One of the most influential thrillers in media history, Jaws first surfaced as a best-selling novel by first-time novelist Peter Benchley in 1974, followed by the 1975 feature film directed by Steven Spielberg at the beginning of his storied career. Jaws is often considered the first "blockbuster," and successive generations of filmmakers have cited it as formative in their own creative development. For nearly 50 years, critics and scholars have studied how and why this seemingly straightforward thriller holds such mass appeal. This book of original essays assembles a range of critical thought on the impact and legacy of the film, employing new perspectives--historical, cinematic, literary, scientific and environmental--while building on the insights of previous writers. While varying in focus, the essays in this volume all explore why Jaws was so successful in its time and how it remains a prominent storytelling influence well into the 21st century.

This spooky twist on the wildly popular "There Was an Old Lady who Swallowed a Fly" is perfect for fun Halloween reading!What won't this old lady swallow? This time around, a bat, an owl, a cat, a ghost, a goblin, some bones, and a wizard are all on the menu! This Halloween-themed twist on the classic "little old lady" books will delight and entertain all brave readers who dare to read it!

Read the book that inspired the BLOCKBUSTER MOVIE starring Jason Statham, Li Bingbing, Rainn Wilson, Ruby Rose, Winston Chao, and Cliff Curtis! Seven years ago, and seven miles below the surface of the Pacific Ocean, Dr. Jonas Taylor encountered something that changed the course of his life. Once a Navy deep-sea submersible pilot, now a marine paleontologist, Taylor is convinced that a remnant population of Carcharodon megalodon -- prehistoric sharks growing up to 70 feet long, that subsisted on whales -- lurks at the bottom of the Mariana Trench. When offered the opportunity to return to those crushing depths in search of the Megs, Taylor leaps at the chance... but the quest for scientific knowledge (and personal vindication) becomes a desperate fight for survival, when the most vicious predator that the earth has ever known is freed to once-again hunt the surface.

With sequels, prequels, remakes, spin-offs, or copies of successful films or franchises dominating film and television production, it sometimes seems as if Hollywood is incapable of making an original film or TV show. These textual pluralities or multiplicities—while loved by fans who flock to them in droves—tend to be dismissed by critics and scholars as markers of the death of high culture. Cycles, Sequels, Spin-offs, Remakes, and Reboots takes the opposite view, surveying a wide range of international media multiplicities for the first time to elucidate their importance for audiences, industrial practices, and popular culture. The essays in this volume offer a broad picture of the ways in which cinema and television have used multiplicities to streamline the production process, and to capitalize on and exploit viewer interest in previously successful and/or sensational story properties. An impressive lineup of established and emerging scholars talk seriously about forms of multiplicity that are rarely discussed as such, including direct-to-DVD films made in Nigeria, cross-cultural Japanese horror remakes, YouTube fan-generated trailer mash-ups, and 1970s animal revenge films. They show how considering the particular bonds that tie texts to one another allows us to understand more about the audiences for these texts and why they crave a version of the same story (or character or subject) over and over again. These findings demonstrate that, far from being lowbrow art, multiplicities are actually doing important cultural work that is very worthy of serious study.

A look at various science fiction, fantasy, and horror films directed by Steven Spielberg, one of the contemporary filmmakers.

Modern Hollywood is dominated by a handful of studios: Columbia, Disney, Fox, Paramount, Universal, and Warner Bros. Threatened by independents in the 1970s, they returned to power in the 1980s, ruled unquestioned in the 1990s, and in the new millennium are again beseiged. But in the heyday of this new classical era, the major studios movies — their stories and styles — were astonishingly precise biographies of the studios that made them. Movies became product placements for their studios, advertising them to the industry, to their employees, and to the public at large. If we want to know how studios work—how studios think—we need to watch their films closely. How closely? Maniacally so. In a wide range of examples, The Studios after the Studios explores the gaps between story and backstory in order to excavate the hidden history of Hollywood's second great studio era.

In 1975, Steven Spielberg's Jaws transformed the Hollywood landscape, sparked a cultural phenomenon and took a huge bite out of the collective psyche, with the public always wondering what lurked just beneath the surface of the water. The first true summer blockbuster was a masterpiece of the thriller genre, following the terrifying ordeal of a beach community under attack by a monstrous great white shark. This LIFE special issue celebrates the 45th anniversary of this iconic film (which earned an Oscar nomination for Best Picture) with an in-depth look at Spielberg's revolutionary filmmaking and storytelling techniques, the chaotic making of the movie and its lasting legacy, and why, 45 years later, it's still scary.

No matter what race, religious belief, age, sex, employment status, or position in society you hold, everyone has had to endure hardship and pain at some point in their lives. I'm not saying that my story has any more tragedy than that of a hundred million other people, but I am going to prove to you that time does not heal all wounds. Have you ever wondered about 'those' people who you have always considered to be 'weird' or'odd'? You might find them in your workplace, on a train, at the supermarket ... in fact, just about anywhere! You've given them funny names, you insult them behind their backs, and yet you won't commit yourself to understanding how they became that way. They are insular, rarely smile, are defensive, never attend the office parties, know lots of irrelevant statistics and can be a little offensive in their own ignorant way. They live 'in a world of their own' and treat their pets better than their neighbours and occupy their time with seemingly trivial pastimes that cost them obscene amounts of money. Are they crazy? I challenge you to pick up this book, read it and bear witness to the story behind one of those people, for there might be something to learn about your neighbours ... or maybe even yourself!

You'll scream with delight while reading this fun and engaging book that discusses fright flicks all horror fans need to see to ascend to the level of a true Horror Freak —from classics (Dracula and Psycho) to modern movies (Drag Me to Hell) and lesser-known gems (Dog Soldiers). Movies are divided into various categories including Asian horror, beginners, homicidal slashers, supernatural thrillers, and zombie invasion. Features more than 130 movies, 250+ photos of movie stills and posters, and a chapter on remakes and reimaginings. The book also includes the DVD of George A. Romero's original 1968 version of "Night of the Living Dead."

Pithy put-downs, hard-boiled snarlings, words of love and regret... All the Best Lines presents 500 memorable movie quotes, embracing both one-liners ('My name is Pussy Galore') and slices of snappy dialogue from pictures as diverse as When Harry Met Sally and Pulp Fiction. Arranged under such timeless themes as Dreams, Friends, Libido and Memories, the quotes juxtapose films and stars from every era and every genre. Dotted throughout the text are feature capsules focusing on themes and stories in the movies from Goldwynisms to Mae West, plus a generous scattering of cinema anecdotes, making the book both a joy to browse and an authoritative reference. Lavishly illustrated with full-colour photographs, All the Best Lines will delight and entertain you in equal measure, reacquainting you with your favourite movies and introducing you to some forgotten classics.