‘I just loved this book... put on a smile on my face’ Libby Page, The Lido ‘Naturally funny... page turning, smart and sassy’ Helen Lederer, comedian, author and founder of the CWIP Prize ‘Fresh and different... and skilfully written’ Yomi Adekoke, Slay in Your Lane

“I read Virginia’s novel in one sitting and was so captured by it I knew I had to make it and play Mrs. March. As a character, she is fascinating, complex, and deeply human and I can’t wait to sink my teeth into her.” —Elisabeth Moss A Jenny Lawson "Fantastic Strangeling Book Club" Selection Oprah Daily • Best of the Month USA Today • Books Not to Miss Who is Mrs. March? George March’s latest novel is a smash. No one could be prouder than his dutiful wife, Mrs. March, who revels in his accolades. A careful creature of routine and decorum, she lives a precariously controlled existence on the Upper East Side until one morning, when the shopkeeper of her favorite patisserie suggests that her husband’s latest protagonist—a detestable character named Johanna—is based on Mrs. March herself. Clutching her ostrich leather pocketbook and mint-colored gloves, she flees the shop. What could have merited this humiliation? That one casual remark robs Mrs. March of the belief that she knew everything about her husband—and herself—thus sending her on an increasingly paranoid journey that begins within the pages of a book. While snooping in George’s office, Mrs. March finds a newspaper clipping about a missing woman. Did George have anything to do with her disappearance? He’s been going on a lot of “hunting trips” up north with his editor lately, leaving Mrs. March all alone at night with her tormented thoughts, and the cockroaches that have suddenly started to appear, and strange breathing noises . . . As she begins to decode her husband’s secrets, her deafening anxiety and fierce determination threaten everyone in her wake—including her stoic housekeeper, Martha, and her unobtrusive son, Jonathan, whom she loves so profoundly, when she remembers to love him at all. Combining a Hitchcockian sensibility with wickedly dark humor, Virginia Feito, a brilliantly talented and, at times, mischievous newcomer, offers a razor-sharp exploration of the fragility of identity. A mesmerizing novel of psychological suspense and casebook insecurity turned full-blown neurosis, Mrs. March will have you second-guessing your own seemingly familiar reflection in the mirror.

George Smiley is assigned to uncover the identity of the double agent operating in the highest levels of British Intelligence.

A detective tracks a vicious killer through the slums of Victorian London in this “fiercely edgy” mystery that adds grit to the world of Sherlock Holmes (Booklist). London, 1865. The city is terrified. A killer haunts the streets, crime bosses are taking control, and the police force is stretched to the breaking point. Those who have means turn to Sherlock Holmes, but the celebrated private detective rarely visits the streets of South London, where the crimes are sleazier and the people are poorer. In these precincts, victims turn to a man who despises Holmes and everything he represents: his wealthy clientele and his showy forensic approach to crime. Arrowood is a self-taught psychologist, occasional drunkard, and private investigator. When a man mysteriously disappears and Arrowood’s best lead is viciously stabbed before his eyes, he and his sidekick Barnett face their toughest quest yet: to capture the head of the most notorious gang in London . . .

'An outpouring of truth, wit, and beautiful comedic wisdom.' Katherine Ryan 'Such a funny and interesting book.' Sara Pascoe 'Finally my vagina has a voice!' London Hughes 'Powerful, bold, vulnerable, beautiful, hilarious, universal, unique.' Scarlett Curtis ********************************************** For as long as she can remember, Grace Campbell has been told that she doesn't suit her name. But being graceful is no fun anyway. Growing up in a world of privilege and politics, she had a lot to feel confident about. But she was also a record-breaker when it came to feeling shame. Shame about sex, shame about rejection, shame about mental health. But over time, and with a 24 carat gold dose of female friendship, Grace has turned shame into a defiant sense of self. At only 27, Grace has got a lot to learn about being an adult, but she's already got a lot to share about being a disgrace, and how she came to be utterly, disgustingly, disgracefully proud of it. This is the book every young woman should read, and every young man should worry about.

