The first book ever produced with full access the Pink Floyd archive. Published to accompany the V&A's major summer exhibition, Pink Floyd: Their Mortal Remains, celebrates 50 years of one of the greatest bands of all time. Five essays tackle different aspects of their far-reaching legacy in music and the visual arts. Authors including Jon Savage, Howard Goodall and Rob Young examine what makes the band truly special, from the mythology underpinning their output, through to their experimentation with technology to create new sounds. their epic staging and performance impact will also be explored, along with the anti-authoritarianism that infuses their lyrics. 00The book is heavily illustrated throughout, emphasizing the essential role that visual material played in supporting the music and creating the lasting Pink Floyd phenomenon. 00Victoria Broackes is Senior Curator and Head of Exhibitions for the Department of Theatre and Performance at the V&A. She has produced a number of successful touring exhibitions, including You Say You Want a Revolution? and David Bowie Is. Anna Landreth Strong is Curator of Modern and Contemporary Performance at the V&A. 00Exhibition: Victoria and Albert Museum, London, United Kingdom (13.05-01.10.2017).

Six Feet Under meets Edward Scissorhands in Mortal Remains, a tight, smartly written romance with an occult twist. Though her classmates call her Morticia and Ghoul Girl, Lily actually likes her work—the dead are good listeners, and they don't judge. Lily learns their stories, shares her worries with them as she makes up their faces, and embroiders pillows for their final rest. “The way I figure it,” says Lily, “a person's arrival into this world is about as unglamorous as it gets. The least I can do is dignify their departure." Then, after a mysterious explosion burns down a neighborhood house long the source of weird stories, Lily and her friends poke around in the debris and come across the hatch to an underground vault. Inside, they find an injured teenage boy who has been trapped there for days. He has little memory of his life before the explosion and speaks in an odd, stilted manner that suggests limited interaction with the outside world. Yet the boy, Adam, feels there is something familiar about Lily—and Lily must admit that she feels a strange connection to him as well. Could Adam be the boy who, years ago, protected her from the bullying of a gang of neighborhood kids? But when she finds out that boy died shortly after their encounter, she realizes Adam couldn't be him… could he? Where did Adam come from, anyway? And, most importantly, why was he kept prisoner by his own father? Within days of the explosion, my night terrors returned with a vengeance. In them I was falling, always falling, until I heard the crack of bone and woke screaming, my hair plastered to my sweat-drenched cheeks. I knew I’d only find peace when I’d put the question of Adam’s fate to rest once and for all. It became my obsession. . . .

When an African-American deputy is shot on a roadside, Texas Caddo County Sheriff Bo Handel uncovers a white supremacist hate campaign being staged from a compound on the edge of town.

The meaning of our concern for mortal remains—from antiquity through the twentieth century The Greek philosopher Diogenes said that when he died his body should be tossed over the city walls for beasts to scavenge. Why should he or anyone else care what became of his corpse? In The Work of the Dead, acclaimed cultural historian Thomas Laqueur examines why humanity has universally rejected Diogenes's argument. No culture has been indifferent to mortal remains. Even in our supposedly disenchanted scientific age, the dead body still matters—for individuals, communities, and nations. A remarkably ambitious history, The Work of the Dead offers a compelling and richly detailed account of how and why the living have cared for the dead, from antiquity to the twentieth century. The book draws on a vast range of sources—from mortuary archaeology, medical tracts, letters, songs, poems, and novels to painting and landscapes in order to recover the work that the dead do for the living: making human communities that connect the past and the future. Laqueur shows how the churchyard became the dominant resting place of the dead during the Middle Ages and why the cemetery largely supplanted it during the modern period. He traces how and why since the nineteenth century we have come to gather the names of the dead on great lists and memorials and why being buried without a name has become so disturbing. And finally, he tells how modern cremation, begun as a fantasy of stripping death of its history, ultimately failed—and how even the ashes of the victims of the Holocaust have been preserved in culture. A fascinating chronicle of how we shape the dead and are in turn shaped by them, this is a landmark work of cultural history.

An account of the organized underworld of ritualistic terror operating in a picturesque Massachusetts town discusses the work of police, forensic scientists, and anthropologists to piece together a series of crimes. Reprint.

