A comprehensive overview of modern Buddhism across cultures, showing how this ancient religion has adapted to recent social and political change. Collecting the work of leading authorities on Buddhism in different societies around the world, this book details the state of the religion in Asian countries where it is a major cultural influence and in North America. The religion has changed to meet the challenges of modernity; its practitioners have incorporated those innovations and this work examines those changes in-depth. A comprehensive overview of historical Buddhist practice grounds the reader for the entire nine chapters, each of which is organized by geographical area and follows the path Buddhism took as it spread across Asia and into North America. Each chapter presents field research and critical reflection on what constitutes modern Buddhism in one of nine countries or regions. Histories of Buddhism are common; this is the only source for in-depth information on modern Buddhism.

Their goal was to raise money and awareness for the Tibetan cause. They chose to climb to the point furthest from the center of the Earth, some 2,150 meters higher than the summit of Everest to read out peace messages they had collected from children around the World in the lead up to the Millennium. Their mission was to promote Earth Peace by highlighting Tibet and the Dalai Lama's ideals as an arrow of light for the new millennium. Their team comprised of Tess, a 56 year old mother of three; Migmar, a young Tibetan prepared to do anything for his country but who had never been on a mountain before; GT, a 64 year old accomplished mountaineer; and Pete, who is Tess' partner and a highly skilled climber. For Tess, it became a struggle of body and mind, as she was symbolically compelled towards the highest point within herself.

A comprehensive collection of classic texts, contemporary interpretations, guidelines for activists, issue-specific information, and materials for environmentally-oriented religious practice. Sources and contributors include Basho, the Dalai Lama, Thich Nhat Hanh, Gary Snyder, Chögyam Trungpa, Gretel Ehrlich, Peter Mathiessen, Helen Tworkov (editor of Tricycle), and Philip Glass.

This modern spiritual classic highlights a trick we play on ourselves and offers a brighter reality: liberation by letting go of the self rather than working to improve it The Tibetan meditation master Chögyam Trungpa calls attention to the commonest pitfall to which every aspirant on the spiritual path falls prey: what he calls spiritual materialism. "The problem is that ego can convert anything to its own use," he says, "even spirituality." The universal tendency is to see spirituality as a process of self-improvement—the impulse to develop and refine the ego when the ego is, by nature, essentially empty. Trungpa's incisive, compassionate teachings serve to wake us up from these false comforts. Featuring a new foreward by his son and lineage holder, Cutting Through Spiritual Materialism has resonated with students for nearly thirty years—and remains as fresh as ever today.

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.

Mahamudra, the great sealing nature, refers to systems of meditation on both the conventional and ultimate natures of the mind. These have been transmitted through the Kagyu, Sakya, and Gelug traditions of Tibetan Buddhism. Within the Gelug, Mahamudra teachings occur in a combined Gelug/Kagyu tradition exemplified in the First Panchen Lama's Root Text for the Precious Gelug/Kagyu Tradition of Mahamudra. The work presented here contains two brilliant commentaries by the Dalai Lama. The first is a teaching based directly on the First Panchen Lama's root text. In the second, His Holiness bases his discussion on the First Panchen Lama's own commentary to this text. The book opens with an overview of Mahamudra by Alexander Berzin that discusses the relation of mind appearances and reality and offers practical techniques for overcoming problems of excessive worry, anxiety, and disturbing thoughts. This treasury of practical instruction contains extensive teachings on the nature of mind, the development of shamata, sutra and tantra levels of Mahamudra, and the compatibility of Dzogchen and Anuttarayoga Tantra.