If we do not remember our childhoods do they still exist?Shifting is the true story of two children growing up in the aftermath of the Second World War. Attracted like a law of nature, Serge, a boy born in northern Italy and Helen, a girl born in Australia are inextricably drawn to each other in a changing world. A social history of the west of Melbourne in the 1950s-1960s, it is also a unique love story.This collaborative autobiography, told from a male and female perspective, explores the dynamics of family life, the importance of place and cultural dislocation in shaping identity. Understated and simply told, this is an evocative narrative about the emotional, social and psychological changes of two individuals maturing into adulthood. A fine and impressive work. It is accomplished at a high literary standard, with an acute understanding of the way fictive-literary stratagems can be incorporated in an autobiographical work to achieve an engaging and richly rewarding text for the reader.' - Kevin Brophy The vivid and detailed recreation of the texture of the decades through which the characters live is one of the strengths of the novel. - Jeri Kroll Shifting skilfully weaves and patterns two distinct voices and cultures ... to create a tapestry full of evocative detail and memorable characters struggling with loss, new beginnings and love. - Tom Petsinis

London Society takes their problems to Sherlock Holmes. Everyone else goes to Arrowood. ‘Finlay depicts a seedy, desperate London and vivid characters with considerable skill’ The Times

From bestselling author duo Amie Kaufman and Jay Kristoff comes the exciting finale in the trilogy that broke the mold and has been called "stylistically mesmerizing" and "out-of-this-world-awesome." Kady, Ezra, Hanna, and Nik narrowly escaped with their lives from the attacks on Heimdall station and now find themselves crammed with 2,000 refugees on the container ship, Mao. With the jump station destroyed and their resources scarce, the only option is to return to Kerenza--but who knows what they'll find seven months after the invasion? Meanwhile, Kady's cousin, Asha, survived the initial BeiTech assault and has joined Kerenza's ragtag underground resistance. When Rhys--an old flame from Asha's past--reappears on Kerenza, the two find themselves on opposite sides of the conflict. With time running out, a final battle will be waged on land and in space, heros will fall, and hearts will be broken. A KIRKUS REVIEWS BEST BOOK OF 2018

Starting over never tasted so good Holly Berry has it all: a good career, a steady boyfriend, and enough savings that the two of them will soon be able to buy a nice little house. But when she finds out her boyfriend has been cheating on her, she decides to retreat to the Cotswolds and a place full of far sweeter memories. Quite literally. However, Holly discovers the quaint village sweet shop she worked in as a teenager is starting to crumble. Putting all her chocolate eggs in one basket, she says goodbye to the city, and sets her sights on a new project. After all, how hard can running a sweet shop be? Full of laughter, sweet romance and cosy village life, The Sweet Shop of Second Chances will make you believe that the best things in life really are worth fighting for. "A delightful, well written tale, full of wonderful characters in a charming setting. I loved it!” Katie Fforde

NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • An ordinary town is transformed by a mysterious illness that triggers perpetual sleep in this mesmerizing novel from the bestselling author of The Age of Miracles. “Stunning.”—Emily St. John Mandel, author of Station Eleven • “A startling, beautiful portrait of a community in peril.”—Entertainment Weekly NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Glamour • Real Simple • Good Housekeeping One night in an isolated college town in the hills of Southern California, a first-year student stumbles into her dorm room, falls asleep—and doesn’t wake up. She sleeps through the morning, into the evening. Her roommate, Mei, cannot rouse her. Neither can the paramedics, nor the perplexed doctors at the hospital. When a second girl falls asleep, and then a third, Mei finds herself thrust together with an eccentric classmate as panic takes hold of the college and spreads to the town. A young couple tries to protect their newborn baby as the once-quiet streets descend into chaos. Two sisters turn to each other for comfort as their survivalist father prepares for disaster. Those affected by the illness, doctors discover, are displaying unusual levels of brain activity, higher than has ever been recorded before. They are dreaming heightened dreams—but of what? Written in luminous prose, The Dreamers is a breathtaking and beautiful novel, startling and provocative, about the possibilities contained within a human life—if only we are awakened to them. Praise for The Dreamers “Walker’s roving fictive eye by turns probes characters’ innermost feelings and zooms out to coolly parse topics like reality versus delusion. . . . [It has] the perfect ambiguous frame for a tense and layered plot.”—O: The Oprah Magazine “[Walker’s] gripping, provocative novel should come with a warning: may cause insomnia.”—People (Book of the Week) “Powerful and moving . . . written with symphonic sweep.”—The New York Times Book Review “2019’s first must-read novel . . . Alternately terrifying and moving . . . The Dreamers is overflowing with humanity.”—Jezebel “This is an exquisite work of intimacy. Walker’s sentences are smooth, emotionally arresting—of a true, ethereal beauty. . . . This book achieves [a] dazzling, aching humanity.”—Entertainment Weekly