This issue of AD looks at the work of STUFISH Entertainment Architects. Founded by the late Mark Fisher, the legendary British architect known for his rock music stage sets for bands including the Rolling Stones, U2 and Pink Floyd, the studio is a recognised leader in entertainment architecture. The STUFISH team of architects, designers, visualisers, production managers, technical specialists and producers creates ambitious and pioneering work, exploring new ways to inspire audiences and visitors, from musical experiences to theatrical shows, exhibitions and buildings. Its work has been synonymous with the key theatrical, musical and monumental events embodied in the collective memory of generations across the globe since the mid-1990s. Entertainment architecture is a highly innovative, creative endeavour, producing ever-more elaborate, architectural spectacles. This issue visits the many facets of STUFISH – its history and design process, audience memory and experience –exploring the story behind and evolution of this particular brand of popular culture and its spatial manifestations, and touching on what the future may hold for it. Contributors include: Leonard Auerbach, Victoria Broackes, Peter Cook, Adam Davis, Haidy Geismar, Robert Kronenburg, Theo Lorenz, Ash Nehru, Aubrey Powell, Neil Thomas, Willie Williams, Patrick Woodroffe and Maciej Woroniecki.

There are many truths in life we know of but fail to acknowledge because they cause too much pain. It is these dark places that Patrick Lane, one of Canada's most important writers, tackles in Mortal Remains. These poems will take readers deep into their own psyches and force them to examine issues close to the bone - if not close to the heart. This book is a must-read for poetry fans unfamiliar with Lane's haunting works.

“Redefines ‘unputdownable.’” —Amie Kaufman, New York Times bestselling author of Illuminae “I was thrilled. I was shocked.” —NPR “Stunning twists and turns.” —BCCB (starred review) In this gripping debut novel, seventeen-year-old Cat must use her gene-hacking skills to decode her late father’s message concealing a vaccine to a horrifying plague. Catarina Agatta is a hacker. She can cripple mainframes and crash through firewalls, but that’s not what makes her special. In Cat’s world, people are implanted with technology to recode their DNA, allowing them to change their bodies in any way they want. And Cat happens to be a gene-hacking genius. That’s no surprise, since Cat’s father is Dr. Lachlan Agatta, a legendary geneticist who may be the last hope for defeating a plague that has brought humanity to the brink of extinction. But during the outbreak, Lachlan was kidnapped by a shadowy organization called Cartaxus, leaving Cat to survive the last two years on her own. When a Cartaxus soldier, Cole, arrives with news that her father has been killed, Cat’s instincts tell her it’s just another Cartaxus lie. But Cole also brings a message: before Lachlan died, he managed to create a vaccine, and Cole needs Cat’s help to release it and save the human race. Now Cat must decide who she can trust: The soldier with secrets of his own? The father who made her promise to hide from Cartaxus at all costs? In a world where nature itself can be rewritten, how much can she even trust herself?

Do you believe in ghosts? Chances are you're either too willing, or not willing enough, to believe that personal consciousness survives after bodily death. Some underestimate the evidence for life after death, not realizing how impressive the most convincing cases are. Others overestimate it, rejecting alternative explanations too readily. In fact, several non-survivalist explanations--hidden or latent linguistic or artistic talents, extreme memory, even psychic abilities--are as interesting as the hypothesis of survival, and may be more plausible than their critics realize. Immortal Remains takes a fresh look at some of the most puzzling cases suggesting life after death, and considers how to tell evidence for an afterlife from evidence for exotic things (including psychic things) done by the living. Author Stephen E. Braude, who has done extensive research in parapsychology and dissociation, explores previously ignored issues about dissociation, creativity, linguistic skills, and the nature and limits of human abilities. He concludes that we have some reason, finally, for believing in life after death.

A comprehensive look at the unique recording history of Pink Floyd, one of the world's most commercially successful and influential rock bands. Pink Floyd All the Songs tells the full story of every recording session, album, and single that the band has released. Since 1965, Pink Floyd been recording sonically experimental and philosophical music, selling more than 250 million records worldwide, including two of the best-selling albums of all time Dark Side of the Moon and The Wall. In Pink Floyd All the Songs, authors Margotin and Guesdon describe the origins of the band's nearly 200 released songs, including details from the recording studio, what instruments were used, and behind-the-scenes stories of the tensions that helped drive the band. Organized chronologically by album, this massive, 544-page hardcover begins with the band's 1967 debut album The Piper at the Gates of Dawn—the only one recorded under founding member Syd Barrett's leadership—and runs all the way through their 2014 farewell album, The Endless River, which was downloaded 12 million times on Spotify during its first week of release. Packed with more than 500 photos, Pink Floyd All the Songs is also filled with stories that fans will treasure, such as Waters working with engineer Alan Parsons to implement revolutionary recording techniques on The Dark Side of the Moon during sessions at Abbey Road Studios in 1972, and producer Bob Ezrin's contributions that helped refine Waters' original sprawling vision for The Wall.