"Who were they? Ordinary people like you or me—or monsters?” asks internationally acclaimed author Slavenka Drakulic as she sets out to understand the people behind the horrific crimes committed during the war that tore apart Yugoslavia in the 1990s. Drawing on firsthand observations of the trials, as well as on other sources, Drakulic portrays some of the individuals accused of murder, rape, torture, ordering executions, and more during one of the most brutal conflicts in Europe in the twentieth century, including former Serbian president Slobodan Miloševic; Radislav Krstic, the first to be sentenced for genocide; Biljana Plavšic, the only woman accused of war crimes; and Ratko Mladic, now in hiding. With clarity and emotion, Drakulic paints a wrenching portrait of a country needlessly torn apart.

Slavenka Drakulic attended the Serbian war crimes trial in the Hague. This important book is about how ordinary people commit terrible crimes in wartime. With extraordinary story-telling skill Drakulic draws us in to this difficult subject. We cannot turn away from her subject matter because her writing is so engaging, lively and compelling. From the monstrous Slobodan Milosevich and his evil Lady Macbeth of a wife to humble Serb soldiers who claim they were 'just obeying orders', Drakulic brilliantly enters the minds of the killers. There are also great stories of bravery and survival, both from those who helped Bosnians escape from the Serbs and from those who risked their lives to help them.

In a world where every person is exposed daily through the mass media to images of violence and suffering, as most dramatically exemplified in recent years by the ongoing tragedy in Darfur, the question naturally arises: What responsibilities do we, as bystanders to such social injustice, bear in holding accountable those who have created the conditions for this suffering? And what is our own complicity in the continuance of such violence&—indeed, how do we contribute to and benefit from it? How is our responsibility as individuals connected to our collective responsibility as members of a society? Such questions underlie Stephen Esquith&’s investigation in this book. For Esquith, being responsible means holding ourselves accountable as a people for the institutions we have built or tolerated and the choices we have made individually and collectively within these institutional constraints. It is thus more than just acknowledgment; it involves settling accounts as well as recognizing our own complicity even as bystanders.

A beautifully imagined story of the last days of Frida Kahlo?s life A few days before Frida Kahlo?s death in 1954, she wrote in her diary, ?I hope the exit is joyful?and I hope never to return.? Diagnosed with polio at the age of six and plagued by illness and injury throughout her life, Kahlo?s chronic pain was a recurrent theme in her extraordinary art. In Frida?s Bed, Slavenka Drakulic´ explores the inner life of one of the world?s most influential female artists, skillfully weaving Frida?s memories into descriptions of her paintings, producing a meditation on the nature of chronic pain and creativity. With an intriguing subject whose unusual life continues to fascinate, this poignant imagining of Kahlo?s thoughts during her final hours by another daringly original and uncompromising creative talent will attract readers of literary fiction and art lovers alike.

The essays included in this volume mostly originate from the conference organised by the editors at Glasgow Women’s Library in March 2012. Language, multilingual narratives and interaction between cultures and languages were key themes of the conference. Interdisciplinary and international, the conference, like this edited volume, brought together specialists working in a range of fields and provided an opportunity for exchanges between historians, sociologists, scientists and literary scholars, as well as between theoreticians and practitioners, academics and non-academics. In spite of these many different approaches, all the papers presented here transcend the idea of ‘national identity’ as an epic heritage or destiny, both linguistic and literary, and suggest a much more fluid definition of citizenship. Working from this perspective and within this general framework, both the editors and the contributors of this volume encourage a broader discussion on women’s narratives of displacement that compels us to rethink the notions of ‘mother tongue’ and ‘native speaker’ and raises philosophical questions about linguistic ownership; in other words, whether a language is owned, appropriated, imposed or rejected and how women experience and express their sense of ‘permanent strangeness’.

