Over the last century mankind has irrevocably damaged the environment through the unscrupulous greed of big business and our own willful ignorance. Here are the strikingly poignant accounts of disasters whose names live in infamy: Chernobyl, Bhopal, Exxon Valdez, Three Mile Island, Love Canal, Minamata and others. And with these, the extraordinary and inspirational stories of the countless men and women who fought bravely to protect the communities and environments at risk.

In "The Borrowed World, "Emily Leithauser transforms keenly felt experience and bittersweet memories into poems of impressive craftsmanship. She deftly muses on the dichotomies of, among other things, childhood and growing up, the headiness of love gained and the pangs of love lost, the joys of the nuclear family and the trials when it gets broken up. Although a first book, "The Borrowed World" is the seasoned work of poet of abundant talent coming into her powers and deservedly, the winner of the 2015 Able Muse Book Award. PRAISE FOR THE BORROWED WORLD: In "The Borrowed World, " Emily Leithauser's formal mastery her consummate knack for writing lines and sentences as crisp and elegant as the "Edo" prints to which she pays homage entwines with the sheer immediacy and vulnerability of the poet's voice. Leithauser portrays the inevitability of loss, in romantic and familial relationships, and yet, without ever offering false resolutions or pat conclusions, she manages to make her poems themselves convincing stays against loss. I mean that this book is made to endure. "The Borrowed World" marks the arrival of a major talent. Peter Campion, 2015 Able Muse Book Award judge Emily Leithauser s first collection, "The Borrowed World, " is an elegant meditation on inheritance, the vagaries of love and loss, familial relations with all the devastating implosions within and our relationship to the past filtered through the flawed lens of memory. These are deeply felt poems and Leithauser has a finely-tuned ear for the lyricism of syntax and the enduring rhythms of traditional forms. "The Borrowed World" is her stunning debut. Natasha Trethewey, 2012 2014 US Poet Laureate If her intensely accurate perceptions of the physical world and the beautiful forms in which she sets those perceptions were all that Emily Leithauser gave us in these poems, they would be more than enough to satisfy the hungriest poetry reader. But step by perspicuous step, in poem after poem, she enlarges and encompasses, she broadens and deepens and transmutes perception into feeling, feeling into thought, and thought into revelation. Vijay Seshadri, winner of the Pulitzer Prize Love poems, family poems, narrative poems: "The Borrowed World" is a moving and memorable debut which covers a lot of ground but is always rooted in actualities. The poems are very well-made, too, but their equally great distinction is to be well-felt subtle in their account of the observing "I," and simultaneously generous and shrewd in their understanding of others. Page by page, they create a series of powerful cameos; taken as a whole, their larger purpose emerges: to register what can be known and (especially) not known about our lives as individuals, and to value what time allows us to enjoy on earth, while admitting the brevity of our stay here. Andrew Motion, 1999 2009 UK Poet Laureate I have read "The Borrowed World" several times, and each time I find more in it to be delighted and touched by. Emily Leithauser's art waits for you, and I am sure that you will be as pleased and moved by it as I have been. Michael Palma (from the foreword) ABOUT THE AUTHOR: Emily Leithauser was born in Washington, DC, and grew up in Western Massachusetts. She earned her MFA in poetry at Boston University and her PhD in English at Emory University, where she is a Lecturer in the Creative Writing Program. Her work has appeared in "New Ohio Review, Blackbird, Literary Imagination, " and "Southwest Review, " among other journals. She is the recipient of the 2015 Tennessee Williams/New Orleans prize for poetry. She lives in Atlanta with her fiance, Simon, and their two dogs. " The Borrowed World" is the winner of the 2015 Able Muse Book Award. "

Back in 2007, two gently unemployed people with no previous restaurant experience drove 90 minutes to Chicago to eat a raw food dinner. 90 minutes. They said, I wish there was somewhere closer And they were stupid enough to decide the best solution to the problem was to open their own raw vegan restaurant. Not normal people. Not even close. This is their story. KATHY: Did you remember to put in the recipes? DANNY: Yes. The string around my finger totally worked.

A moving tribute to the physical and spiritual properties of nature's richestelement by one of the world's leading soil conservationists.

Thousands of travelers become stuck after ISIS attacks the United States, leaving the nation's physical, electrical, and technological infrastructure in tatters. Jim Powell and his co-workers are stranded in a hotel in Richmond, Virginia, about five hundred miles from home. He and several others embark on a journey to try to get back home, by any means possible, in a world with scarce law enforcement where the rules of civilized society no longer apply.

At the turn of the nineteenth century, geology—and its claims that the earth had a long and colorful prehuman history—was widely dismissedasdangerous nonsense. But just fifty years later, it was the most celebrated of Victorian sciences. Ralph O’Connor tracks the astonishing growth of geology’s prestige in Britain, exploring how a new geohistory far more alluring than the standard six days of Creation was assembled and sold to the wider Bible-reading public. Shrewd science-writers, O’Connor shows, marketed spectacular visions of past worlds, piquing the public imagination with glimpses of man-eating mammoths, talking dinosaurs, and sea-dragons spawned by Satan himself. These authors—including men of science, women, clergymen, biblical literalists, hack writers, blackmailers, and prophets—borrowed freely from the Bible, modern poetry, and the urban entertainment industry, creating new forms of literature in order to transport their readers into a vanished and alien past. In exploring the use of poetry and spectacle in the promotion of popular science, O’Connor proves that geology’s success owed much to the literary techniques of its authors. An innovative blend of the history of science, literary criticism, book history, and visual culture, The Earth on Show rethinks the relationship between science and literature in the nineteenth century.

