Sarah Agnes Prine begins her diary in 1881 when her father decides to move the whole family - and their horse ranch - from Arizona Territory to Texas, where life will be easier. Sarah, at seventeen, is a tomboy though she longs to be educated, gracious and beautiful like other women. But when the family sets out on the wagon trail and disasters strike in rapid succession, Sarah turns out to be the only thing that keeps them from certain death. Sarah stays brave, strong and determined through everything that befalls her. But she longs to be loved, like any other woman, and she is to meet her destiny in Captain Jack Elliot.

The ultimate anthology of Indian poetry from the Vedas to the present in all the major Indian languages These My Words is an anthology of magnificent breadth, ranging from Valmiki to Agha Shahid Ali, Aurobindo to Vikram Seth, Andal to Tagore, spanning Indian poetry in its myriad forms, styles and languages. The poems speak for themselves and to each other, as folk songs and tribal epics sit alongside classical Sanskrit and formal Tamil verse is a companion to contemporary Bengali or Dogri. There is Ghalib in praise of love, Tukaram on religious bigotry, Ksetrayya on divine love through the erotic, Gieve Patel on identity. In Eunice de Souza and Melanie Silgardo’s carefully curated selection, each poem illumines exquisitely the tradition of Indian poetry.

Twelve-year-old Violet Pesheens is taken away to Residential School in 1966. The diary recounts her experiences of travelling there, the first day, and first months, focusing on the everyday life she experiences--the school routine, battles with Cree girls, being quarantined over Christmas, getting home at Easter and reuniting with her family. When the time comes to gather at the train station for the trip back to the residential school, her mother looks her in the eye and asks, "Do you want to go back, or come with us to the trapline?" Violet knows the choice she must make.

Acclaimed author Ruby Slipperjack delivers a haunting novel about a 12-year-old girl’s experience at a residential school in 1966. Violet Pesheens is struggling to adjust to her new life at residential school. She misses her Grandma; she has run-ins with Cree girls; at her “white” school, everyone just stares; and everything she brought has been taken from her, including her name—she is now just a number. But worst of all, she has a fear. A fear of forgetting the things she treasures most: her Anishnabe language; the names of those she knew before; and her traditional customs. A fear of forgetting who she was. Her notebook is the one place she can record all of her worries, and heartbreaks, and memories. And maybe, just maybe there will be hope at the end of the tunnel. Drawing from her own experiences at residential school, Ruby Slipperjack creates a brave, yet heartbreaking heroine in Violet, and lets young readers glimpse into an all-too important chapter in our nation’s history.

"These Five Words are Mine" is a journey to awareness through the stories of every day life. It embraces the everyday conversations we have with ourselves. It captures the connections we see and those we live with others. It's an ordinary perspective with perhaps different eyes. It's a walk down that familiar road with all the lights on instead of the one we so often take surrounded by darkness. It's a jolt of fresh air when you can't breathe. It's days with a notebook, but not writing so you miss out on what you can't see when your head is down. The words are already so much a part of us, they don't even need to be written. Just felt. Have you ever felt a really deep connection to someone else? To a feeling? To words? Author Jen Croneberger brings awareness into our every day life by connecting us to all of it. Through every day stories, she takes us on a journey. One you will likely relate to as well. It's time to take that walk with eyes wide open. Let's begin" Review: "Far from an ordinary book. It is a friend. If read with an open heart, not only do we realize we are not alone, but we will never look at ourselves and those around us the same."--Daniel Matos, Spoken Word Artist.

Sarah's Quilt, the long-awaited sequel to These Is My Words, continues the dramatic story of Sarah Agnes Prine. Beloved by readers and book clubs from coast to coast, These Is My Words told the spellbinding story of an extraordinary pioneer woman and her struggle to make a home in the Arizona Territories. Now Sarah returns. In 1906, the badlands of Southern Arizona Territory is a desolate place where a three-year drought has changed the landscape for all time. When Sarah's well goes dry and months pass with barely a trace of rain, Sarah feels herself losing her hold upon the land. Desperate, Sarah's mother hires a water witch, a peculiar desert wanderer named Lazrus who claims to know where to find water. As he schemes and stalls, he develops an attraction to Sarah that turns into a frightening infatuation. And just when it seems that life couldn't get worse, Sarah learns that her brother and his family have been trapped in the Great San Francisco Earthquake of 1906. She and her father-in-law cannot even imagine the devastation that awaits them as they embark on a rescue mission to the stricken city. Sarah is a pioneer of the truest spirit, courageous but gentle as she fights to save her family's home. But she never stops longing for the passion she once knew. Though her wealthy neighbor has asked her to wed, Sarah doesn't entirely trust him. And then Udell Hanna and his son come riding down the dusty road. . . .

