T.J. Llewelyn Prichard is best known as the author of Twm Sion Catti - claimed to be the first Welsh novel in English and popular enough to be pirated in the mid-19th century. Dozens of versions of the story have been published since. If only for this reason, Prichard ranks as an important Welsh antecedent.

Ranging from the nineteenth-century to the present, this book explores several central aspects of the ways in which the English-language poetry and fiction of Wales has responded to what was, for a crucial period of a century or so, the dominant culture of Wales: the culture of Welsh Nonconformity. In the introduction, the author reflects on why no sustained attempt has hitherto been made to investigate one of the formative cultural influences on modern 'Anglo-Welsh' literature, the Nonconformist inheritance. The importance of addressing this strange and significant cultural deficit is then explained, and a preliminary attempt made to capture something of the spirit of Welsh Nonconformity. The succeeding chapters address and seek to answer such questions as: What exactly did the Welsh chapels believe and do? Why have the English-language writers of Wales, from Caradoc Evans and Dylan Thomas to R.S. Thomas and the authors of today, been so fascinated by them? How accurate are the impressions we've been given of chapel life and chapel people in the English-language poetry and fiction of Wales? The answers offered may alter our views both of the Welsh Nonconformist past and of Welsh writing in English. One of the ideas advanced is that many of Wales' most important writers went to war with the preachers in their texts, and that their work is therefore the site of cultural struggle. Theirs was a war in words waged to determine who would have the last word on modern Welsh experience.

"This is the first book to concentrate exclusively on texts about Boudica and to cover the full chronological range from the first surviving historical account by Tacitus in AD 98 to the triumphant conclusion of Manda Scott's series of novels in 2006. All our knowledge of the ancient British queen Boudica, and her ferocious yet ultimately unsuccessful rebellion against the Romans, is derived from a few accounts in ancient Greek and Latin. Yet they have inspired a flood of history, fictional narrative, drama, and poetry, and there is no indication that the process has ended. This study illuminates and celebrates the rich variety generated by the creative tensions between writers' knowledge and their individual tastes, beliefs, and political or artistic aims and considers whether Boudica's textual metamorphoses are without limits or variations on a distinctive theme bounded by a flexible yet enduring narrative pattern." --Book Jacket.