St Enda's is no ordinary school, and Padraic Pearse is no ordinary headmaster. His pupils are inspired by his vision of freedom and an Irish Republic, and John Joe and his friend Roger see the Easter Rising as their chance to fight for Ireland's freedom. But the two boys are horrified to learn that they are too young to take part. They disobey orders to stay away from the city centre and quickly become caught up in the dramatic events of the Rebellion. Called to be brave and resourceful beyond their years, they witness events that change their lives forever. Another dramatic blend of history and fiction from the inimitable Morgan Llywelyn.

In the 1980s, a new type of central character emerged in contemporary Chinese films - angry and alienated youth. Filmmakers treated youth as a separate category and showed them in urban situations behaving in unconventional and socially rebellious ways. Young Rebels in Contemporary Chinese Cinema looks for evidence in films that exemplify this trend.

A riveting history of the daring politicians who challenged the disastrous policies of the British government on the eve of World War II On May 7, 1940, the House of Commons began perhaps the most crucial debate in British parliamentary history. On its outcome hung the future of Prime Minister Neville Chamberlain's government and also of Britain—indeed, perhaps, the world. Troublesome Young Men is Lynne Olson's fascinating account of how a small group of rebellious Tory MPs defied the Chamberlain government's defeatist policies that aimed to appease Europe's tyrants and eventually forced the prime minister's resignation. Some historians dismiss the "phony war" that preceded this turning point—from September 1939, when Britain and France declared war on Germany, to May 1940, when Winston Churchill became prime minister—as a time of waiting and inaction, but Olson makes no such mistake, and describes in dramatic detail the public unrest that spread through Britain then, as people realized how poorly prepared the nation was to confront Hitler, how their basic civil liberties were being jeopardized, and also that there were intrepid politicians willing to risk political suicide to spearhead the opposition to Chamberlain—Harold Macmillan, Robert Boothby, Leo Amery, Ronald Cartland, and Lord Robert Cranborne among them. The political and personal dramas that played out in Parliament and in the nation as Britain faced the threat of fascism virtually on its own are extraordinary—and, in Olson's hands, downright inspiring.

A SPECTATOR AND SCOTSMAN BOOK OF THE YEAR 'So well researched, pacily written and sympathetic to the Auld Cause that it almost makes one a Jacobite' Andrew Roberts, Spectator 'Enthralling . . . Throws us straight into the fresh air, heather, rain and midges of the Hebrides, followed by the swamps and creeks of North America . . . Full of unforgettable glimpses' The Times The year is 1746. The Jacobite rebellion has failed catastrophically and Scotland is reeling in the devastating aftermath of the battle of Culloden. Far to the west, on an island in the Outer Hebrides, twenty-four-year-old Flora Macdonald is woken in the dead of night by a messenger with urgent intelligence. Bonnie Prince Charlie is outside, begging for her help. With Flora's assistance, the Stuart prince is disguised as an Irish maid and smuggled to the Isle of Skye, evading government troops. Flora's bravery and determination will see her immortalised in ballads and proclaimed a Scottish heroine. But her efforts also result in her capture and detention in London. Released the following year and returning to Skye, Flora goes on to marry and emigrate to North Carolina, only then to be caught up in the American Revolutionary War. In Pretty Young Rebel, award-winning biographer Flora Fraser tells the remarkable story of Flora Macdonald. It is a tale of adventure and daring, wit and charm, struggle and survival, and of a woman who showed extraordinary courage in the face of great danger.

