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A-Okay by Jarad Greene is a vulnerable and heartfelt semi-autobiographical middle grade graphic novel about acne, identity, and finding your place. When Jay starts eighth grade with a few pimples he doesn’t think much of it at first…except to wonder if the embarrassing acne will disappear as quickly as it arrived. But when his acne goes from bad to worse, Jay’s prescribed a powerful medication that comes with some serious side effects. Regardless, he’s convinced it’ll all be worth it if clear skin is on the horizon! Meanwhile, school isn’t going exactly as planned. All of Jay’s friends are in different classes; he has no one to sit with at lunch; his best friend, Brace, is avoiding him; and—to top it off—Jay doesn’t understand why he doesn’t share the same feelings two of his fellow classmates, a boy named Mark and a girl named Amy, have for him. Eighth grade can be tough, but Jay has to believe everything’s going to be a-okay…right?

Damien is determined to bed Jake, a gay asexual man. But he'll have to figure out how to turn Jake on without scaring him off.

Winner of the 2014 Ignatz Award for Outstanding Anthology! QU33R, from editor Rob Kirby, features 241 pages of new comics from 33 contributors—legends and new faces alike. In 2012, Justin Hall edited a book called No Straight Lines: Four Decades of Queer Comics, that took readers on a journey from the beginnings of LGBT comics history to the present day. QU33R is an all-new project featuring queer comics legends as well as new talents that picks up where No Straight Lines left off. We've set down our history, now QU33R shines a light on our future! QU33R had its genesis in an all-color queer comic zine called THREE, which featured three stories by three creators or teams per issue. Rob Kirby published three installments of THREE annually from 2010 to 2012, and the series did well, garnering not only an Ignatz nomination for Outstanding Anthology or Collection but also earning Rob the Prism Comics Queer Press Grant in 2011. Producing the anthology was immensely gratifying, but featuring just three comics and publishing only once per year meant a lot of cartoonists weren’t getting the exposure they deserved. The publishing opportunities for queer cartoonists and queer subject matter are still limited, even today, and Rob longed for a wider distribution than he was able to manage on his own. He approached Northwest Press about doing a bigger compendium of all-new work. While THREE was happening, Justin Hall was preparing his book No Straight Lines: Four Decades of Queer Comics, which Fantagraphics published in the summer of 2012. No Straight Lines traced the history of queer comics from their humble beginnings in the late 60’s/early 70’s all the way up to the present. The book was a whopping, award-winning success. Rob got to thinking that a follow-up volume—a sort-of-sequel focusing on all new work—would seal the deal, informing the world at large that we are still here, still queer, and still producing fresh and innovative work. He wanted to include not only several queer comics veterans, but also some fresh new faces and a few folks who haven’t necessarily belonged to the orthodox "queer comics scene" but have been doing non-heteronormative work all along. QU33R features over 240 pages of new comics from a cross-generational lineup of award-winning LGBTQ cartoonists: Amanda Verwey (Manderz Totally Top Private Diary) Andy Hartzell (Fox Bunny Funny, Xeric grant recipient Bread and Circuses) Annie Murphy (Gay Genius, I Still Live) Carlo Quispe (Uranus) Carrie McNinch (You Don’t Get There From Here, The Assassin and the Whiner) Christine Smith (The Princess) Craig Bostick (Darby Crash, Go-Go Girl, Boy Trouble) David Kelly (Rainy Day Recess: The Complete Steven’s Comics, Boy Trouble) Diane DiMassa (Hothead Paisan: Homicidal Lesbian Terrorist) Dylan "NDR" Edwards (Transposes, Politically InQueerect) Ed Luce (Wuvable Oaf)Edie Fake (Gaylord Phoenix) Eric Kostiuk Williams (Hungry Bottom Comics) Eric Orner (The Mostly Unfabulous Social Life of Ethan Green) Howard Cruse (Stuck Rubber Baby, Wendel, Barefootz) Ivan Velez, Jr. (Tales of the Closet, Dead High Yearbook) Jennifer Camper (Juicy Mother, Rude Girls and Dangerous Women, subGURLZ) Jon Macy (Teleny and Camille, Fearful Hunter, Nefarismo) Jose-Luis Olivares (Pansy Boy) Justin Hall (No Straight Lines: Four Decades of Queer Comics, Glamazonia, True Travel Tales) Kris Dresen (Manya, Max & Lily, She Said) L. Nichols (Flocks, Jumbly Junkery) Marian Runk (Not a Horse Girl, The Magic Hedge) MariNaomi (Kiss and Tell: A Romantic Resume, Smoke in Your Eyes, Estrus Comics) Michael Fahy (Boy Trouble) Nicole Georges (Calling Dr. Laura, Invincible Summer) Rick Worley (A Waste of Time) Rob Kirby (THREE, Boy Trouble, Curbside) Sasha Steinberg (Stonewall, Queerotica) Sina Sparrow (Art Fag, Boy Crazy Boy) Steve MacIsaac (Shirtlifter) Terrance Griep (Scooby-Doo) Tyler Cohen (Primahood) Released by Northwest Press, which has been publishing quality LGBT-inclusive comics and graphic novels since 2010.

