Rosemary Watson and Peter McAllister think their future is clear: they’re finally heading off for university. They’re thinking about finding apartments, picking courses, living like adults. But what happens when the future becomes the past? While helping Rosemary’s brother move into an apartment in Toronto, Peter and Rosemary fall into an underground river and are swept back in time, to Toronto in 1884. It’s a struggle to survive and adapt to the alien culture of the late nineteenth century. Peter and Rosemary are forced to work together, to live together, and to become the adults they’ve only been pretending to be. As the days stranded turn to weeks, then months, Rosemary and Peter begin to wonder if they’re really ready for a future together - and what they will do if they can’t get back. Then someone brings them a watch, powered by a battery, made in Taiwan.

Planet City is a speculation of what might happen if the world collapsed into a new home for 10 billion people, allowing the rest of the world to return to a global wilderness. It is both an extraordinary image of tomorrow and an urgent examination of the environmental questions that face us today.

In this nuanced and groundbreaking history, Donna Murch argues that the Black Panther Party (BPP) started with a study group. Drawing on oral history and untapped archival sources, she explains how a relatively small city with a recent history of African

Contents I. Furious Versionis II. The Interrogation This Hour And What Is Dead Arise, Go Down My Father, In Heaven, Is Reading Out Loud For A New Citizen Of These United States With Ruins III. This Room And Everything In It The City In Which I Love You IV. The Waiting A Story Goodnight You Must Sing Here I Am A Final Thing V. The Cleaving

The most significant architectural spaces in the world are now entirely empty of people. The data centres, telecommunications networks, distribution warehouses, unmanned ports and industrialised agriculture that define the very nature of who we are today are at the same time places we can never visit. Instead they are occupied by server stacks and hard drives, logistics bots and mobile shelving units, autonomous cranes and container ships, robot vacuum cleaners and internet-connected toasters, driverless tractors and taxis. This issue is an atlas of sites, architectures and infrastructures that are not built for us, but whose form, materiality and purpose is configured to anticipate the patterns of machine vision and habitation rather than our own. We are said to be living in a new geological epoch, the Anthropocene, in which humans are the dominant force shaping the planet. This collection of spaces, however, more accurately constitutes an era of the Post-Anthropocene, a period where it is technology and artificial intelligence that now computes, conditions and constructs our world. Marking the end of human-centred design, the issue turns its attention to the new typologies of the post-human, architecture without people and our endless expanse of Machine Landscapes. Contributors: Rem Koolhaas, Merve Bedir and Jason Hilgefort, Benjamin H Bratton, Ingrid Burrington, Ian Cheng, Cathryn Dwyre, Chris Perry, David Salomon and Kathy Velikov, John Gerrard, Alice Gorman, Adam Harvey, Jesse LeCavalier, Xingzhe Liu, Clare Lyster, Geoff Manaugh, Tim Maughan, Simone C Niquille, Jenny Odell, Trevor Paglen, Ben Roberts. Featured interviews: Deborah Harrison, designer of Microsoft’s Cortana; and Paul Inglis, designer of the urban landscapes of Blade Runner 2049.

2016 REUBEN AWARD WINNER - BEST GRAPHIC NOVEL! After the bombs fell and shook the walls of Nanjing, the Imperial Japanese Army entered and seized the Chinese capital. Through the dust of the demolished buildings, screams echo off the rubble. Two abandoned Chinese soldiers are trapped and desperately outnumbered inside the walled city. What they'll encounter will haunt them. But in the face of horror, they'll learn that resistance and bravery cannot be destroyed by the enemy. Ethan Young (Tails) delves into World War II's forgotten tragedy, the devastating Japanese invasion of Nanjing, and tells a heart-wrenching tale of war, loss, and defiance. Beautifully illustrated in black and white. "In Nanjing, cartoonist Ethan Young tells an intimate story against an epic landscape. Bold, heart-breaking, and gorgeously rendered." —Eisner and Printz Award-winner Gene Luen Yang (Boxers & Saints, American Born Chinese) "Young’s decision not to glorify violence or titillate the reader in any way avoids a common pitfall and heightens the drama. This is stunning, stirring historical fiction by a creator at the height of his craft." (Starred review) —Publishers Weekly "Young’s is just one chapter in an overwhelmingly grievous episode of the 20th century. The specifics might be fictional amidst a historical backdrop, but in creating names, depicting individual faces both living and dead, Young conjures a haunting microcosm amidst a horrifying event of epic proportions." —Smithsonian APAC Bookdragon "A rugged black and white style ... a little Kubert, a little Tardi." —The Beat "Nanjing: The Burning City deserves a spot alongside not only historical comics, but wartime prose and non-fiction as well. It’s not often that an author can so skillfully evoke powerful emotion while telling a complex and long-forgotten story and this book is an excellent, necessary addition to the genre." —The A.V. Club "Haunting and powerful, Nanjing is a moving tribute to an event which needs to be remembered, as much as we'd like to forget it." —Eisner and Harvey Award-winning author Derek Kirk Kim (Same Difference, Tune) "Young's expressive, thoughtful line work takes full advantage of comics' power. Nanjing reads effortlessly while begging the eyes to savor each page. A triumph at the very soul of the medium, a perfect marriage of Toth and Tatsumi." —Eisner Award-winning writer/artist Nate Powell (March, Swallow Me Whole)

