When an 82-year-old Manhattan heiress disappeared, an investigation led to the arrest of Sante and Kenneth Kimes, a mother and son team who had lived in a world of riches and privilege. As they face trial, accused of a shocking array of crimes, including murder, an award-winning police reporter provides this gripping account of a case that continues to shock the nation. of photos.

The focus of this book is the trial and conviction of Sante and Kenneth Kimes for the bizarre murder of Irene Silverman, whose New York mansion they were attempting to steal.

In 1988 a troubled young man and his flamboyant mother were arrested for murdering a wealthy widow in her New York City mansion. Suddenly, America was transfixed by a pair of real-life film noir characters. The media couldn't get enough of the twisted relationship between Sante Kimes and her twenty-three-year-old son Kenny. But the most chilling story of all was never told—until now. Kent Walker, Sante's elder son, reveals how he survived forty years of "the Dragon Lady's" very special brand of motherly love and still managed to get away. As a child Kent watched his mother destroy his hardworking father, Ed Walker, and then—with Kent's painful collusion—snare what Sante called "my millionaire." When she married seemingly respectable real-estate developer Ken Kimes, it was a match made in hell. For the next two decades Kent's mother and stepfather indulged in a globetrotting orgy of criminal behaviour. Kent, their would-be recruit, was privy to the family business—torching houses, defrauding friends, crashing White When Kent's half-brother, Kenny was born, Kent was twelve years old—old enough to know that he was his younger sibling's only protector. Kent tried desperately to save Kenny from his mother's sinister bidding. His failure haunts him to this day.

NEW YORK TIMES BESTSELLER • From the award-winning author of Empire of Pain and Say Nothing—and one of the most decorated journalists of our time—twelve enthralling true stories of skulduggery and intrigue "An excellent collection of Keefe's detective work, and a fine introduction to his illuminating writing." —NPR “Fast-paced...Keefe is a virtuoso storyteller." —The Washington Post Patrick Radden Keefe has garnered prizes ranging from the National Magazine Award to the Orwell Prize to the National Book Critics Circle Award for his meticulously-reported, hypnotically-engaging work on the many ways people behave badly. Rogues brings together a dozen of his most celebrated articles from The New Yorker. As Keefe says in his preface “They reflect on some of my abiding preoccupations: crime and corruption, secrets and lies, the permeable membrane separating licit and illicit worlds, the bonds of family, the power of denial.” Keefe brilliantly explores the intricacies of forging $150,000 vintage wines, examines whether a whistleblower who dared to expose money laundering at a Swiss bank is a hero or a fabulist, spends time in Vietnam with Anthony Bourdain, chronicles the quest to bring down a cheerful international black market arms merchant, and profiles a passionate death penalty attorney who represents the “worst of the worst,” among other bravura works of literary journalism. The appearance of his byline in The New Yorker is always an event, and collected here for the first time readers can see his work forms an always enthralling but deeply human portrait of criminals and rascals, as well as those who stand up against them.

Jim Thompson's classic The Grifters is one of the best novels ever written about the art of the con, an ingeniously crafted story of deception and betrayal that was the basis for the critically acclaimed film by Stephen Frears and Martin Scorcese. To his friends, to his coworkers, and even to his mistress Moira, Roy Dillon is an honest hardworking salesman. He lives in a cheap hotel just within his pay bracket. He goes to work every day. He has hundreds of friends and associates who could attest to his good character. Yet, hidden behind three gaudy clown paintings in Roy's pallid hotel room, sits fifty-two thousand dollars — the money Roy makes from his short cons, his "grifting." For years, Roy has effortlessly maintained control over his house-of-cards life — until the simplest con goes wrong, and he finds himself critically injured and at the mercy of the most dangerous woman he ever met: his own mother.

Complete summary of David Graeber book Bullshit Jobs About the original book: In 1930, economist John Maynard Keynes predicted that by the end of the century, we would all be working fifteen-hour weeks. But then something strange happened. The average working hours have grown rather than reduced in recent years. And now, three-quarters of all occupations in the industrialized world are in services or administration, positions that don't appear to give value to society—bullshit jobs. David Graeber's book Bullshit Jobs investigates how this issue - more identified with the Soviet Union in the twentieth century, but which capitalism was intended to eradicate - came to be. He examines how we value labor and how, rather than being productive, work has become a goal in itself; how much work perpetuates the existing dysfunctional financial capital system; and, eventually, how we might break free.