Boys Love Manga and Beyond looks at a range of literary, artistic and other cultural products that celebrate the beauty of adolescent boys and young men. In Japan, depiction of the “beautiful boy” has long been a romantic and sexualized trope for both sexes and commands a high degree of cultural visibility today across a range of genres from pop music to animation. In recent decades, “Boys Love” (or simply BL) has emerged as a mainstream genre in manga, anime, and games for girls and young women. This genre was first developed in Japan in the early 1970s by a group of female artists who went on to establish themselves as major figures in Japan's manga industry. By the late 1970s many amateur women fans were getting involved in the BL phenomenon by creating and self-publishing homoerotic parodies of established male manga characters and popular media figures. The popularity of these fan-made products, sold and circulated at huge conventions, has led to an increase in the number of commercial titles available. Today, a wide range of products produced both by professionals and amateurs are brought together under the general rubric of “boys love,” and are rapidly gaining an audience throughout Asia and globally. This collection provides the first comprehensive overview in English of the BL phenomenon in Japan, its history and various subgenres and introduces translations of some key Japanese scholarship not otherwise available. Some chapters detail the historical and cultural contexts that helped BL emerge as a significant part of girls' culture in Japan. Others offer important case studies of BL production, consumption, and circulation and explain why BL has become a controversial topic in contemporary Japan.

Striking a perfect balance between heartfelt emotions and spot-on humor, this debut features a pop-culture enthusiast protagonist with an unforgettable voice sure to resonate with readers. Alice had her whole summer planned. Nonstop all-you-can-eat buffets while marathoning her favorite TV shows (best friends totally included) with the smallest dash of adulting—working at the library to pay her share of the rent. The only thing missing from her perfect plan? Her girlfriend (who ended things when Alice confessed she's asexual). Alice is done with dating—no thank you, do not pass go, stick a fork in her, done. But then Alice meets Takumi and she can’t stop thinking about him or the rom com-grade romance feels she did not ask for (uncertainty, butterflies, and swoons, oh my!). When her blissful summer takes an unexpected turn and Takumi becomes her knight with a shiny library-employee badge (close enough), Alice has to decide if she’s willing to risk their friendship for a love that might not be reciprocated—or understood. Claire Kann’s debut novel Let’s Talk About Love, chosen by readers like you for Macmillan's young adult imprint Swoon Reads, gracefully explores the struggle with emerging adulthood and the complicated line between friendship and what it might mean to be something more. Praise for Let’s Talk About Love from the Swoon Reads community: “A sweet and beautiful journey about self-discovery and identity!” —Macy Filia, reader on SwoonReads.com “There aren't many novels that have asexual characters and it's something people need more of.” —Alice, reader on SwoonReads.com “I want this on my shelf where I can admire it every day.” —Kiara, reader on SwoonReads.com

