In The Yellow-Lighted Bookshop, Buzbee, a former bookseller and sales representative, celebrates the unique experience of the bookstore - the smell and touch of books, the joy of getting lost in the deep canyons of shelves, and the silent community of readers. He shares his passion for books, which began with ordering through the Weekly Reader i...

'Tender, evocative' TLS 'Richly engaging' Spectator A Radio 4 Serial Fiction Book of the Week 'A characteristically tender novel about a young man growing up in the shadow of one war and the whispers of the next' Observer 'A wonderful novel about relationships, particularly between a mother and son. A compelling read, beautifully crafted and sensitively written' Irish Examiner _______ Laura, a laundress, meets her young husband when they are both placed in service in Teignmouth in 1914. They have a baby, Charles, but his father returns home from the trenches a damaged man, already ill with the tuberculosis that will soon leave Laura a widow. As a new war looms, Charles signs up for the navy as a coder. His escape from the tight, gossipy confines of Launceston to a more colourful life in action sees him blossom, as he experiences the possibility of death, and the excitement - even terror - of a love that is as clandestine as his work. _______ 'Stands with the best queer literary fiction of a historical bent, illuminated as it is by Gale's devilish wit and talent for both social observation and intricacies of character' Sydney Morning Herald 'A wonderful novel - a touching, utterly convincing portrait of the nascent artist' Mail on Sunday 'A deeply moving novel. The portrait of a complex relationship that constricted as much as it sustained is brilliantly done' The Tablet

Meg Pickel's older brother, Orion, has disappeared. One night, she steals out to look for him, and makes two surprising discoveries: She stumbles upon a séance that she suspects involves Orion, and she meets the author Charles Dickens, also unable to sleep, and roaming the London streets. He is a customer of Meg's father, who owns a print shop, and a family friend. Mr. Dickens fears that the children of London aren't safe, and is trying to solve the mystery of so many disappearances. If he can, then perhaps he'll be able to write once again. With stunning black-and-white illustrations by Greg Ruth, here is a literary mystery that celebrates the power of books, and brings to life one of the world's best-loved authors.

It's been two months since Travis's family moved to a development so new that it seems totally unreal. His parents are working harder now, to pay for it all, and Travis is left to fend for himself. There's one place, though, where Travis can still connect with his old life: the Salinas library. Travis and his family used to go there together every Saturday, but now he bikes to it alone, re-reading his favorite books. It's only natural that Travis likes the work of author John Steinbeck—after all, Salinas is Steinbeck's hometown. But that can't explain why Travis is suddenly seeing Steinbeck's characters spring to life. There's the homeless man in the alley behind the library, the line of figures at the top of a nearby ridge, the boy who writes by night in an attic bedroom. Travis has met them all before—as a reader. But why are they here now? And how? As Travis struggles to solve this mystery, budget cuts threaten his library. And so, he embarks on a journey through Steinbeck's beautiful California landscape, looking for a way to save his safe haven. It's only then that he begins to sort out fact from fiction, discovering the many ways a story can come alive—and stumbling into a story Steinbeck might have started, and Travis needs to complete. Here is a mystery that delves deeply into the ways that books take us, one at a time, out into the vast world.

Best friends Lee Jones and Joan Lee have a lot more in common besides their names. On the eve of their class trip, they each learn their parents are getting divorced. Ugh. The class trip is a dud, so Lee and Joan steal away to talk. What follows is an afternoon nap in a lighthouse, walking up to find the Golden Gate Bridge gone--gone!--and meeting a young man named Sam Clemens, who is on the run from a mysterious stranger. Lee and Joan wonder: Where are they? What year is it? Why don't their cell phones work? How will they get back? Do they even want to? Will life ever be the same?