This wide-ranging, insightful book will make readers keenly aware of the media’s power, while underscoring the role that we all play in fostering a media climate that cultivates a greater sense of humanity, cooperation, and fulfillment of human potential. What role do the media have in creating the conditions for atrocities such as occurred in Rwanda? Conversely, can the media be used to preserve democracy and safeguard the human rights of all citizens in a diverse society? How will the media, now global in scope, affect the fate of the planet itself? The author explores these intriguing questions and more in this in-depth examination of the media’s power to either help or harm. She begins by documenting how the media were used to spread a contagion of hate in three deadly conflicts: Rwanda, Nazi Germany, and the former Yugoslavia. She then turns to areas of the world where the media acted constructively—by aiding the peace process in Northern Ireland, rebuilding democracy in Chile, bridging ethnic divides in South Africa, improving the lot of women in Senegal, and boosting transparency and democratization in Mexico and Taiwan. Finally, she explains how the media interact with psychological and cultural forces to impact perceptions, fears, peer-pressure, "groupthink," and the creation of heroes and villains.

Thirteen-year-old Drew starts the summer of 1986 helping in her mother's cheese shop and dreaming about co-worker, Nick. But when her widowed mother begins dating, Drew turns to her father's copy of "The Book of Lists," her pet rat, and Emmett--a boy on a quest--to help her cope.

This unique new work of reference traces the origins of the modern laws of warfare from the earliest times to the present day. Relying on written records from as far back as 2400 BCE, and using sources ranging from the Bible to Security Council Resolutions, the author pieces together the history of a subject which is almost as old as civilisation itself. The author shows that as long as humanity has been waging wars it has also been trying to find ways of legitimising different forms of combatants and regulating the treatment of captives. This first book on warfare deals with the broad question of whether the patterns of dealing with combatants and captives have changed over the last 5,000 years, and if so, how? In terms of context, the first part of the book is about combatants and those who can 'lawfully' take part in combat. In many regards, this part of the first volume is a series of 'less than ideal' pathways. This is because in an ideal world there would be no combatants because there would be no fighting. Yet as a species we do not live in such a place or even anywhere near it, either historically or in contemporary times. This being so, a second-best alternative has been to attempt to control the size of military forces and, therefore, the bloodshed. This is also not the case by which humanity has worked over the previous centuries. Rather, the clear assumption for thousands of years has been that authorities are allowed to build the size of their armed forces as large as they wish. The restraints that have been applied are in terms of the quality and methods by which combatants are taken. The considerations pertain to questions of biology such as age and sex, geographical considerations such as nationality, and the multiple nuances of informal or formal combatants. These questions have also overlapped with ones of compulsion and whether citizens within a country can be compelled to fight without their consent. Accordingly, for the previous 3,000 years, the question has not been whether there should be a limit on the number of soldiers, but rather who is or is not a lawful combatant. It has rarely been a question of numbers. It has been, and remains, one of type. The second part of this book is about people, typically combatants, captured in battle. It is about what happens to their status as prisoners, about the possibilities of torture, assistance if they are wounded and what happens to their remains should they be killed and their bodies fall into enemy hands. The theme that ties all of these considerations together is that all of the acts befall those who are, to one degree or another, captives of their enemies. As such, they are no longer masters of their own fate. As a work of reference this first volume, as part of a set of three, is unrivalled, and will be of immense benefit to scholars and practitioners researching and advising on the laws of warfare. It also tells a story which throws fascinating new light on the history of international law and on the history of warfare itself.

The Politics of International Law offers an introduction to the role of law in contemporary international affairs. Through a case study-driven analysis of topics such as human rights, the use of force, international environmental law, international trade law, international criminal justice and the right to self-determination, the book explains the interaction between law and politics in the world today, demonstrating that one cannot be understood withoutthe other.The book is divided into two parts. Part I introduces contemporary international law with a focus on constitutive legal principles such as sovereignty, territorial integrity and the legal equality of states. Through these introductory chapters, students are encouraged to take a holistic view of the processes and actors that drive international affairs, and explore the fascinating paradox that while international law is largely created through political processes, it also constitutes theenvironment in which international politics is practiced.Part II builds on the foundations laid in Part I to analyze contemporary controversies in international law and politics. Chapters focus on a number of substantive issue areas, including international environmental law, international economic law, human rights law, self-determination and secession, the law governing the use of force, and international criminal justice.This book is written to impart on readers a deepened understanding of both the possibilities and limits of international law as a tool for structuring relations in the world.Digital Formats and ResourcesAlso available as an e-book with functionality, navigation features, and links that offer extra learning support