It's 1855, but not as we know it. The schism between the One True French Catholic Church and the heretical Italian Catholic Church has stoked three centuries of conflict, imploding the dream of European ascendancy. Thousands flee the Spanish Inquisition for havens in Germany, France, Britain and the colonies of the New World. The face and character of London has been indelibly altered by generations of refugees. Tasked with keeping order and preserving the ecumenical vision of the Holy French Catholic Church in the face of throngs clamoring for traditional British values, the London police find themselves in an awkward position. And nobody is quite sure how to deal with the technological innovation of animates: mindless laborers crafted from the body parts of the dead. A murderous plot with far-reaching implications casts a city torn between renaissance and tyranny as the unwitting catalyst for unspeakable global calamity. The fate of this world lies, as it often does, in the hands of a motley and disparate crew brought together by inglorious serendipity. Ironworks and iron fists will take London, and the Old World with it, to the cutting edge of a treacherous new century.

For fans of Love, Simon and I Wish You All the Best, a funny, honest, messy, completely relatable story of a girl who realizes that love can be found in many ways that don't involve sex or romance. From the marvelous author of Heartstopper comes an exceptional YA novel about discovering that it's okay if you don't have sexual or romantic feelings for anyone . . . since there are plenty of other ways to find love and connection. This is the funny, honest, messy, completely relatable story of Georgia, who doesn't understand why she can't crush and kiss and make out like her friends do. She's surrounded by the narrative that dating + sex = love. It's not until she gets to college that she discovers the A range of the LGBTQIA+ spectrum -- coming to understand herself as asexual/aromantic. Disrupting the narrative that she's been told since birth isn't easy -- there are many mistakes along the way to inviting people into a newly found articulation of an always-known part of your identity. But Georgia's determined to get her life right, with the help of (and despite the major drama of) her friends.

From the award-winning author of Melissa, the story of a boy named Rick who needs to explore his own identity apart from his jerk of a best friend. Rick's never questioned much. He's gone along with his best friend, Jeff, even when Jeff's acted like a bully and a jerk. He's let his father joke with him about which hot girls he might want to date even though that kind of talk always makes him uncomfortable. And he hasn't given his own identity much thought, because everyone else around him seemed to have figured it out. But now Rick's gotten to middle school, and new doors are opening. One of them leads to the school's Rainbow Spectrum club, where kids of many genders and identities congregate, including Melissa, the girl who sits in front of Rick in class and seems to have her life together. Rick wants his own life to be that . . . understood. Even if it means breaking some old friendships and making some new ones. As they did in their groundbreaking novel Melissa, in Rick, award-winning author Alex Gino explores what it means to search for your own place in the world . . . and all the steps you and the people around you need to take in order to get where you need to be.

From New York Times bestseller and Hugo Award-winner, John Scalzi, a gleeful mash-up of science fiction and Hollywood satire The space-faring Yherajk have come to Earth to meet us and to begin humanity's first interstellar friendship. There's just one problem: They're hideously ugly and they smell like rotting fish. So getting humanity's trust is a challenge. The Yherajk need someone who can help them close the deal. Enter Thomas Stein, who knows something about closing deals. He's one of Hollywood's hottest young agents. But although Stein may have just concluded the biggest deal of his career, it's quite another thing to negotiate for an entire alien race. To earn his percentage this time, he's going to need all the smarts, skills, and wits he can muster. Other Tor Books The Android’s Dream Agent to the Stars Your Hate Mail Will Be Graded Fuzzy Nation Redshirts 1. Lock In 2. Head On The Interdepency Sequence 1. The Collapsing Empire 2. The Consuming Fire Old Man's War Series 1. Old Man’s War 2. The Ghost Brigades 3. The Last Colony 4. Zoe’s Tale 5. The Human Division 6. The End of All Things At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.