A captivating biography of the remarkable young Scotswoman whose bold decision to help “Bonnie” Prince Charlie—the Stuart claimant to the British throne—evade capture and flee the country has become the stuff of legend. After his decisive defeat at the Battle of Culloden in 1746, Prince Charles Edward Stuart was a man on the run. Seeking refuge in the Outer Hebrides, hoping to escape to France, he found an unlikely ally in Flora MacDonald, a young woman in her early twenties, loyal to the Stuarts. Disguising the prince as an Irish maid, petticoats and all, Flora conveyed Charles by boat to Skye, where they lodged safely with her family, until the prince’s inexpert handling of feminine attire caused concern, and he was persuaded to forgo the ruse before fleeing the area undetected. Flora never saw him again. This famous incident led to Flora’s enduring appeal as a courageous Scottish heroine, inspiring and influencing countless novels, poems, and songs—most notably, the classic ballad “Skye Boat Song” adapted from a traditional tune in the late nineteenth century. But her remarkable life didn’t come to a close with her clandestine mission to Skye. Faced with a confession from one of the boatmen, Flora was arrested and taken to London on charges of treason, where under interrogation, she wittily deflected questions and staunchly defended her motives. She was eventually released under the 1747 Act of Indemnity, but disaster would befall her yet again: in 1774, Flora and her husband, Allan MacDonald, fled the impoverished highlands for a brighter future in Cross Creek, North Carolina—utterly unaware of the burgeoning revolution that would upend their lives there, with Allan imprisoned and Flora fleeing, penniless, back home to the Hebrides. In this probing, evocative portrait of a tumultuous life, master historian Flora Fraser peels away the layers of misinformation, legend, and myth to reveal Flora MacDonald in full. Fraser presents a fascinating picture of this headstrong and irrepressible woman. As Samuel Johnson declared upon visiting her in Scotland, her name was “a name that will be mentioned in history, and if courage and fidelity be virtues, mentioned with honor.”

Young Rebel With a Cause concerns a young surgeon who graduated from the University of Maryland School of Medicine and joins the Confederate forces but is concerned about saving lives of both Union and Confederate soldiers who were being killed in large numbers as a result of the Civil War. The book has a great deal of action, historical background, romance, interesting characters and much to be learned about the War and the State of Maryland.

We the Young Fighters is at once a history of a nation, the story of a war, and the saga of downtrodden young people and three pop culture superstars. Reggae idol Bob Marley, rap legend Tupac Shakur, and the John Rambo movie character all portrayed an upside-down world, where those in the right are blamed while the powerful attack them. Their collective example found fertile ground in the West African nation of Sierra Leone, where youth were entrapped, inequality was blatant, and dissent was impossible. When warfare spotlighting diamonds, marijuana, and extreme terror began in 1991, military leaders exploited the trio's transcendent power over their young fighters and captives. Once the war expired, youth again turned to Marley for inspiration and Tupac for friendship. Thoroughly researched and accessibly written, We the Young Fighters probes terror-based warfare and how Tupac, Rambo, and-especially-Bob Marley wove their way into the fabric of alienation, resistance, and hope in Sierra Leone. The tale of pop culture heroes radicalizing warfare and shaping peacetime underscores the need to engage with alienated youth and reform predatory governments. The book ends with a framework for customizing the international response to these twin challenges.

Holden Caulfield, the beat writers, Elvis Presley, Chuck Berry, and James Dean—these and other avatars of youthful rebellion were much more than entertainment. As Leerom Medovoi shows, they were often embraced and hotly debated at the dawn of the Cold War era because they stood for dissent and defiance at a time when the ideological production of the United States as leader of the “free world” required emancipatory figures who could represent America’s geopolitical claims. Medovoi argues that the “bad boy” became a guarantor of the country’s anti-authoritarian, democratic self-image: a kindred spirit to the freedom-seeking nations of the rapidly decolonizing third world and a counterpoint to the repressive conformity attributed to both the Soviet Union abroad and America’s burgeoning suburbs at home. Alongside the young rebel, the contemporary concept of identity emerged in the 1950s. It was in that decade that “identity” was first used to define collective selves in the politicized manner that is recognizable today: in terms such as “national identity” and “racial identity.” Medovoi traces the rapid absorption of identity themes across many facets of postwar American culture, including beat literature, the young adult novel, the Hollywood teen film, early rock ‘n’ roll, black drama, and “bad girl” narratives. He demonstrates that youth culture especially began to exhibit telltale motifs of teen, racial, sexual, gender, and generational revolt that would burst into political prominence during the ensuing decades, bequeathing to the progressive wing of contemporary American political culture a potent but ambiguous legacy of identity politics.