#1 NEW YORK TIMES BESTSELLER • “The Uninhabitable Earth hits you like a comet, with an overflow of insanely lyrical prose about our pending Armageddon.”—Andrew Solomon, author of The Noonday Demon NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New Yorker • The New York Times Book Review • Time • NPR • The Economist • The Paris Review • Toronto Star • GQ • The Times Literary Supplement • The New York Public Library • Kirkus Reviews It is worse, much worse, than you think. If your anxiety about global warming is dominated by fears of sea-level rise, you are barely scratching the surface of what terrors are possible—food shortages, refugee emergencies, climate wars and economic devastation. An “epoch-defining book” (The Guardian) and “this generation’s Silent Spring” (The Washington Post), The Uninhabitable Earth is both a travelogue of the near future and a meditation on how that future will look to those living through it—the ways that warming promises to transform global politics, the meaning of technology and nature in the modern world, the sustainability of capitalism and the trajectory of human progress. The Uninhabitable Earth is also an impassioned call to action. For just as the world was brought to the brink of catastrophe within the span of a lifetime, the responsibility to avoid it now belongs to a single generation—today’s. LONGLISTED FOR THE PEN/E.O. WILSON LITERARY SCIENCE WRITING AWARD “The Uninhabitable Earth is the most terrifying book I have ever read. Its subject is climate change, and its method is scientific, but its mode is Old Testament. The book is a meticulously documented, white-knuckled tour through the cascading catastrophes that will soon engulf our warming planet.”—Farhad Manjoo, The New York Times “Riveting. . . . Some readers will find Mr. Wallace-Wells’s outline of possible futures alarmist. He is indeed alarmed. You should be, too.”—The Economist “Potent and evocative. . . . Wallace-Wells has resolved to offer something other than the standard narrative of climate change. . . . He avoids the ‘eerily banal language of climatology’ in favor of lush, rolling prose.”—Jennifer Szalai, The New York Times “The book has potential to be this generation’s Silent Spring.”—The Washington Post “The Uninhabitable Earth, which has become a best seller, taps into the underlying emotion of the day: fear. . . . I encourage people to read this book.”—Alan Weisman, The New York Review of Books

The first Earth Day is the most famous little-known event in modern American history. Because we still pay ritual homage to the planet every April 22, everyone knows something about Earth Day. Some people may also know that Earth Day 1970 made the environmental movement a major force in American political life. But no one has told the whole story before. The story of the first Earth Day is inspiring: it had a power, a freshness, and a seriousness of purpose that are difficult to imagine today. Earth Day 1970 created an entire green generation. Thousands of Earth Day organizers and participants decided to devote their lives to the environmental cause. Earth Day 1970 helped to build a lasting eco-infrastructure—lobbying organizations, environmental beats at newspapers, environmental-studies programs, ecology sections in bookstores, community ecology centers. In The Genius of Earth Day, the prizewinning historian Adam Rome offers a compelling account of the rise of the environmental movement. Drawing on his experience as a journalist as well as his expertise as a scholar, he explains why the first Earth Day was so powerful, bringing one of the greatest political events of the twentieth century to life.

Challenge the status quo, change the face of activism, and confront climate change head on with the ultimate blueprint for taking action. Xiuhtezcatl Martinez is a 16-year-old climate activist, hip-hop artist, and powerful new voice on the front lines of a global youth-led movement. He and his group the Earth Guardians believe that today’s youth will play an important role in shaping our future. They know that the choices made right now will have a lasting impact on the world of tomorrow, and people--young and old--are asking themselves what they can do to ensure a positive, just, and sustainable future. We Rise tells these stories and addresses the solutions. Beginning with the empowering story of the Earth Guardians and how Xiuhtezcatl has become a voice for his generation, We Rise explores many aspects of effective activism and provides step-by-step information on how to start and join solution-oriented movements. With conversations between Xiuhtezcatl and well-known activists, revolutionaries, and celebrities, practical advice for living a more sustainable lifestyle, and ideas and tools for building resilient communities, We Rise is an action guide on how to face the biggest problems of today, including climate change, fossil fuel extraction, and industrial agriculture. If you are interested in creating real and tangible change, We Rise will give you the inspiration and information you need to do your part in making the world a better place and leave you asking, what kind of legacy do I want to leave?

When World War II “borrows” the men in seven-year-old Gerda’s family, the German government sends them three new men in return: Gabriel, Fermaine, and Albert, French prisoners of war who must sleep in an outbuilding and work the farm until the war is over. Gerda knows they are supposed to treat the men as enemies, but it doesn’t seem fair. Can’t they invite them into the warm house for one meal? What harm could it do to be friendly? Writing from her mother’s childhood memories of Germany during World War II, Michelle Barker shares the story of one family’s daring kindness in a time of widespread anger and suspicion. Renné Benoit’s illustrations bring warmth to the era, showing the small ways in which a forbidden friendship bloomed: good food, a much-loved doll, a secret Christmas tree. Family photographs and an Author’s Note give further insight into the life of Gerda, the little girl who proved that it isn’t so far from Feinde (enemies) to Freunde (friends).