Heidegger's major be-ing-historical treatise, Beiträge zur Philosophie (Vom Ereignis), opens up the full depth and final range of his experience of thinking. It has a substantial bearing on the understanding, assessment, and appropriation of his lifework, not just on the interpretation of his later writings. The exploration of this unique work raises basic questions about the nature and task of thinking, not simply about Heidegger’s claims and insights. "Thinking and Be-ing in Heidegger's Beiträge zur Philosophie (Vom Ereignis)” by George Kovacs is a questioning confrontation with the main issues at stake in Heidegger’s thought. In contending with Heidegger's venture, George Kovacs clearly demonstrates that the re-thinking of the entire question of Being, of the ubiquitous and indispensable "is," is at the same time a re-thinking of the way of thinking, of thinking itself; it is a rediscovery of and an experience with language. This comprehensive, focused research contributes to the reawakening of the sense of wonder and curiosity about Being, beings, and human being's dwelling in the world, the primordial concern of Heidegger’s thought.

"The fugally structured work comprises six "joinings" - "Echo," "Playing-Forth," "Leap," "Grounding," "The Ones to Come," and "The Last God" - and a final section, "Be-ing," which together illuminate what enowns and thus enables thinking."--BOOK JACKET.

The publication of the first English translation of Martin Heidegger's Beiträge zur Philosophie (Vom Ereignis) marked a significant event for Heidegger studies. Considered by scholars to be his most important work after Being and Time, Contributions to Philosophy (From Enowning) elaborates what Heidegger calls "being-historical-thinking," a project in which he undertakes to reshape what it means both to think and to be. Contributions is an indispensable book for scholars and students of Heidegger, but it is also one of his most difficult because of its aphoristic style and unusual language. In this Companion 14 eminent Heidegger scholars share strategies for reading and understanding this challenging work. Overall approaches for becoming familiar with Heidegger's unique language and thinking are included, along with detailed readings of key sections of the work. Experienced readers and those coming to the text for the first time will find the Companion an invaluable guide to this pivotal text in Heidegger's philosophical corpus.

Heidegger’s second magnum opus after Being and Time, laying the groundwork for his later writing, in a translation of “impeccable clarity and readability” (Peter Warnek). Martin Heidegger’s Contributions to Philosophy, written in the late 1930s and published posthumously in 1989, is now widely viewed as his second magnum opus, after Being and Time. Here, Heidegger lays the groundwork for a new conception of thought and being, rooting them both in the event of appropriation. Here, Heidegger establishes the language and intellectual framework necessary for all of his later writings. Contributions was composed as a series of private ponderings that were not originally intended for publication. They are nonlinear and radically at odds with the traditional understanding of thinking. This translation presents Heidegger in plain and straightforward terms, allowing surer access to this new turn in Heidegger’s conception of being.

Merleau-Ponty's essays on aesthetics are some of the major accomplishments of his philosophical career, and rank even today among the most sophisticated reflections on art in all of twentieth-century philosophy. His essays on painting, "Cezanne's Doubt" (1945), "Indirect Language and the Voices of Silence" (1952), and "Eye and Mind" (1960), have inspired new approaches to epistemology, ontology, and the philosophy of history. Galen A. Johnson has gathered these essays for the first time into a single volume and augmented them with essays by distinguished scholars and artists, including M.C. Dillon, Mikel Dufrenne, and René Magritte. Together the essays demonstrate the continuing significance of Merleau-Ponty's ideas about art for contemporary philosophy on both sides of the Atlantic.

