Sarah Gilchrist has fled London and a troubled past to join the University of Edinburgh's medical school in 1882, the first year it admits women. Determined to become a doctor despite the misgivings of her family and society, Sarah quickly finds plenty of barriers at school itself: professors who refuse to teach their new pupils, male students determined to force out their female counterparts, and female peers who will do anything to avoid being associated with a fallen woman.Desperate for a proper education, Sarah turns to one of the city’s ramshackle charitable hospitals for additional training. The St Giles’ Infirmary for Women ministers to the downtrodden and drunk, the thieves and whores with nowhere else to go. She learns a great deal there, but when one of Sarah’s patients turns up in the university dissecting room as a battered corpse, Sarah finds herself drawn into a murky underworld of bribery, brothels, and body snatchers.Sarah is determined to find out what happened to Lucy and bring those responsible for her death to justice. But as she searches for answers in Edinburgh’s dank alleyways, bawdy houses and fight clubs, Sarah comes closer and closer to uncovering one of Edinburgh’s most lucrative trades, and, in doing so, puts her own life at risk…

The first novel in the national bestselling Gaslight Mystery series introduces Sarah Brandt, a midwife in the turn-of-the-century tenements of Manhattan who refuses to turn a blind eye to the injustices of the crime-ridden city… After a routine delivery, Sarah visits her patient in a rooming house—and discovers that another boarder, a young girl, has been killed. At the request of Sergeant Frank Malloy, she searches the girl’s room. She discovers that the victim is from one of the most prominent families in New York—and the sister of an old friend. The powerful family, fearful of scandal, refuses to permit an investigation. But with Malloy’s help, Sarah begins a dangerous quest to bring the killer to justice—before death claims another victim...

Eighteen-year-old Nathalie Baudin, ever-curious reporter at the Paris morgue, is no stranger to death—even discounting the supernatural visions that give her disturbing glimpses into the minds of killers. Paris, 1889. When the Exposition Universelle opens in Paris, Nathalie welcomes a much-needed break from the heartache of her friend's murder. The fair is full of sensational innovations, cultural displays, and marvelous inventions from around the world. But someone is celebrating the 100th anniversary of the guillotine with a gruesome display of their own: beheaded victims in some of the Exposition’s most popular exhibits. Haunted by the past and burdened with new secrets, Nathalie struggles to use her wits and her gift. Yet she and her friends must stop the killer before the macabre display features one of them... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The Victorian Age in Literature, a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

How does one dominant literary genre fall into decline, to be superseded by another? The classic instance is the rise of the novel in the nineteenth century, and how it came to embody the tragic vision of life which had previously been the domain of drama. Dr King focuses on three novelists, George Eliot. Thomas Hardy and Henry James. All three, while trying to offer a realistic picture of life in prose narrative, wrote with the concept of tragedy clearly in mind. The concern was widespread, and Victorian literary critics found themselves discussing the problem of how one might reconcile concepts as dissimilar as tragedy and realism. Their criticism provides Dr King with her starting point. Dr King examines the work of her three authors in relation to the large concepts of traditional tragic thought, and also examines how the form of specific novels was affected by their differing ideas of tragedy.

Mary Seacole (1805 to 1881) was an amazing woman, in many ways way ahead of her time. She was a free black woman born in Jamaica of Scottish and Creole descent. This is her autobiographical account of her colourful and brave life. She was named 'the greatest black Briton' in 2004 and also posthumously awarded the Jamaican Order of Merit.

"Little Billee is a young English painter with great talent. He and his friends Taffy and the Laird share a studio in a Quartier Latin neighborhood full of artists and musicians, including a German-Polish music teacher named Svengali. The group become acquainted with an artists' model named Trilby, who was orphaned as a child and who works to support her little brother and herself. Trilby is lively, charming, unpretentious, and beautiful, and soon Little Billee is madly in love. When his mother learns that Little Billee intends to marry an artists' model (nude models were almost as socially unacceptable as protitutes) she travels to Paris and tells Trilby that such a marriage would mean ruin for Billee and his family. Trilby promises that she will never see Little Billee again. Soon afterward, Trilby vanishes, leaving Billee sick and distraught. Many years later, Billee and his friends hear of a singer called "La Svengali" who has astonished all of Europe. By attending one of her performances, they learn that "La Svengali" is the wife of the music teacher they knew in the Quartier Latin, trained by him to sing with more technical mastery than anyone has ever heard. When "La Svengali" appears on stage, they see that she is none other than Trilby. Her singing moves the audience to tears, though everyone notices that she moves stiffly and strangely and that her face is as blank as an automaton's. Not until Svengali dies suddenly during a concert is Trilby set free from the hypnotic spell that has controlled her for years.""--Allreaders.com.

Hungary 1609, and Maria, a young peasant girl, is an accomplished seamstress who dreams of a more prosperous life, away from the constant threat of war, famine and disease. Then an old woman arrives at the cottage and informs Maria that she has been chosen by Countess Elizabeth Bathory to sew a series of elaborate gowns. Entranced by the nobility, Maria dreams of receiving lavish attention and being invited into Countess Bathory’s inner circle. But upon arriving at the castle she suspects she is in terrible danger. Servants are beaten and then disappear, the Countess herself is prone to fits of rage, and there are screams in the middle of the night. As Maria explores the castle and unravels its inner secrets, she finds herself a prisoner, as well as an unwilling pawn in Countess Bathory’s murderous plot to retain both her power and beauty.

Madame Katerina, Detective 'Nine Nails' McGray's most trusted clairvoyant, hosts a séance for three of Edinburgh's wealthiest families. The following morning everyone is found dead, with Madame Katerina being the only survivor. When questioned she alleges a tormented spirit killed the families for revenge. McGray, even though he believes her, must find a rational explanation that holds up in court, else Katerina will be sentenced to death. Inspector Ian Frey is summoned to help, which turns out to be difficult as he is still dealing with the loss of his uncle, and has developed a form of post-traumatic stress (not yet identified in the 19th century). This seems an impossible puzzle. Either something truly supernatural has occurred - or a fiendishly clever plot is covering a killer's tracks...