Vol 1 905p Vol 2 961p.

The second volume in the six-volume series documenting the accomplishments of the two most famous American suffragists. Featured in Ken Burns's new documentary Not for Ourselves Alone: The Story of Elizabeth Cady Stanton and Susan B. Anthony

When Andy Warhol cast Paul Swan (1883?1972) in three films in the mid-1960s, he knew that the octogenarian had once been internationally hailed as ?the most beautiful man in the world? and as ?Nijinsky?s successor.? Arthur Hammerstein had advertised Swan as ?a reincarnated Greek God,? and George and Ira Gershwin had celebrated his beauty in their musical Funny Face. What Warhol didn?t know was that Swan had also been called ?America?s Leonardo,? portrait artist of the famous and the infamous, including writer Willa Cather, aviator Charles Lindbergh, British Prime Minister James Ramsay MacDonald, and dictator Benito Mussolini. This book is the first to tell Swan?s story, from his days as a world-famous dancer and artist, through his film career?which ran from silent pictures, including De Mille?s Ten Commandments (1923), to Warhol?s Camp, Paul Swan, and Paul Swan I-IV (1965)?to his portrait painting late in life when Nelson Rockefeller?s children, Malachy McCourt, and Pope Paul VI were among his subjects. With unprecedented access to Swan?s scrapbooks, letters, diaries, and an unpublished memoir that tells the story of a bisexual man trying to build a public life in perilous times, Janis and Richard Londraville reconstruct the intriguing life of this uniquely interesting figure, whose story, although widely glossed in the press, was until now never fully known.

Johann Adam Schwartzbach (ca. 1720/1723-1792) emigrated with his family from Germany to Philadelphia in 1749, and settled in Philadelphia (now Berks) County, Pennsylvania. Descendants (chiefly spelling the surname Swartzbaugh) and relatives lived in Pennsylvania, Maryland, Ohio, Illinois, Minnesota, Washington and elsewhere.

Integrating sophisticated demographic techniques with clearly written narrative, this pioneering book explores the complex social and economic life of a major colonial city. New York City was a vital part of the middle colonies and may hold the key to the origins of political democracy in America. Family histories, public records of births, marriages, and assessments, and records of business transactions and poll lists are among the rich sources Thomas J. Archdeacon uses to determine the impact of the English conquest on the city of New York. Among his concerns are the changing relationships between the Dutch and the English, the distribution of wealth and the role of commerce in the city, and the part played by ethnic and religious heritage in provincial politics.

"This book is a companion volume to Biographical books, 1950-1980, completing a comprehensive one hundred and five year bibliography of biographical and autobiographical works published or distributed in the United States"--Preface.