A funny, transporting, surprising, and poignant novel that was one of the highest-selling debuts of recent years in Korea, Love in the Big City tells the story of a young gay man searching for happiness in the lonely city of Seoul Love in the Big City is the English-language debut of Sang Young Park, one of Korea’s most exciting young writers. A runaway bestseller, the novel hit the top five lists of all the major bookstores, went into twenty-six printings, and was praised for its unique literary voice and perspective. It is now poised to capture a worldwide readership. Young is a cynical yet fun-loving Korean student who pinballs from home to class to the beds of recent Tinder matches. He and Jaehee, his female best friend and roommate, frequent nearby bars where they push away their anxieties about their love lives, families, and money with rounds of soju and ice-cold Marlboro Reds that they keep in their freezer. Yet over time, even Jaehee leaves Young to settle down, leaving him alone to care for his ailing mother and to find companionship in his relationships with a series of men, including one whose handsomeness is matched by his coldness, and another who might end up being the great love of his life. A brilliantly written novel that takes us into the glittering nighttime of Seoul and the bleary-eyed morning after with both humor and emotion, Love in the Big City is a wry portrait of millennial loneliness as well as the abundant joys of queer life.

One of our great essayists and journalists—the Dean of American Rock Critics, Robert Christgau—takes us on a heady tour through his life and times in this vividly atmospheric and visceral memoir that is both a love letter to a New York long past and a tribute to the transformative power of art. Lifelong New Yorker Robert Christgau has been writing about pop culture since he was twelve and getting paid for it since he was twenty-two, covering rock for Esquire in its heyday and personifying the music beat at the Village Voice for over three decades. Christgau listened to Alan Freed howl about rock ‘n’ roll before Elvis, settled east of Manhattan’s Avenue B forty years before it was cool, witnessed Monterey and Woodstock and Chicago ’68, and the first abortion speak-out. He’s caught Coltrane in the East Village, Muddy Waters in Chicago, Otis Redding at the Apollo, the Dead in the Haight, Janis Joplin at the Fillmore, the Rolling Stones at the Garden, the Clash in Leeds, Grandmaster Flash in Times Square, and every punk band you can think of at CBGB. Christgau chronicled many of the key cultural shifts of the last half century and revolutionized the cultural status of the music critic in the process. Going Into the City is a look back at the upbringing that grounded him, the history that transformed him, and the music, books, and films that showed him the way. Like Alfred Kazin’s A Walker in the City, E. B. White’s Here Is New York, Joseph Mitchell’s Up in the Old Hotel, and Patti Smith’s Just Kids, it is a loving portrait of a lost New York. It’s an homage to the city of Christgau’s youth from Queens to the Lower East Side—a city that exists mostly in memory today. And it’s a love story about the Greenwich Village girl who roamed this realm of possibility with him.

A 2020 Newbery Honor Recipient! Christian McKay Heidicker, author of the Thieves of Weirdwood trilogy, draws inspiration from Bram Stoker, H. P. Lovecraft and Edgar Allan Poe for his debut middle-grade novel, a thrilling portrait of survival and an unforgettable tale of friendship. "Clever and harrowing." —The Wall Street Journal "Into the finest tradition of storytelling steps Christian McKay Heidicker with these highly original, bone-chilling, and ultimately heart-warming stories. All that’s needed is a blazing campfire and a delicious plate of peaches and centipedes.” —Kathi Appelt, Newbery Award honoree and National Book Award finalist The haunted season has arrived in the Antler Wood. No fox kit is safe. When Mia and Uly are separated from their litters, they discover a dangerous world full of monsters. In order to find a den to call home, they must venture through field and forest, facing unspeakable things that dwell in the darkness: a zombie who hungers for their flesh, a witch who tries to steal their skins, a ghost who hunts them through the snow . . . and other things too scary to mention. Featuring eight interconnected stories and sixteen hauntingly beautiful illustrations, Scary Stories for Young Foxes contains the kinds of adventures and thrills you love to listen to beside a campfire in the dark of night. Fans of Neil Gaiman, Jonathan Auxier, and R. L. Stine have found their next favorite book. A Booklist 2019 Editors' Choice Selection

Young Smith's book of poetry weaves two long sequences (a suicide story and a metaphysical meditation on light) among individual poems of beauty and variety. Follow Mr. and Mrs. Morninghouse through their daily lives, ultimately ending in a suicide.