Although Sinclair had written very critically of organized religion in his book The Profits of Religion, in this novel he takes a more human approach to the story of Christ. Of course, the Christ character is repulsed by the show of wealth he finds in 1920s California culture, which ultimately contributes to his leaving. In that sense, They Call Me Carpenter fits well into the canon of Upton Sinclair.

By using Jesus, or Carpenter as Sinclair calls him, as a literary figure, Sinclair exposes the new and upcoming culture of 1920's Southern California, namely Hollywood. The story takes place in the fictional city of Western City, and begins with a man named Billy being attacked by a mob outside of a theater after watching a German film. Billy then stumbles into a church and is visited by Carpenter, a.k.a. Jesus, who walks out of a stained glass window. Carpenter is shocked and appalled by the upper-class culture. The story then roughly follows the biblical account of the Ministry of Jesus Christ. In the end, Carpenter decides to escape the corroded culture by jumping back into the stained glass window from whence he came.

The St. Croix–born, Harlem-based Hubert Harrison (1883–1927) was a brilliant writer, orator, educator, critic, and activist who combined class consciousness and anti-white-supremacist race consciousness into a potent political radicalism. Harrison’s ideas profoundly influenced “New Negro” militants, including A. Philip Randolph and Marcus Garvey, and his work is a key link in the two great strands of the Civil Rights/Black Liberation struggle: the labor- and civil-rights movement associated with Randolph and Martin Luther King Jr. and the race and nationalist movement associated with Garvey and Malcolm X. In this second volume of his acclaimed biography, Jeffrey B. Perry traces the final decade of Harrison’s life, from 1918 to 1927. Perry details Harrison’s literary and political activities, foregrounding his efforts against white supremacy and for racial consciousness and unity in struggles for equality and radical social change. The book explores Harrison’s role in the militant New Negro Movement and the International Colored Unity League, as well as his prolific work as a writer, educator, and editor of the New Negro and the Negro World. Perry examines Harrison’s interactions with major figures such as Garvey, Randolph, J. A. Rogers, Arthur Schomburg, and other prominent individuals and organizations as he agitated, educated, and organized for democracy and equality from a race-conscious, radical internationalist perspective. This magisterial biography demonstrates how Harrison’s life and work continue to offer profound insights on race, class, religion, immigration, war, democracy, and social change in America.

Working in Germany between the two world wars, John Heartfield (born Helmut Herzfeld, 1891–1968) developed an innovative method of appropriating and reusing photographs to powerful political effect. As a pioneer of modern photomontage, he sliced up mass media photos with his iconic scissors and then reassembled the fragments into compositions that utterly transformed the meaning of the originals. In John Heartfield and the Agitated Image, Andrés Mario Zervigón explores this crucial period in the life and work of a brilliant, radical artist whose desire to disclose the truth obscured by the mainstream press and imperial propaganda made him a de facto prosecutor of Germany’s visual culture. Zervigón charts the evolution of Heartfield’s photomontage from an act of antiwar resistance into a formalized and widely disseminated political art in the Weimar Republic. Appearing on everything from campaign posters to book covers, the photomonteur’s notorious pictures challenged well-worn assumption and correspondingly walked a dangerous tightrope over the political, social, and cultural cauldron that was interwar Germany. Zervigón explains how Heartfield’s engagement with montage arose from a broadly-shared dissatisfaction with photography’s capacity to represent the modern world. The result was likely the most important combination of avant-garde art and politics in the twentieth century. A rare look at Heartfield’s early and middle years as an artist and designer, this book provides a new understanding of photography’s role at this critical juncture in history.

Upton Sinclair's 'UPTON SINCLAIR: 29 Books in One Volume' is a monumental collection of the author's most influential works, covering a wide range of themes including social justice, poverty, and corruption. Sinclair's bold and unapologetic style of writing shines through in every page, exposing the harsh realities of society and challenging readers to confront uncomfortable truths. The collection provides a comprehensive look at Sinclair's evolution as a writer and his impact on the literary world, making it a must-read for anyone interested in American literature and social activism. Each book showcases Sinclair's keen insight into the human condition, making his works relevant and powerful even today.Upton Sinclair, a prominent investigative journalist and social reformer, drew inspiration from his own experiences and observations to create this prolific body of work. His dedication to exposing the injustices of his time through literature solidified his reputation as a groundbreaking writer and activist. Sinclair's commitment to addressing societal issues through his writing is evident in every book included in this collection, making his work a timeless and influential contribution to literature.I recommend 'UPTON SINCLAIR: 29 Books in One Volume' to readers looking to explore the intersection of literature and social change. Sinclair's works provoke thought and challenge readers to consider the world in a new light, making this collection essential reading for anyone interested in the power of storytelling to enact change.

