unit 6 - Putting it together 1 Part Two Unit 7 - Irish Traditional Music Unit 8 - Listening to Irish Music Unit 9 - The Jig Unit 10 - The Hornpipe Unit 11 - The Reel Unit 12 - Ornamentation Ornamentation 1 - The Cut Ornamentation 2 - The Tap Ornamentation 3 - The Slide Ornamentation 4 - The Roll Ornamentation 5 - The Short Roll Ornamentation 6 - The Triplet Ornamentation 7 - The Bounce Ornamentation 8 - The Cran Ornamentation 9 - Combining Ornaments Ornamentation 10 - Staccato Triplets Ornamentation 11 - Summary Unit 13 - Other tunes Unit 14 - Playing in different keys Unit 15 - Playing Irish Music Unit 16 - Putting It Together 2 Unit 17 - Tunes Appendix 1 - Troubleshooting Appendix 2 - Reading Music Appendix 3 - Bibliography Appendix 4 - Tracklist

As he travels through the North, Wilson gets beneath the political surface to portray both the tragedy and comedy of everyday life in the Protestant and Catholic communities. Aware of the polarized image that each side has of the other, he emphasizes the importance of finding common ground and of asserting the middle against the extremes. Just as traditional Irish music is characterized by ornamentations and elaborations on a melodic theme, Ireland, a Bicycle, and a Tin Whistle is full of variations and wanderings on the theme of the trip itself. And just as traditional Irish musicians will follow a sad slow air with a lively foot-tapping reel, Wilson's mood ranges from the nostalgic and reflective to the irreverent and mischievous. If there is a lament in one ear, there is a song in the other.