Traces a long-hidden esoteric stream in Christianity and discovers a powerful gnostic spirituality.

Provides an in-depth introduction to the Christian theosophic tradition that began with Jacob Bo¬hme, bringing us into a startling new world of Christian experiential spirituality that is the Christian equivalent of Sufism and Kabbalism.

Focusing on how spiritual initiation takes place in Western esoteric religious, literary, and artistic traditions from antiquity to the present, Restoring Paradise provides an introduction to Western esotericism, including early modern esoteric movements like alchemy, Christian theosophy, and Rosicrucianism. The author argues that European and American literature and art often entail a written transmission of spiritual knowledge in which writing itself works to transmute consciousness, to generate, provoke, or convey spiritual awakening. He focuses on several important figures whose work has not received the attention it deserves, including American writer and Imagist poet H.D. (Hilda Doolittle) and British painter Cecil Collins, among others. While Arthur Versluis presents a new way of understanding Western esotericism in a contemporary light, above all he has crafted a book about knowing, and about how we come to know, and what "knowing" by way of literature and language actually means.

Most professional historians see the relationship between pre-modern and modern alchemy as one of discontinuity and contrast. Mike A. Zuber challenges this dominant understanding and explores aspects of alchemy that have been neglected by recent work in the history of science. The predominant focus on the scientific aspect of alchemy, such as laboratory experiment, practical techniques, and material ingredients, argues Zuber, marginalizes the things that render alchemy so fascinating: its rich and vivid imagery, reliance on the medium of manuscript, and complicated relationship with religion. Spiritual Alchemy traces the early-modern antecedents of modern alchemy through generations of followers of Jacob Boehme, the cobbler and theosopher of Görlitz. As Boehme's disciples down the generations -- including the Silesian nobleman Abraham von Franckenberg and the London-based German immigrant Dionysius Andreas Freher, among others -- studied his writings, they drew on his spiritual alchemy, adapted it, and communicated it to their contemporaries. Spiritual alchemy combines traditional elements of alchemical literature with Christian mysticism. Defying the boundaries between science and religion, this combination was transmitted from Görlitz ultimately to England. In 1850, it inspired a young woman, later known as Mary Anne Atwood, to write her Suggestive Inquiry into the Hermetic Mystery, usually seen as the first modern interpretation of alchemy. Drawing extensively on manuscript or otherwise obscure sources, Zuber documents continuity between pre-modern and modern forms of alchemy while exploring this hybrid phenomenon.

This contains two dissertations on understanding Archaic Astronomy and Parmenides and the Tantric Yoga. Of these the first dissertation concerns with the understanding of Archaic Astronomy from the stand-point of a psychologist of perception, trained in Astronomy. The author deals with the psychology of Perception and the seven Lotus flowers of the Kundalini Yoga by elucidating the study of Arthur Avalon, giving parallels in other traditions, while presenting a comparative study on its bearing o

Will all evil finally turn to good, or does some evil remain stubbornly opposed to God and God's goodness? Will even the devil be redeemed? Addressing a theological issue of perennial interest, this comprehensive book (in two volumes) surveys the history of Christian universalism from the second to the twenty-first century and offers an interpretation of how and why universalist belief arose. The author explores what the church has taught about universal salvation and hell and critiques universalism from a biblical, philosophical, and theological standpoint. He shows that the effort to extend grace to everyone undermines the principle of grace for anyone.

Manly Palmer Hall wrote this book at age twenty-one and self-published it later in his mid twenties. The book is pure conceptual truth without bogging ourselves down with the details. Great read for anyone who likes Joseph Campbell and wishes to follow up on the Power of Myth and get into the right-hand occult.

Here, Arthur Versluis breaks new ground, showing that many writers of the American Renaissance drew extensively on and were inspired by Western esoteric currents. Thus he demonstrates that Alcott and Emerson were indebted to Hermeticism, Christian theosophy, and Neoplatonism; Fuller to alchemy and Rosicrucianism; Hawthorne to alchemy; and Melville to Gnosticism. In addition to offering a detailed analysis of the esoteric elements in the writings of figures from the American Renaissance, Versluis presents an overview of esotericism in Europe and its offshoots in colonial America. This innovative work will interest students and scholars of religion, literature, American studies, and esotericism."--Jacket.