Winner of the Pulitzer Prize in 1943, Upton Sinclair was a prolific American novelist and polemicist for socialism, health, temperance, free speech and worker rights. His classic muckraking novel ‘The Jungle’ is regarded as a landmark naturalistic proletarian work, praised by Jack London as “the ‘Uncle Tom’s Cabin’ of wage slavery.” This comprehensive eBook presents Sinclair’s collected works, with numerous illustrations, rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Sinclair’s life and works * Concise introductions to the major novels * 28 novels, with individual contents tables * Features rare novels appearing for the first time in digital publishing * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Includes a selection of Sinclair’s plays and non-fiction * Features two autobiographies – discover Sinclair’s intriguing life * Ordering of texts into chronological order and genres CONTENTS: The Novels A Prisoner of Morro (1898) Springtime and Harvest (1901) The Journal of Arthur Stirling (1903) On Guard (1903) The West Point Rivals (1903) A West Point Treasure (1903) A Cadet’s Honor (1903) The Cruise of the Training Ship (1903) Manassas (1904) A Captain of Industry (1906) The Jungle (1906) The Overman (1907) The Metropolis (1908) The Moneychangers (1908) Samuel the Seeker (1910) Love’s Pilgrimage (1911) Damaged Goods (1913) Sylvia (1913) Sylvia’s Marriage (1914) King Coal (1917) Jimmie Higgins (1919) 100%: The Story of a Patriot (1920) They Call Me Carpenter (1922) The Millennium (1924) The Spokesman’s Secretary (1926) Oil! (1927) Boston (1928) Affectionately Eve (1961) The Plays Plays of Protest (1912) The Pot Boiler (1913) The Non-Fiction The Industrial Republic (1907) Good Health and How We Won It (1909) The Fasting Cure (1911) The Profits of Religion (1917) The Brass Check (1919) The Goose-Step (1923) The Goslings (1924) Mammonart (1925) Letters to Judd, an American Workingman (1925) Mental Radio (1930) The Book of Love (1934) The Autobiography The Autobiography of Upton Sinclair (1962)

Winner of the Pulitzer Prize in 1943, Upton Sinclair was a prolific American novelist and polemicist for socialism, health, temperance, free speech and worker rights. His classic muckraking novel ‘The Jungle’ is regarded as a landmark naturalistic proletarian work, praised by Jack London as “the ‘Uncle Tom’s Cabin’ of wage slavery.” Sinclair also reached a wide audience with his Lanny Budd series of contemporary historical novels, concerning the adventures of an antifascist hero, who witnesses key events surrounding the two World Wars. This comprehensive eBook presents Sinclair’s collected works, with numerous illustrations, rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Sinclair’s life and works * Concise introductions to the major novels * 43 novels, with individual contents tables * The Complete Lanny Budd Series; all eleven novels * Features rare novels appearing for the first time in digital publishing * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Includes a selection of Sinclair’s plays and non-fiction * Features two autobiographies – discover Sinclair’s intriguing life * Ordering of texts into chronological order and genres CONTENTS: The Lanny Budd Series World’s End (1940) Between Two Worlds (1941) Dragon’s Teeth (1942) Wide Is the Gate (1943) Presidential Agent (1944) Dragon Harvest (1945) A World to Win (1946) A Presidential Mission (1947) One Clear Call (1948) O Shepherd, Speak! (1949) The Return of Lanny Budd (1953) Other Novels A Prisoner of Morro (1898) Springtime and Harvest (1901) The Journal of Arthur Stirling (1903) On Guard (1903) The West Point Rivals (1903) A West Point Treasure (1903) A Cadet’s Honor (1903) The Cruise of the Training Ship (1903) Manassas (1904) A Captain of Industry (1906) The Jungle (1906) The Overman (1907) The Metropolis (1908) The Moneychangers (1908) Samuel the Seeker (1910) Love’s Pilgrimage (1911) Damaged Goods (1913) Sylvia (1913) Sylvia’s Marriage (1914) King Coal (1917) Jimmie Higgins (1919) 100%: The Story of a Patriot (1920) They Call Me Carpenter (1922) The Millennium (1924) The Spokesman’s Secretary (1926) Oil! (1927) Boston (1928) The Gnomobile (1936) The Flivver King (1937) What Didymus Did (1954) Affectionately Eve (1961) The Plays Plays of Protest (1912) The Pot Boiler (1913) The Non-Fiction The Industrial Republic (1907) Good Health and How We Won It (1909) The Fasting Cure (1911) The Profits of Religion (1917) The Brass Check (1919) The Goose-Step (1923) The Goslings (1924) Mammonart (1925) Letters to Judd, an American Workingman (1925) Mental Radio (1930) The Book of Love (1934) The Autobiographies American Outpost (1932) The Autobiography of Upton Sinclair (1962)

Explores the dynamic nature of Christ worship in the U.S., addressing how his image has been visually remade to champion the causes of white supremacists and civil rights leaders alike, and why the idea of a white Christ has endured.