The small town of Coalmont, Tennessee is shattered when a car crash on graduation night leaves three of its teenagers dead and another three fighting for their lives. Four years later, the aftershocks still ripple through the town, and no one feels them more than Natasha Hawthorne, the young driver. When someone targets the survivors of the horrific crash for murder, the obvious motive is revenge. But things aren’t always what they seem, and the notion of revenge served cold doesn’t ring true with Brady Simms, newly appointed police chief. To make things even more difficult, Brady ultimately finds himself standing squarely between the killer and his next victim, the woman who broke his heart four years ago. As the killer escalates his attacks, Brady’s only hope of saving the intended victims is to get into the mind of a sociopath. When the relative of the first victim makes a startling revelation, Brady reopens the investigation and what he finds will change all of their lives forever.

*WINNER OF THE CWA SHORT STORY DAGGER WITH THE TRIALS OF MARGARET BY L. C. TYLER* In honour of multi award-winning author Peter Lovesey, the members of the Detection Club have written twenty-two twisty - and twisted - short stories that will take you on a journey from cosy English towns to the glaciers of Iceland and the glittering towers of Dubai. The collection is edited by current Detection Club president Martin Edwards and features stories from Ann Cleeves, Simon Brett, Andrew Taylor and several other best-loved crime authors. The Detection Club was founded by the crème de la crime of British crime writing in 1930 and its members included Agatha Christie, Dorothy L. Sayers, Anthony Berkeley and the Club's first president, G. K. Chesterton. The Detection Club was a way for crime writers to get together, socialise and discuss ideas, a tradition that continues to this day. Authors include: Ann Cleeves - Simon Brett - Andrew Taylor - Len Deighton - Peter Lovesey - Michael Jecks - Michael Ridpath - Kate Ellis - Ruth Dudley Edwards - Alison Joseph - L. C. Tyler - Catherine Aird - David Roberts - David Stuart Davies - Janet Laurence - Liza Cody - Martin Edwards - Kate Charles - John Malcolm - Marjorie Eccles - Michael Z. Lewin - Susan Moody

The small town of Coalmont, Tennessee is shattered when a car crash on graduation night leaves three of its teenagers dead and another three fighting for their lives. Four years later, the aftershocks still ripple through the town, and no one feels them more than Natasha Hawthorne, the young driver. When someone targets the survivors of the horrific crash for murder, the obvious motive is revenge. But things aren?t always what they seem, and the notion of revenge served cold doesn?t ring true with Brady Simms, newly appointed police chief. To make things even more difficult, Brady ultimately finds himself standing squarely between the killer and his next victim, the woman who broke his heart four years ago. As the killer escalates his attacks, Brady?s only hope of saving the intended victims is to get into the mind of a sociopath. When the relative of the first victim makes a startling revelation, Brady reopens the investigation and what he finds will change all of their lives forever.

Who are the men committing the rising number of serial homicides in the U.S. -- and why do they kill? The increase in these violent crimes over the past decade has created an urgent need for more and better information about these men: their crime scene patterns, violent acts, and above all, their motivations for committing these shocking and repetitive murders. This authoritative book represents the data, findings, and implications of a long-term F.B.I.-sponsored study of serial sex killers. Specially trained F.B.I. agents examined thirty-six convicted, incarcerated sexual murderers to build a valuable new bank of information which reveals the world of the serial sexual killer in both quantitative and qualitative detail. Data was obtained from official psychiatric and criminal records, court transcripts, and prison reports, as well as from extensive interviews with the offenders themselves. Featured in this book is detailed information on the F.B.I.'s recently developed Violent Criminal Apprehension Program (VICAP) and a sample of an actual VICAP Crime Analysis Report Form.

Human psychological and physical well-being is damaged and destroyed when people are deliberately killed by other people. There are millions of primary and secondary victims of murder throughout the world, and human society as a whole is a tertiary victim of murder. Despite this, people are often fascinated and engrossed by stories of homicide and killers. This book provides a fascinating exploration of murder, providing an insight into what leads people to kill and what effect this has on society as a whole. This book is organized into five chapters that each answer a specific question on murder: What is Murder? Who Commits Murder? Why Commit Murder? Why is Murder Devastating? Why is Murder Fascinating?

Why do killers deserve punishment? How should the law decide? These are the questions Samuel H. Pillsbury seeks to answer in this important new book on the theory and practice of criminal responsibility. In an argument both traditional and fresh, Pillsbury holds that persons deserve punishment according to the evil they choose to do, regardless of their psychological capacities. After considering potential objections to this approach, including those based on determinism, unjust social conditions, and the alleged cruelty of retribution, he presents an extended critique of American homicide law. Using real case examples, Pillsbury offers concrete proposals for legal reform, urging that modern preoccupations with subjective aspects of wrongdoing be replaced with rules that focus more on the individual's motives.

Selected by the Modern Library as one of the 100 best nonfiction books of all time From the Modern Library’s new set of beautifully repackaged hardcover classics by Truman Capote—also available are Breakfast at Tiffany’s and Other Voices, Other Rooms (in one volume), Portraits and Observations, and The Complete Stories Truman Capote’s masterpiece, In Cold Blood, created a sensation when it was first published, serially, in The New Yorker in 1965. The intensively researched, atmospheric narrative of the lives of the Clutter family of Holcomb, Kansas, and of the two men, Richard Eugene Hickock and Perry Edward Smith, who brutally killed them on the night of November 15, 1959, is the seminal work of the “new journalism.” Perry Smith is one of the great dark characters of American literature, full of contradictory emotions. “I thought he was a very nice gentleman,” he says of Herb Clutter. “Soft-spoken. I thought so right up to the moment I cut his throat.” Told in chapters that alternate between the Clutter household and the approach of Smith and Hickock in their black Chevrolet, then between the investigation of the case and the killers’ flight, Capote’s account is so detailed that the reader comes to feel almost like a participant in the events.

A New York Times bestseller | Soon to be a major motion picture “Witty, endearing and greatly entertaining.” —Wall Street Journal “Don’t trust anyone, including the four septuagenarian sleuths in Osman’s own laugh-out-loud whodunit.” —Parade Four septuagenarians with a few tricks up their sleeves A female cop with her first big case A brutal murder Welcome to... THE THURSDAY MURDER CLUB In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together they call themselves the Thursday Murder Club. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case. As the bodies begin to pile up, can our unorthodox but brilliant gang catch the killer, before it's too late?

A fascinating profile of female homicide offenders emerges from this analysis of the characteristics of women murderers in six cities in the United States, including the circumstances of the murders, the role of the victims, the role of the perpetrators, and their fates in court.