Part coming of age, part call to action, this fast-paced #ownvoices novel about a Deaf teenager is a unique and inspiring exploration of what it means to belong. Smart, artistic, and independent, sixteen year old Piper is tired of trying to conform. Her mom wants her to be “normal,” to pass as hearing, to get a good job. But in a time of food scarcity, environmental collapse, and political corruption, Piper has other things on her mind—like survival. Piper has always been told that she needs to compensate for her Deafness in a world made for those who can hear. But when she meets Marley, a new world opens up—one where Deafness is something to celebrate, and where resilience means taking action, building a com-munity, and believing in something better. Published to rave reviews as Future Girl in Australia (Allen & Unwin, Sept. 2020), this empowering, unforgettable story is told through a visual extravaganza of text, paint, collage, and drawings. Set in an ominously prescient near future, The Words in My Hands is very much a novel for our turbulent times.

From the bestselling author of These Is My Words comes this exhilarating follow-up to the beloved Sarah's Quilt. In the latest diary entries of pioneer woman Sarah Agnes Prine, Nancy E. Turner continues Sarah's extraordinary story as she struggles to make a home in the Arizona Territory. It is winter 1906, and nearing bankruptcy after surviving drought, storms, and the rustling of her cattle, Sarah remains a stalwart pillar to her extended family. Then a stagecoach accident puts in her path three strangers who will change her life. In sickness and in health, neighbor Udell Hanna remains a trusted friend, pressing for Sarah to marry. When he reveals a plan to grant Sarah her dearest wish, she is overwhelmed with passion and excitement. She soon discovers, however, that there is more to a formal education than she bargained for. Behind the scenes, Sarah's old friend Maldonado has struck a deal with the very men who will become linchpins of the Mexican Revolution. Maldonado plots to coerce Sarah into partnership, but when she refuses, he devises a murderous plan to gain her land for building a railroad straight to Mexico. When Sarah's son Charlie unexpectedly returns from town with a new bride, the plot turns into an all-out range war between the two families. Finally putting an end to Udell's constant kindnesses, Sarah describes herself as "an iron-boned woman." She wants more than to be merely a comfortable fill-in for his dead wife. It is only through a chance encounter that she discovers his true feelings, and only then can she believe that a selfless love has at last reached out to her. . . .

This “important and timely” (Drew Faust, Harvard Magazine) #1 New York Times bestseller examines the legacy of slavery in America—and how both history and memory continue to shape our everyday lives. Beginning in his hometown of New Orleans, Clint Smith leads the reader on an unforgettable tour of monuments and landmarks—those that are honest about the past and those that are not—that offer an intergenerational story of how slavery has been central in shaping our nation's collective history, and ourselves. It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving more than four hundred people. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola, a former plantation-turned-maximum-security prison in Louisiana that is filled with Black men who work across the 18,000-acre land for virtually no pay. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers. A deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country's most essential stories are hidden in plain view—whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods like downtown Manhattan, where the brutal history of the trade in enslaved men, women, and children has been deeply imprinted. Informed by scholarship and brought to life by the story of people living today, Smith's debut work of nonfiction is a landmark of reflection and insight that offers a new understanding of the hopeful role that memory and history can play in making sense of our country and how it has come to be. Winner of the National Book Critics Circle Award for Nonfiction Winner of the Stowe Prize Winner of 2022 Hillman Prize for Book Journalism A New York Times 10 Best Books of 2021

The New York Times bestseller everyone is talking about. If you could read my mind, you wouldn't be smiling. Samantha McAllister looks just like the rest of the popular girls in her junior class. But hidden beneath the straightened hair and expertly applied makeup is a secret that her friends would never understand: Sam has Purely-Obsessional OCD and is consumed by a stream of dark thoughts and worries that she can't turn off. Second-guessing every move, thought, and word makes daily life a struggle, and it doesn't help that her lifelong friends will turn toxic at the first sign of a wrong outfit, wrong lunch, or wrong crush. Yet Sam knows she'd be truly crazy to leave the protection of the most popular girls in school. So when Sam meets Caroline, she has to keep her new friend with a refreshing sense of humor and no style a secret, right up there with Sam's weekly visits to her psychiatrist. Caroline introduces Sam to Poet's Corner, a hidden room and a tight-knit group of misfits who have been ignored by the school at large. Sam is drawn to them immediately, especially a guitar-playing guy with a talent for verse, and starts to discover a whole new side of herself. Slowly, she begins to feel more "normal" than she ever has as part of the popular crowd . . . until she finds a new reason to question her sanity and all she holds dear.