"Britain has played a key part in the history of the last five centuries, and its art reflects this in absorbing and complex ways. Andrew Wilton, Keeper and Senior Research Fellow at Tate Britain, traces the story of British painting from its hesitant beginnings under the influence of Holbein through its maturity in the time of Hogarth and Reynolds, when it reflected a prosperous society with growing imperial influence. He then explores the pioneering role of Constable and Turner in the revolutions of the Romantic period, and the enigmatic position of artists in Victorian England, when a stiff moral code came into conflict with the uncertainties of the age of Darwin. A consistent undercurrent has been Britain's preference for the real world (landscape, portraiture) as against 'high' art and abstraction. Andrew Wilton offers new insights into the great personalities of British painting, and assesses afresh the latest flowering, in which many threads of modern art come together in sometimes startling guises."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

John Singer Sargents approach to watercolour was unconventional. Disregarding late-nineteenth-century aesthetic standards that called for carefully delineated and composed landscapes filled with transparent washes, his confidently bold, dense strokes and loosely defined forms startled critics and fellow practitioners alike. One reviewer in England, where Sargent spent much of his adult life, called his work swagger watercolours. For Sargent, however, the watercolours were not so much about swagger as about a new way of thinking. In watercolour as opposed to oils his vision became more personal and his works more interconnected. Presenting nearly 100 works of art, this book is the first major publication of Sargents watercolours in twenty years. Each chapter highlights a different subject or theme that attracted the artists attention during his travels through Europe and the Middle East: sunlight on stone, figures reclining on grass, patterns of light and shadow. Insightful essays by the worlds leading experts enhance this book and introduce readers to the full sweep of Sargents accomplishments in the medium, in works that delight the eye as well as challenge our understanding of this prodigiously gifted artist.

Gathers watercolors by Chagall, Picasso, Matisse, Stuart Davis, Edward Hopper, George Grosz, Otto Dix, Paul Islee, Joan Miro, and Piet Mondrian.