This book is an unique translation of a Chinese classic that is re-written in modern simplified Chinese language with Pinyin. This Chinese classic covers a wide range of topics in Chinese culture and Chinese philosophy, from moral principles to common knowledge about Chinese culture. Each Chinese character or word (if appropriate) is grouped together with its translation and Pinyin pronunciation to help a learner of the Chinese language master the modern Chinese language. From this text, the learner can also learn about Chinese culture, Chinese philosophy and Chinese way of thinking.

A beautifully curated presentation of the Thousand Character Essay, a masterpiece of Chinese calligraphy that has served as the art form's classic manual for over 1,400 years. Sung to infants as a lullaby, used to teach reading and writing, and employed as library index codes, the Thousand Character Essay is China's most widely used and beloved calligraphy textbook. Composed by the literary giant Zhou Xingsi and handwritten by sixth-century Buddhist monk Zhiyong, this masterful work has endured for centuries as the standard guide for brush writing both in formal and cursive scripts. Delight in One Thousand Characters brings this sublime body of art-as-text to English-speaking readers through its translation and explanation by calligraphers and artists Kazuaki Tanahashi and Susan O'Leary. Preserving the renowned beauty of monk Zhiyong's only extant handwriting, the book visually depicts the traditional script through extensive imagery, including a full, one-hundred-strip edition of Zhiyong's calligraphy. All images also have corresponding commentary explaining the meaning of each character. Essays and appendices by Tanahashi and O'Leary detail the fascinating history, geographic range, and aesthetic nuance of the essay and of Zhiyong's rendering--essential material to be familiar with the history, thought, literature, and art of East Asian civilization. For calligraphers, Delight in One Thousand Characters can serve as an advanced primer for practicing both formal and cursive Chinese calligraphy.

In just thirteen brief, accessible chapters, this engaging little book takes "absolute beginners" from the most basic questions about the language (e.g., what does a classical Chinese character look like?) to reading and understanding selections from classical Chinese philosophical texts and Tang dynasty poetry. "An outstanding introduction to reading classical Chinese. Van Norden does a wonderful job of clearly explaining the basics of classical Chinese, and he carefully takes the reader through beautifully chosen examples from the textual tradition. An invaluable work." —Michael Puett, Harvard University

Thousand Character Classic Chinese Worksheets for Memorization and Writing The purpose of this book is to practice memorizing and writing the Thousand Character Classic in Chinese using Chinese worksheets. The Chinese worksheets are in Traditional Chinese and have Pinyin. The book contains 3 practice sets of the Thousand Character Classic.

Winner of the Carnegie Medal for Excellence Finalist for the Young Lions Fiction Award A Chinese American assassin sets out to rescue his kidnapped wife and exact revenge on her abductors in this New York Times Book Review Editors' Choice: a twist on the classic western from "an astonishing new voice" (Jonathan Lethem). Orphaned young, Ming Tsu, the son of Chinese immigrants, is raised by the notorious leader of a California crime syndicate, who trains him to be his deadly enforcer. But when Ming falls in love with Ada, the daughter of a powerful railroad magnate, and the two elope, he seizes the opportunity to escape to a different life. Soon after, in a violent raid, the tycoon's henchmen kidnap Ada and conscript Ming into service for the Central Pacific Railroad. Battered, heartbroken, and yet defiant, Ming partners with a blind clairvoyant known only as the prophet. Together the two set out to rescue his wife and to exact revenge on the men who destroyed Ming, aided by a troupe of magic-show performers, some with supernatural powers, whom they meet on the journey. Ming blazes his way across the West, settling old scores with a single-minded devotion that culminates in an explosive and unexpected finale. Written with the violent ardor of Cormac McCarthy and the otherworldly inventiveness of Ted Chiang, The Thousand Crimes of Ming Tsu is at once a thriller, a romance, and a story of one man's quest for redemption in the face of a distinctly American brutality. "In Tom Lin's novel, the atmosphere of Cormac McCarthy's West, or that of the Coen Brothers' True Grit, gives way to the phantasmagorical shades of Ray Bradbury, Charles Finney's The Circus of Dr. Lao, and Katherine Dunn's Geek Love. Yet The Thousand Crimes of Ming Tsu has a velocity and perspective all its own, and is a fierce new version of the Westward Dream." —Jonathan Lethem, author of Motherless Brooklyn

PULITZER PRIZE FINALIST A New York Times Notable Book of 2022 What does it take to reinvent a language? After a meteoric rise, China today is one of the world’s most powerful nations. Just a century ago, it was a crumbling empire with literacy reserved for the elite few, as the world underwent a massive technological transformation that threatened to leave them behind. In Kingdom of Characters, Jing Tsu argues that China’s most daunting challenge was a linguistic one: the century-long fight to make the formidable Chinese language accessible to the modern world of global trade and digital technology. Kingdom of Characters follows the bold innovators who reinvented the Chinese language, among them an exiled reformer who risked a death sentence to advocate for Mandarin as a national language, a Chinese-Muslim poet who laid the groundwork for Chairman Mao's phonetic writing system, and a computer engineer who devised input codes for Chinese characters on the lid of a teacup from the floor of a jail cell. Without their advances, China might never have become the dominating force we know today. With larger-than-life characters and an unexpected perspective on the major events of China’s tumultuous twentieth century, Tsu reveals how language is both a technology to be perfected and a subtle, yet potent, power to be exercised and expanded.

The House of a Thousand Floors is one of the earliest science-fiction novels in European literature, published first in 1929. Besides being a pioneer in its genre, the book is highly regarded for its general merits as psychological literature. The novel tells the story of a dream in fever of a soldier wounded in World War I. He finds himself in the stairway of a gigantic (and kafkaesque) tower-like building, which is a metaphor for modern society. He learns that his task is to rescue Princess Tamara from Muller, the lord of the edifice. After a number of surrealistic encounters in the building, during which he is hailed as a liberator by many and is hunted by the cruel security guards, the main character finds Tamara and faces the cruel lord of Mullerdom. The novel makes fine use of a range of experimental styles and techniques. At times, linear storytelling gives way to a collage of incongruous elements: excerpts from fictitious books, encyclopedia articles, radio broadcast transcripts are used as a shortcut to describe places or events; other narrative ingredients include fanciful advertisements, ludicrous administrative documents or political slogans which highlight the idiosyncrasies of this decadent world.

Fifteen-year-old Dashti, sworn to obey her sixteen-year-old mistress, the Lady Saren, shares Saren's years of punishment locked in a tower, then brings her safely to the lands of her true love, where both must hide who they are as they work as kitchen maids.