"Grand Guignol holiday humor...biliously funny...an ingenious and gory delight." - Daily Telegraph

THE STORY: In this modern day riff on The Scarlet Letter , Hester La Negrita, a homeless mother of five, lives with her kids on the tough streets of the inner city. Her eldest child is teaching her how to read and write, but the letter A is

Twelve years ago, from the mouth of a great sacrifice, a child was born. And they called her Autumn. Isaac returns to his family home with a chance to atone for the terrible mistake that claimed his childhood. Autumn is a little girl whose time is running out. With three sleeps left before her birthday, she can only hope for a miracle, or an unexpected act of selflessness. Her grandmother, Sophia, brings them together in a desperate attempt to save her family, at any cost. Set against the eerie backdrop of an isolated rural community and steeped in the folklore of the harvest, Grain in the Blood is a noir-ish thriller exploring a timely moral dilemma: how much are we prepared to sacrifice for the greater good? The play received its world premiere at the Tron Theatre, Glasgow, on 18 October 2016, before opening at the Traverse Theatre, Edinburgh, on 1 November 2016.

Blood Knot is a parable of two brothers who share a one-room shack near Port Elizabeth, South Africa: Zachariah is dark-skinned and Morris, light-skinned. They share the same mother but find their differences lead them to a common bond as brothers and men. Saving to buy a farm where they may retire Morris is the "slave", cooking and cleaning while Zach earns money for them both. When Morrie joins a lonely hearts club on his brother's behalf, they find themselves awaiting the visit of a White woman who will never arrive.

A striking new ensemble drama based on the Jena Six; six Black students who were initially charged with attempted murder for a school fight after being provoked with nooses hanging from a tree on campus. This bold new play by Dominique Morisseau (Sunset Baby, Detroit '67, Skeleton Crew) examines the miscarriage of justice, racial double standards, and the crises in relations between men and women of all classes and, as a result, the shattering state of Black family life.

In 1971, Michael Blakemore joined the National Theatre as Associate Director under Laurence Olivier. The National, still based at the Old Vic, was at a moment of transition awaiting the move to its vast new home on the South Bank. Relying on generous subsidy, it would need an extensive network of supporters in high places. Olivier, a scrupulous and brilliant autocrat from a previous generation, was not the man to deal with these political ramifications. His tenure began to unravel and, behind his back, Peter Hall was appointed to replace him in 1973. As in other aspects of British life, the ethos of public service, which Olivier espoused, was in retreat. Having staged eight productions for the National, Blakemore found himself increasingly uncomfortable under Hall's regime. Stage Blood is the candid and at times painfully funny story of the events that led to his dramatic exit in 1976. He recalls the theatrical triumphs and flops, his volatile relationship with Olivier including directing him in Long Day's Journey into Night, the extravagant dinners in Hall's Barbican flat with Harold Pinter, Jonathan Miller and the other associates, the opening of the new building, and Blakemore's brave and misrepresented decision to speak out. He would not return to the National for fifteen years.

A New York Times Notable Book, 1997 Library Journal, Best Book of 1997 Beginning with the "occasional miracles" of a mysterious turn-of-the-century cancer vaccine called Coley's toxins, Stephen S. Hall traces the story of how doctors have learned to harness the immune system and its "commotions" to develop a wide array of cutting-edge therapies. Moving deftly between laboratory and bedside, Hall's absorbing narrative navigates the politics of discovery and elucidates the dazzling complexities of the microscope slide, tracking the curiously potent cells and molecules at the heart of the immune response. From the author of "the best book written about the new age of biology" (Nobel laureate Philip Sharp), who "succeeds marvelously in making science accessible to the general reader," (New York Times), this fast-paced account of medicine in the making is part of the Sloan Foundation Technology Book series.

A Liverpudlian West Side Story, Blood Brothers is the story of twin brothers separated at birth because their mother cannot afford to keep them both. One of them is given away to wealthy Mrs Lyons and they grow up as friends in ignorance of their fraternity until the inevitable quarrel unleashes a blood-bath. Blood Brothers was first performed at the Liverpool Playhouse in 1983 and subsequently transferred to the Lyric Theatre, London. It was revived in the West End in 1988 for a long-running production and opened on Broadway in 1993.