In Dust of the Zulu Louise Meintjes traces the political and aesthetic significance of ngoma, a competitive form of dance and music that emerged out of the legacies of colonialism and apartheid in South Africa. Contextualizing ngoma within South Africa's history of violence, migrant labor, the HIV epidemic, and the world music market, Meintjes follows a community ngoma team and its professional subgroup during the twenty years after apartheid's end. She intricately ties aesthetics to politics, embodiment to the voice, and masculine anger to eloquence and virtuosity, relating the visceral experience of ngoma performances as they embody the expanse of South African history. Meintjes also shows how ngoma helps build community, cultivate responsible manhood, and provide its participants with a means to reconcile South Africa's past with its postapartheid future. Dust of the Zulu includes over one hundred photographs of ngoma performances, the majority taken by award-winning photojournalist TJ Lemon.

A detailed history explaining how and why, in the late nineteenth century and early twentieth, Africans from the British colony of Natal transformed their ethnic self-identification, constructing and claiming a new Zulu identity.

Gives a selective criteria for buying dynamic growth shares, turnarounds, cyclicals, shells and leading shares. This work covers many other relevant aspects of investment such as creative accounting, portfolio management, overseas markets and the investor's relationship with his or her broker.

What does it mean to be Zulu today? Does being Zulu today differ from what it meant in the past? "Zulu Identities" wrestles with these and many other related questions to show how the characteristic traditions of a pre-industrial people have evolved into different cultural expressions of "Zulu-ness" in modern South Africa. This authoritative and specially commissioned volume, which contains more collected expertise on the Zulus than is available from any other source, examines the legacies of Shaka, the intrigues of Zulu royalty, gender and generational struggles, cultural and symbolic projections, and spirituality. It highlights the debates in contemporary South Africa over the manipulation of Zulu heritage, whether deployed for party political purposes or exploited to promote eco- and battlefield-tourism. And finally the book contemplates the future of Zulu identity in a unitary South Africa seeking to embrace the forces of globalization.

A Cape Town cop takes on the media-frenzied murder of a young woman in this “hard-hitting procedural, which won France’s Grand Prix for Best Crime Novel” (Publishers Weekly). As a child, Ali Neuman ran away from home to escape the Inkatha, a militant political party at war with the then-underground African National Congress. He and his mother are the only members of his family who survived the carnage of those years. Today, Neuman is chief of the homicide branch of the Cape Town police, a job in which he must do battle with South Africa’s two scourges: widespread violence and AIDS. When the mutilated corpse of a young white woman is found in the city’s botanical gardens, Neuman finds himself chasing one false lead after another. Then a second corpse is found—another white woman. This time, the body bears signs of a Zulu ritual. Worse, an unknown narcotic has been found in the blood of both victims. The investigation will take Neuman back to his homeland, where he will discover that the once bloody killing fields have become a refuge for unscrupulous multinationals, and that the apparatchiks of apartheid still lurk in the shadows of a society struggling toward reconciliation.

In 1879, armed only with their spears, their rawhide shields, and their incredible courage, the Zulus challenged the might of Victorian England and, initially, inflicted on the British the worst defeat a modern army has ever suffered at the hands of men without guns. This is the definitive account of the rise of the Zulu nation under the great ruler Shaka and its fall under Cetshwayo. The story is studded with tales of drama and heroism: the Battle of Isandhlwana, where the Zulu army wiped out the major British column; and Rorke's Drift, where a handful of British troops beat off thousands of Zulu warriors and won eleven Victoria Crosses. Acclaimed for its scholarship, its monumental range, and its spellbinding readability, The Washing of the Spears is a gripping portrait of not just the Zulu War of 1879, but also of Britain’s colonial policy at this moment.

Publisher Description

The first ever written Zulu history book covering 800 years of authentic history, written from the traditional Zulu perspective. This riveting and climatic saga describes in detail how King Shaka kaSenzangakhona constructed a formidable military empire out of a small, humble Zulu community. The author uses the royal lineage of the Zulu kings as the golden thread to tie the narration of the Zulu nation together. With mise-en-scene, descriptive historical events uncovered and woven together with never-before-told, intimate details of the Zulu royal household; the reader gains a holistic and evenly weighted understanding of the Zulu empire outside of the European perspective. With a foreword of endorsement in authenticity written by the reigning sovereign Zulu King, the book starts with the Zulu perspective of creation, Zulu mythology, culture and their unparalleled military feats. It describes how seasons are interpreted, the names of the planets, stars as well as the structure of the Zulu calendar. It details how King Shaka kaSenzangakhona invented genius military strategies to achieve the impossible and defeated the great British army at iSandlwana, at its peak during the colonial era. Zulu Empire Decolonised is packed with critical historical events that shaped the outcome of what we know of the Zulu nation and democratic 21st century South Africa.

Published in 1880, this account of the 1879 Anglo-Zulu conflict is uncommonly sympathetic towards the Zulu population involved.