From David Graeber, the bestselling author of The Dawn of Everything and Debt—“a master of opening up thought and stimulating debate” (Slate)—a powerful argument against the rise of meaningless, unfulfilling jobs…and their consequences. Does your job make a meaningful contribution to the world? In the spring of 2013, David Graeber asked this question in a playful, provocative essay titled “On the Phenomenon of Bullshit Jobs.” It went viral. After one million online views in seventeen different languages, people all over the world are still debating the answer. There are hordes of people—HR consultants, communication coordinators, telemarketing researchers, corporate lawyers—whose jobs are useless, and, tragically, they know it. These people are caught in bullshit jobs. Graeber explores one of society’s most vexing and deeply felt concerns, indicting among other villains a particular strain of finance capitalism that betrays ideals shared by thinkers ranging from Keynes to Lincoln. “Clever and charismatic” (The New Yorker), Bullshit Jobs gives individuals, corporations, and societies permission to undergo a shift in values, placing creative and caring work at the center of our culture. This book is for everyone who wants to turn their vocation back into an avocation and “a thought-provoking examination of our working lives” (Financial Times).

A hilarious romp through a year of expat living in Pattaya, Thailand. Imagine leaving the comfort zone of your home, family and friends to venture into the unknown. Imagine discovering an alien paradise only to realize that here, you are the alien who has to try to fit into your new environment. Imagine stumbling through a year of discovery among a tapestry of blunders and imagine that, all the while, you don't have a clue what you are doing. That takes a lot of imagination! ... but not for The Fool. By the author of the best selling Money Number One, this book is the third in a trilogy of titles following "The Fool in Paradise" theme. In this instance, "Paradise" refers to the Kingdom of Thailand and "The Fool", of course, is the author. The first in the series, A Fool in Paradise, was published in November 2003. It is a collection of 39 short stories about life in Thailand with particular attention to the entertainment scene in Pattaya. The second, A Fool is Back, came out in December 2004 and contained a further 32 stories along a similar vein, concentrating on fun and humour. Finally, after many delays due primarily to the bone laziness of the author, A Fool's Diary is born. More than a collection of tales, it chronicles a year in the life of a simple man; sometimes insightful, sometimes philosophical, but always with a dry wit that takes no prisoners.

No-Body Homicides: The Evolution of Investigation and Prosecution examines how police and prosecutors have become more successful in obtaining convictions for homicide when the remains of the victim are unavailable as evidence. Based on an examination of over 600 cases in the United States and Canada, this book shows the length some killers will go to avoid punishment and the determination of police and prosecutors to bring them to justice. For over 300 years, murderers in the United States and Canada could avoid prosecution by successfully disposing of the body of their victim. No-Body Homicides provides the reader with a historical overview of prosecutions in which a killer destroyed or hid the body of the victim. It explains why prosecutions were once extremely rare, and how legal, attitudinal, and technical changes have made them more common. The book also explores how the logic of no-body homicide prosecutions differs from body-present homicides. It allows police and prosecutors to draw on the accumulated experience of hundreds of prosecutions. For criminology students, it provides fascinating insights into the process of investigating and prosecuting homicides – as well as a glimpse into the motivations and practices of killers who are so determined to avoid punishment that they remove the bodies of their victims. No-Body Homicides will be of practical interest to police or prosecutors confronted with a missing person’s case that could be sinister. It is also written to be appropriate as a supplementary text in an undergraduate criminology class or for an aficionado of “True Crime.”

A rogue robot is terrorizing the dark underbelly of 1930s Manhattan. Can detective Elias Roche and his new Automatic partner track it down? The year is 1933. Even in a world with free energy, robot labour, and megacorporations, nothing could stop the collapse of the American Dream. As the world-spanning Great Depression rages on, the remaining New York–based mafias clash with police for control of the broken city. Elias Roche, former police officer turned Mafia enforcer, works to maintain a tenuous peace between the two parties. Accustomed to settling disputes with the business end of a gun, Roche must expand his repertoire after a violent murder is covered up by the FBI. With the Mafia insisting they’re innocent of the crime and the police powerless to help, Roche and his new Automatic partner, Allen, must root out those responsible before the situation sparks a war in the city streets. FINALIST FOR THE 2021 RAKUTEN KOBO EMERGING WRITER PRIZE