A new translation of Martin Heidegger's major work "What is Metaphysics?", originally published in 1929. This edition contains a new afterword by the Translator, a timeline of Heidegger's life and works, a philosophic index of core Heideggerian concepts and a guide for terminology across 19th and 20th century Existentialists. This translation is designed for readability and accessibility to Heidegger's enigmatic and dense philosophy. Complex and specific philosophic terms are translated as literally as possible and academic footnotes have been removed to ensure easy reading. This edition contains his last introduction to the third edition Heidegger published a Foreword consisting of his letter to Ernst Jünger on his sixtieth birthday (where he muses on What is Metaphysics decades later) and his Afterword and Epilogue, which he published years after the original. This classic treatise begins by questioning the nature of metaphysics, pondering its fundamental principles and the nature of its inquiry into being. The paper critically examines the concept of being, not only in its existence, but in its essence and truth. This leads to an examination of the role of metaphysics in understanding the nature of reality and existence. The text deals with the idea of being as it is perceived within metaphysical thought, where being is often illuminated only in relation to itself, leaving other aspects of its essence unexplored. This approach highlights the limitations of metaphysical thought in fully comprehending the essence of being, suggesting a kind of inherent blindness within metaphysical philosophy to certain aspects of reality. Heidegger comments extensively on the relationship between metaphysics and the concept of nothingness, or 'the nothing', as a crucial aspect of understanding being. It discusses how metaphysics, in its traditional form, tends to overlook the significance of nothing in its quest to define and understand being. This oversight is presented as a critical gap in metaphysical thought, as it fails to recognize the integral role that nothingness plays in the broader context of existence and reality. The discussion extends to the implications of this oversight, suggesting that a deeper understanding of metaphysics requires a reevaluation of the role and significance of nothingness within philosophical discourse. This aspect of the paper reflects a profound challenge to conventional metaphysical doctrines, urging a rethinking of fundamental philosophical concepts in order to achieve a more comprehensive understanding of the nature of being and existence.

"What is the meaning of being?" This is the central question of Martin Heidegger's profoundly important work, in which the great philosopher seeks to explain the basic problems of existence. A central influence on later philosophy, literature, art, and criticism—as well as existentialism and much of postmodern thought—Being and Time forever changed the intellectual map of the modern world. As Richard Rorty wrote in the New York Times Book Review, "You cannot read most of the important thinkers of recent times without taking Heidegger's thought into account." This first paperback edition of John Macquarrie and Edward Robinson's definitive translation also features a new foreword by Heidegger scholar Taylor Carman.

Numerous volumes have been written on the philosophy of Martin Heidegger, and new translations of his writings appear on a regular basis. Up to now, however, no book has addressed the connections between Heidegger's thought and the hermeneutic methodology involved in translating his works - or any other text. Gathering essays by internationally recognized scholars, this volume examines the specific synergy that holds between Heidegger's thinking and the distinctive endeavor of translation. Heidegger, Translation, and the Task of Thinking: Essays in Honor of Parvis Emad offers scholars and students alike a rare journey into the insights and intricacies of one of the greatest philosophers of the twentieth century. The book also pays homage to Parvis Emad, Professor Emeritus of Philosophy at De Paul University, founder of the journal Heidegger Studies and a renowned translator of Heidegger’s writings. Heidegger, Translation, and the Task of Thinking: Essays in Honor of Parvis Emad provides a uniquely focused perspective on Heidegger's thought, and delves into the strategies and controversies that attend all attempts to translate his most complex and challenging texts, including his seminal works Contributions to Philosophy and Mindfulness. Accordingly, this book will be of great interest and benefit to anyone working in the fields of phenomenology, hermeneutics, or Heidegger studies.

The Event (Complete Works, volume 71) is part of a series of Heidegger's private writings in response to Contributions.

"The heart of history, for Heidegger, is not a sequence of occurrences but the eruption of significance at critical junctures that bring us into our own by making all being, including our being, into an urgent issue. In emergency, being emerges."—from The Emergency of Being The esoteric Contributions to Philosophy, often considered Martin Heidegger's second main work after Being and Time, is crucial to any interpretation of his thought. Here Heidegger proposes that being takes place as "appropriation." Richard Polt's independent-minded account of the Contributions interprets appropriation as an event of emergency that demands to be thought in a "future-subjunctive" mode. Polt explores the roots of appropriation in Heidegger's earlier philosophy; Heidegger's search for a way of thinking suited to appropriation; and the implications of appropriation for time, space, human existence, and beings as a whole. In his concluding chapter, Polt reflects critically on the difficulties of the radically antirationalist and antimodern thought of the Contributions. Polt's original reading neither reduces this challenging text to familiar concepts nor refutes it, but engages it in a confrontation—an encounter that respects a way of thinking by struggling with it. He describes this most private work of Heidegger's philosophy as "a dissonant symphony that imperfectly weaves together its moments into a vast fugue, under the leitmotif of appropriation. This fugue is seeded with possibilities that are waiting for us, its listeners, to develop them. Some are dead ends—viruses that can lead only to a monolithic, monotonous misunderstanding of history. Others are embryonic insights that promise to deepen our thought, and perhaps our lives, if we find the right way to make them our own."