A captivating meditation on education from the author of The Yellow-Lighted Bookshop In Blackboard, Lewis Buzbee looks back over a lifetime of experiences in schools and classrooms, from kindergarten to college and beyond. He offers fascinating histories of the key ideas informing educational practice over the centuries, which have shaped everything from class size to the layout of desks and chairs. Buzbee deftly weaves his own biography into this overview, approaching his subject as a student, a father, and a teacher. In so doing, he offers a moving personal testament to how he, "an average student" in danger of flunking out of high school, became the first in his family to graduate from college. He credits his success to the well-funded California public school system and bemoans the terrible price that state is paying as a result of funding being cut from today's budgets. For Buzbee, the blackboard is a precious window into the wider world, which we ignore at our peril. "Both anecdotal and eloquent, The Yellow-Lighted Bookshop is a tribute to those who crave the cozy confines of a bookshop, a place to be ‘alone among others' and savor a bountiful literary buffet." —Booklist (starred review)

When Raegan Moya-Jones was told by her overbearing male boss that she didn't have an 'entrepreneurial bone' in her whole body, she almost laughed in his face. What he didn't know was that the business she'd been secretly working on in the small hours of the night after putting her baby to bed, had just hit revenue of $1 million. Today, aden + anais, the swaddling blanket and baby goods company Moya-Jones founded is a global, multimillion dollar franchise and one that Beyonce, Gwen Stefani and the Duke and Duchess of Cambridge loyally support. In this clever, relatable and iconoclastic success story, Moya-Jones busts every myth and misconception about women in business and argues that women should embrace the attributes that set them apart from men. Blanket conventions and perceived barriers attached to the female entrepreneur can be transformed into assets and profit - all you have to do is take the leap.

All it takes is eight seconds . . . Cam O'Mara, grandson and younger brother of bull-riding champions, is not interested in partaking in the family sport. Cam is a skateboarder, and perfecting his tricks—frontside flips, 360s—means everything until his older brother, Ben, comes home from Iraq, paralyzed from a brain injury. What would make a skateboarder take a different kind of ride? And what would get him on a monstrosity of a bull named Ugly? If Cam can stay on for the requisite eight seconds, could the $15,000 prize bring hope and a future for his big brother?

Jean-Luc Nancy's On the Commerce of Thinking concerns the particular communication of thoughts that takes place by means of the business of writing, producing, and selling books. His reflection is born out of his relation to the bookstore, in the first place his neighborhood one, but beyond that any such "perfumery, rotisserie, patisserie," as he calls them, dispensaries "of scents and flavors through which something like a fragrance or bouquet of the book is divined, presumed, sensed." On the Commerce of Thinking is thus not only something of a semiology of the specific cultural practice that begins with the unique character of the writer's voice and culminates in a customer crossing the bookstore threshold, package under arm, on the way home to a comfortable chair, but also an understated yet persuasive plea in favor of an endangered species. In evoking the peddler who, in times past, plied the streets with books and pamphlets literally hanging off him, Nancy emphasizes the sensuality of this commerce and reminds us that this form of consumerism is like no other, one that ends in an experience-reading-that is the beginning of a limitless dispersion, metamorphosis, and dissemination of ideas. Making, selling, and buying books has all the elements of the exchange economy that Marx analyzed--from commodification to fetishism--yet each book retains throughout an absolute and unique value, that of its subject. With reading, it gets repeatedly reprinted and rebound. For Nancy, the book thus functions only if it remains at the same time open and shut, like some Moebius strip. Closed, it represents the Idea and takes its place in a canon by means of its monumental form and the title and author's name displayed on its spine. But it also opens itself to us, indeed consents to being shaken to its core, in being read each time anew.

Have you ever wished you could tell your favourite books just what they mean to you? Or wanted to give a piece of your mind to the 'must-read' book that you wish you hadn't? Librarian Annie Spence has done just that, writing letters to the books under her care, from love letters to Matilda and The Goldfinch, to snarky break-up notes to Fifty Shades of Grey and The Hobbit. Annie's letters will make you laugh, remind you why you love your favourite books, and give you lots of new entries for your reading list. She's also on-hand to help out with your bookish dilemmas: recommendations for lazy readers; excuses to tell your friends when you'd rather stay home reading; and how to turn your lover into a reader. Hilarious, compassionate and smart, Dear Fahrenheit 451 is the consummate book-lover's book.